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Abdessadeq Cheqara (1931 – 31 October 1998) (in Arabic: عبد الصادق شقارة) was a Moroccan singer of traditional Andalusian classical music and Moroccan folk music. Known as the grand master of al-Ala (Andalusian music), he was also a violin and oud virtuoso.

Abdessadeq Cheqara
عبد الصادق شقارة
Background information
Born1931
Tetouan, Morocco
DiedOctober 1998 (aged 6667)
Tetouan, Morocco
Instrument(s)Vocals, violin
Years active1947–1998

His first name is also written Abd el Saddeq, Abdessadek, Abdesaddek, and many other variations. His surname is variously spelt Chekara, Cheqara, Chqara, Sheqara, Shekara, Shkara, and variations thereof.


Life


Abdessadeq Cheqara was born in Tetuan, Morocco. His father, Abdessalam Cheqara, was a singer and musician in Tetuan, while his mother, Assoudia Alharrak, was descended of a family of poets, musicians and philosophers.

From a young age, Cheqara was drawn to music and poetry, being influenced by his father, who gave him his first oud.

Cheqara sang Andalusian and traditional Moroccan folksongs in mawawil (improvised solo), inshad (solo) styles.

Cheqara did much to popularize Andalusian music. Prior to the advent of Abdessadeq, Andalusian music was largely elite music for Andalusians alone.

Much of the Andalusian popular songs or Cha'abi (Sha'abi) are believed to have been appropriated from female Andalusian musicians of Tetuan such as Hajja Shili and Hajja Shahaba. Because of sexism, they were not permitted to record or perform if any males were present and are henceforth not well known. Reportedly Abdessadeq Chekara used to sit with Hajja Cha'haba and Hajja Shili and learn the women's songs, only to go on to record them. Many of the popular Andalusian songs (such as Ben't Bladi) are written from a women's perspective.[1]

Abdessadeq died on 31 October 1998, after a prolonged illness.


Legacy


His work in preserving and developing the Andalusian legacy continues with fellow Tetuani, Tarik Banzi of Al andalus ensemble, or Radio Tarifa.


Records and events


Other notable achievements include:


See also



Footnotes


  1. See Alison Bakers book of interviews of Tetuani women's contributions (Baker 1998) in addition to the thesis on Andalusian women'musicians entitled "Women's Andalusian Ensembles of Tetuan, Morocco" (University of California, Santa Barbara: Ethnomusicology) (Banzi 2002) and http://www.Andalus.com
  2. (Spanish) Archived 20 July 2011 at the Wayback Machine Biography by Eduardo Paniagua. Essay on recordings by Omar Metioui





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