Andy Sneap (born 18 July 1969) is an English guitarist, record producer and composer with over 100 albums to his name, most of which have been produced at his Backstage Recording studios in rural Derbyshire. Some of the most critically acclaimed production work on albums include Deliverance by Opeth and Disarm the Descent by Killswitch Engage; for which he earned a Swedish Grammis and a US Grammy nomination, respectively. As a performer, he first built his reputation as one of the guitarists in the British thrash metal band Sabbat, and played with them up until their disbanding. He is currently one of the co-guitarists of the British heavy metal band Hell.[1] In 2018 he joined Judas Priest as a touring guitarist, following long-time lead guitarist Glenn Tipton's diagnosis of Parkinson's disease which conflicts with his touring abilities.[2]
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Andy Sneap | |
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![]() Sneap with Judas Priest in 2018 | |
Background information | |
Born | (1969-07-18) 18 July 1969 (age 53) Derbyshire, England |
Genres | Heavy metal, thrash metal |
Occupation(s) | Musician, record producer, composer, audio engineer |
Instrument(s) | Guitar |
Years active | 1984–present |
He is one of the most active music producers in the heavy metal music genre and has worked with bands such as Judas Priest, Accept, Blaze Bayley, Dream Theater, Saxon, Opeth, Amon Amarth, Arch Enemy, Exodus, Megadeth, Kataklysm, Kreator, Nevermore, Testament, Carcass, Fear Factory, Overkill and DevilDriver.[3][4][5] Of his production career, Sneap holds the distinction of having been credited as a producer, mixer or engineer on all six of Testament's albums since The Gathering (1999) – including the collection of re-recorded material First Strike Still Deadly (2001) – as well as all nine of Exodus' releases since the live album Another Lesson in Violence (1997).[5] He also mixed Megadeth's show from the DVD The Big Four: Live from Sofia, Bulgaria, also featuring Metallica, Slayer and Anthrax.[5]
Andy Sneap was born on 18 July 1969 in Belper, Derbyshire. He got his first guitar and amplifier from his parents at age 12 as a Christmas present. He started learning guitar with founding Hell member Dave Halliday, who had a huge effect on Andy and left him all the rights to all his songs and equipment in his will following his death.[6] Sneap joined a British heavy metal band called Hydra as the second guitarist when he was 15 years old. But two weeks later, the original guitarist and drummer quit, Simon Negus joined them, and the band's name changed to Sabbat.[7]
After disbanding Hydra and forming a new band, they chose Sabbat as the new name, which came from a book on witchcraft.[7] After one year of rehearsing, they recorded a four-track demo tape, Fragments of a Faith Forgotten. Sneap distributed the demo tape to many record companies, but on listening, Berlin-based recording company Noise Records showed interest and asked for more material. In 1987, Noise Records offered the band a recording contract, but the contract could not be signed until Sneap turned 18 years old in July 1987. So they made a plan to start recording the band's first full studio album, History of a Time to Come. Andy wrote all the music while Martin Walkyier was responsible for the lyrics.[8] Sabbat released the album on 20 April 1988 via Noise Records, which received positive attention from journalists and fans alike.
In January 1989 Sneap and the other band members entered Sky Trak Studio in Berlin to start recording their second album, Dreamweaver, which was a concept album based on the 1983 book by Brian Bates – The Way of Wyrd: Tales of an Anglo-Saxon Sorcerer. Andy wrote almost all of the music except three songs, which Simon Jones also wrote with Andy. The album has come to be regarded as a classic of the thrash metal genre, which reflects Andy's predilection at that time for increasingly lengthy and progressively technical thrash metal songs.
Band | Album details | Role | Source |
---|---|---|---|
Sabbat | History of a Time to Come
|
Composer, Guitar, Remastering | |
Dreamweaver
|
Composer, Guitar, Remastering | ||
Mourning Has Broken
|
Composer, Guitar | ||
Hell | Human Remains
|
Engineer, Guitar, Mixing, Producer | [9] |
Curse and Chapter
|
Composer, engineer, Guitar, Mixing, Producer | [6] |
Year | Album details | Role | Source |
---|---|---|---|
1994 | English Dogs – Bow to None
|
Assistant, Mixing | [10] |
1996 | Dearly Beheaded – Temptation | Engineer | [11] |
1997 | Exodus – Another Lesson in Violence
|
Producer | [12] |
Napalm Death – Inside the Torn Apart
|
Mixing | [13] | |
Machine Head – The More Things Change...
