music.wikisort.org - Composer

Ambrosio (Coronado de) Cotes (c. 1550–1603) was a Spanish Renaissance composer.[1]

Cotes was born in Villena, Alicante around 1550 of noble birth. He studied theology with the Theatines of Yecla. In 1573 he was maestro de capilla at the church of St. James Church in his hometown. In 1581 he was appointed maestro de capilla of the Capilla Real de Granada, in the place of Rodrigo de Ceballos. In 1596 he was maestrescuela in Cathedral of Valencia, until 1600 when he succeeded Guerrero at the Cathedral of Seville.[2][3] His works were copied and carried to the New World.[4] He died in Seville in 1603.

Extant works and editions

Like many other Spanish composers of the period, his secular villancicos and canzonetas have been lost. Of the sacred works 25 polyphonic compositions are preserved in Granada, a mass in the Cathedral of Valencia, and a further 3 motets in the Colegio del Patriarca. Four separate pieces without words have been published by López Calo, who believes they are the only instrumental works for church to survive from the sixteenth century.

• Lamentations (3 sets)
• Officium Defunctorum
• Mass
• Mortus est Phillipus Rex, a 7 voces
• Non in solo pane vivit homo, a 4 voces
• Visionem quam vidistis, a 4 voces
• Veni, sponsor Christi, a 4 voces
• Quomodo sedet sola, a 5 voces
• Cogitavit Dominus, a 4 voces.
• Prudentes virgines, a 4 (wedding motet 1599)[5]
• O lux et decus Hispaniae a 6[6]

Discography

• Opera Varia. Gil-Tarrega, Victoria Musicae Label: La Ma De Guido – LMG 2053.

References

На других языках

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[de] Ambrosio Cotes

Ambrosio Coronado de Cotes (auch Ambrosio C. Cotes; * vor 1550 in Villena; † 9. September 1603 in Sevilla) war ein spanischer Kapellmeister und Komponist.

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- [en] Ambrosio Cotes

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[es] Ambrosio Cotes

Ambrosio Coronado de Cotes (Villena, c. 1550 — Sevilla, 8 o 9 de septiembre de 1603) fue un compositor español.[1][2][3] Su procedencia fue discutida hasta el hallazgo, en 1965, de un expediente de genealogía y limpieza de sangre en el archivo de la Catedral de Granada.[4] Hasta entonces habían existido diversas teorías, habiéndose especulado incluso con un posible origen belga.[5] En algunas ocasiones, el compositor aparece designado como Coronado de Cotes.[6]

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