Amanda Jones is an American composer and musician who has composed scores for films, commercials, and television series. She is a member of the indie rock band The Anti-Job[1] and has earned the distinction of becoming the first African American woman nominated in a score category at the Emmys[2] for her work on the Apple TV+ series Home.[3]
Amanda Jones | |
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Born | (1988-10-26) October 26, 1988 (age 34) Columbia, Maryland |
Genres | Indie rock, cinematic music |
Occupation(s) | Musician, composer |
Instrument(s) | Acoustic and electric guitar, piano and voice |
Years active | 2009 to present |
Website | www.amandacomposer.com |
Jones was born on October 26, 1988 in Columbia, Maryland and began playing piano at the age of three and guitar around the age of fourteen.[4] Jones attended Vassar College intending to study chemistry but subsequently changed her major to music.[4] Jones studied music composition, production, and classical guitar under Terry Champlin. She earned a BA in music from Vassar and received certificates in film scoring and orchestration from the Berklee College of Music.[5]
After graduating from Vassar, Jones moved to Los Angeles in 2010 to record with her indie rock band, The Anti-Job, and started to consider a parallel career composing music for television and films.
In 2014 through 2016, Jones worked as a music production assistant for Hans Zimmer, Henry Jackson, John Powell, and Michael Levine.[6] Her work during that time included the films How to Train Your Dragon 2 and Kingsman: The Secret Service.[6]
In 2016, Jones landed a job as a senior music coordinator for Lionsgate.[1] During that time she worked on several television series including Nashville (CMT), Dear White People (Netflix), and Greenleaf (OWN).[7] In 2018, Jones got an opportunity to score her first feature film, One Angry Black Man.[8] Jones has since scored numerous short and feature films, including Andre Hormann’s documentary feature Ringside; Smriti Mundhra and Sami Khan’s Oscar-nominated documentary St. Louis Superman; and Sujata Day’s feature film Definition Please.[9]
Jones television credits include OWN’s anthology series Cherish the Day, produced by Ava DuVernay; BET’s Twenties produced by Lena Waithe;[5] HBO’s A Black Lady Sketch Show produced by Robin Thede and Issa Rae; the comedy series Shitty Boyfriends produced by Lisa Kudrow;[10] Love in the Time of Corona on Freeform; and the Apple TV+ series Home.[11]
Jones scored the “Maine” episode of Home, for which she received an Emmy nomination for Outstanding Music Composition for a Documentary Series or Special (Original Dramatic Score),[12] becoming the first African American woman nominated in a scores category at the Emmys.[2]
Year | Title | Label |
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2020 | Home: Season 1 Episode V,
"Maine" (Apple TV+ Original S Series Soundtrack) |
Lakeshore |
2020 | Twenties (Original Series
Soundtrack) |
Lakeshore |
Year | Title | Director | Notes |
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2018 | One Angry Black Man | Menelek Lumumba | |
2019 | Ringside | Andre Hormann | |
2019 | St. Louis Superman | Sami Kahn | |
2020 | Definition Please | Sujata Day | |
2020 | On the 12th Date of Christmas | Gary Yates | |
2021 | Burros | Jefferson Stein |
Year | Title | Episodes | Notes |
---|---|---|---|
2015 | Shitty Boyfriends | 8 | |
2019 | A Black Lady Sketch Show | 6 | |
2020 | Twenties | 8 | |
2020 | Home | "Maine" | TV Docuseries
Nominated for Primetime Emmy Award for Outstanding Music Composition for a Documentary Series or Special |
2020 | Love in the Time of Corona | 4 | |
2020 | Cherish the Day | 8 | |
2020 | Adventure Time: Distant Lands | 2 | |
2021–present | Good Trouble | 37 | season 3–present |
2022 | Naomi | 13 |
Co-founder of Composers Diversity Collective[13] whose mission is to increase the visibility of composers of diverse backgrounds and facilitates mentoring.[2]
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