|
Mixing | [14] | |
1998 | English Dogs – All the World's a Rage
|
Producer | [15] |
Earth Crisis – Breed the Killers
|
Audio Engineer, Audio Production, engineer, Mixing, Producer | [16] | |
Obituary – Dead
|
Mixing | [17] | |
1999 | Testament – The Gathering
|
Engineer, Mixing | [18] |
Artillery – B.A.C.K.
|
Mixing | [19] | |
2000 | B L A Z E – Silicon Messiah
|
Engineer, Mastering, Mixing, Producer | [20] |
Nevermore – Dead Heart in a Dead World
|
Engineer, Mastering, Mixing, Producer | [21] | |
Fozzy – Fozzy
|
Mastering, Mixing | [22] | |
2001 | Testament – First Strike Still Deadly
|
Audio Engineer, Mixing | [23] |
Kreator – Violent Revolution
|
Engineer, Mastering, Mixing, Producer | [24] | |
Arch Enemy – Wages of Sin
|
Mastering, Mixing | [25] | |
2002 | B L A Z E – Tenth Dimension
|
Engineer, Mastering, Mixing, Producer | [26] |
Killswitch Engage – Alive or Just Breathing
|
Mastering, Mixing | [27] | |
Arch Enemy – Burning Angel
|
Mastering, Mixing | [28] | |
Living Sacrifice – Conceived in Fire
|
Mastering, Mixing | [5] | |
Opeth – Deliverance
|
Mixing | [29] | |
Masterplan – Enlighten Me
|
Engineer, producer | [30] | |
2003 | B L A Z E – As Live as It Gets
|
Engineer, Mastering, Mixing, Producer | [31] |
Nevermore – Enemies of Reality
|
Remastering, Remixing (2005 reissue) | [5] | |
Arch Enemy – Anthems of Rebellion
|
Engineer, Mastering, Mixing, Pre-Production, Producer | [32] | |
Masterplan – Masterplan
|
Engineer, producer | [33] | |
MTV2 Headbangers Ball
|
Mixing, producer | [34] | |
2004 | Exodus – Tempo of the Damned
|
Engineer, Mastering, Mixing, Producer | [5] |
B L A Z E – Blood & Belief
|
Audio Engineer, Audio Production, engineer, Mastering, Mixing, Photography, Producer | [35] | |
Killswitch Engage – The End of Heartache
|
Mastering, Mixing | [5] | |
Caliban – The Opposite from Within
|
Audio Engineer, Mastering, Mixing | [36] | |
2005 | Kreator – Enemy of God
|
Audio Production, Mixing, Producer | [5] |
Trivium – Ascendancy
|
Mastering, Mixing, Vocals | [37] | |
As I Lay Dying – Shadows Are Security
|
Mastering, Mixing | [5] | |
Arch Enemy – Doomsday Machine
|
Mastering, Mixing | [5] | |
Nevermore – This Godless Endeavor
|
Engineering, Mastering, Mixing, Producer | [5] | |
Exodus – Shovel Headed Kill Machine
|
Mastering, Mixing | [5] | |
Bullet for My Valentine – Hand of Blood
|
Audio Production, Mastering | [38] | |
2006 | Kerrang Album
|
Producer | [39] |
Caliban – The Undying Darkness
|
Mastering, Mixing | [5] | |
Into Eternity – The Scattering of Ashes
|
Mixing, Mastering | [40] | |
Cradle of Filth – Thornography
|
Mastering, Mixing | [5] | |
2007 | Rise to Addiction – A New Shade of Black for the Soul
|
Audio Production, engineer, Mixing, Producer | [41] |
Onslaught – Killing Peace
|
Mixing, Producer | [42] | |
Chimaira – Resurrection
|
Audio Engineer, Engineer, Mixing | [5] | |
Annihilator – Metal
|
Mixing, Producer | [43] | |
Job for a Cowboy – Genesis
|
Mastering, Mixing | [44] | |
Megadeth – United Abominations
|
Audio Engineer, Audio Production, engineer, Mastering, Mixing, Producer | [45] | |
Despised Icon – The Ills of Modern Man
|
Mastering, Mixing | [44] | |
DevilDriver – The Last Kind Words
|
Mastering, Mixing | [5] | |
As I Lay Dying – An Ocean Between Us
|
Technician (guitar re-amping) | [46] | |
Exodus – The Atrocity Exhibition... Exhibit A
|
Engineer, Mixing, Producer | [5] | |
2008 | Testament – The Formation of Damnation
|
Engineer, Mixing | [5] |
Soulfly – Conquer
|
Mixing | [5] | |
Unearth – The March
|
Mastering, Mixing | [47] | |
Nevermore – The Year of the Voyager
|
Mastering, Mixing | [5] | |
Cradle of Filth – Godspeed on the Devil's Thunder
|
Audio Engineer, Audio Production, Engineer, Mastering, Mixing, Producer | [5] | |
Exodus – Let There Be Blood
|
Mastering, Mixing | [44] | |
2009 | Iron Monkey – Our Problem
|
Engineer, Mixing, Producer | [48] |
DevilDriver – Pray for Villains
|
Guitar Producer, Mastering, Mixing, Mixing Advisor | [49] | |
Megadeth – Endgame
|
Engineer, Mastering, Mixing, Producer | [50] | |
Arch Enemy – The Root of All Evil
|
Mastering, Mixing | [5] | |
2010 | Living Sacrifice – The Infinite Order
|
Mastering, Mixing | [5] |
Exodus – Exhibit B: The Human Condition
|
Mastering, Mixing, Producer | [5] | |
Nevermore – The Obsidian Conspiracy
|
Mastering, Mixing | [5] | |
Dimmu Borgir – Abrahadabra
|
Guest Artist, Mixing | [51] | |
Accept – Blood of the Nations
|
Engineer, Mastering, Mixing, Producer | [52] | |
Slayer – The Big Four: Live from Sofia, Bulgaria
|
Mixing | [53] | |
Cradle of Filth – Darkly, Darkly, Venus Aversa
|
Assistant Engineer, Mastering | [5] | |
2011 | DevilDriver – Beast
|
Mastering, Mixing | [5] |
Arch Enemy – Khaos Legions
|
Mastering, Mixing | [54] | |
2012 | Testament – Dark Roots of Earth
|
Additional Footage, engineer, Mastering, Mixing, Producer | [55] |
Accept – Stalingrad
|
Engineer, Mastering, Mixing, Producer | [56] | |
2013 | Saxon – Sacrifice
|
Mastering, Mixing, Producer | [57] |
Killswitch Engage – Disarm the Descent
|
Mastering, Mixing | [5] | |
Amon Amarth – Deceiver of the Gods
|
Engineer, Mastering, Mixing, Producer | [5] | |
Carcass – Surgical Steel
|
Mastering, Mixing | [58] | |
XXX: Three Decades of Roadrunner Records
|
Mixing, Producer | [59] | |
2014 | Ronnie James Dio – This Is Your Life
|
Engineer | [60] |
Accept – Blind Rage
|
Mastering, Mixing, Producer | [61] | |
Exodus – Blood In, Blood Out
|
Engineer (drums), Mastering, Mixing, Tracking | [5] | |
Carcass – Surgical Remission/Surplus Steel
|
Mastering, Mixing | [5] | |
2015 | Kataklysm – Of Ghosts and Gods
|
Mastering, Mixing | [5] |
Fear Factory – Genexus
|
Mastering, Mixing | [62] | |
Saxon – Battering Ram
|
Engineer, Mastering, Mixing, Producer | [44] | |
2016 | Amon Amarth – Jomsviking
|
Engineer, Mixing, Producer | [5] |
Despised Icon – Beast
|
Mastering, Mixing | [44] | |
Testament – Brotherhood of the Snake
|
Mastering, Mixing | [5] | |
2017 | Overkill – The Grinding Wheel
|
Mixing | [63] |
Accept – The Rise of Chaos
|
Mastering, Mixing, Producer | [64] | |
2018 | Saxon – Thunderbolt
|
Engineer, Mixing, Producer | [44] |
Judas Priest – Firepower
|
Co-Producer (Along with Tom Allom) | [5][65] | |
2019 | Overkill – The Wings of War
|
Mastering, Mixing | [5] |
Xentrix – Bury the Pain
|
Mixing | [66] | |
Killswitch Engage – Atonement
|
Mastering, Mixing | [5] | |
2020 | Testament – Titans of Creation
|
Mastering, Mixing | [5] |
John Petrucci – Terminal Velocity
|
Mastering, Mixing | [67] | |
2021 | Accept – Too Mean to Die
|
Mixing, Producer | [44] |
Fear Factory – Aggression Continuum
|
Mastering, Mixing | [5] | |
Dream Theater – A View from the Top of the World
|
Mastering, Mixing | [68] | |
Exodus – Persona Non Grata
|
Mixing | [69] | |
2022 | Saxon – Carpe Diem
|
Mastering, Mixing, Producer | [44] |
Amon Amarth – The Great Heathen Army
|
Mastering, Mixing, Producer | [44] | |
Xentrix – Seven Words
|
Mixing | [44] |
General | |
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National libraries | |
Other |
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