music.wikisort.org - ComposerAnn Loomis Silsbee (21 July 1930 - 28 August 2003)[1] was an American composer[2] and poet who composed two operas,[3] published three books of poetry,[4] and received several awards, commissions, and fellowships.
American composer and poet
Silsbee was born in Cambridge, Massachusetts.[5] She earned a bachelor's degree from Radcliffe College, a master's in music from Syracuse University, and a doctor of musical arts in composition from Cornell University. She studied with Irving Fine,[6] Earl George, and Karel Husa,[7] and in Paris with unspecified teachers.[8] Her dissertation was on a composition by Peter Maxwell Davies called Stone Litany.[9] While at Cornell, she attended a poetry seminar led by Archibald Randolph (A.R.) Ammons, whose poetry she would later set to music. She married Robert Silsbee, a physicist who taught at Cornell,[4] and they had three sons, Doug, David, and Peter.[10]
In 1964, Silsbee's work River was performed at the Ferienkurs fuer Neue Musik in Darmstadt, Germany.[11] In the late 1960s and early 1970s, she taught at the State University of Cortland (New York) and at Cornell University.[8] In the early 2000s, she hosted several poetry groups and retreats.[4] Her awards, commissions, and fellowships included:
Awards
- Burge Eastman Prize[8]
- Society for New Music
Commissions
- First Street Playhouse, New York[3]
- TROIKA Association, Ithaca, New York[3]
Fellowships
- Composers Conference, Vermont[12]
- Composer Fellowship Grant, National Endowment for the Arts[12]
- Yaddo Residency 1979[12]
Silsbee served on the boards of the American Composers Alliance (ACA) and the International League of Women Composers. Her papers are archived at Cornell University.[4] Her works were recorded commercially on the LPs TURNA TV 34704 and NORTH NR 221,[8] and published by the ACA.[13] They include:
Books
- Book of Ga[4]
- Fullest Tide (published posthumously)[4]
- Orioling[4]
Chamber
- Another River (cello quartet and percussion)[14]
- Expressions (clarinet)[8]
- Glyphs (guitar and harpsichord)[8]
- Go Gentle (three woodwinds or three strings)[8]
- Journey (flute and percussion)[8]
- Pathway (percussion and strings)[8]
- Phantasy (oboe and harpsichord)[8]
- Pharos (cello, piano and percussion)[8]
- Quartet (clarinet, violin, cello and piano)[15]
- Quest (string quartet)[8]
- Runemusic (cello)[8]
- Spirals (string quartet; also arranged for piano and for orchestra)[8]
- Three Chants (unspecified number of flutes)[8]
- Trialogue (violin, clarinet and piano)[8]
Dance
- River (two groups of musicians and optional dancers)[8]
Electronic
- Prometheus (bass, chorus, chamber ensemble and tape)[8]
Opera
- Nightingale’s Apprentice (for children; libretto by Margaret Weaver)[3]
- People Tree[3]
Orchestra
- Seven Rituals[8]
- Spirals (also arranged for string quartet and for piano)[8]
- Trois Historiettes[8]
Piano
- Bagatelle[8]
- Corrai (prepared piano) [8]
- Doors (Burge Eastman prize)[8]
- Expressions[8]
- In and Out the Window[8]
- Letter from a Field Biologist (two pianos)[4]
- Spirals (also arranged for string quartet and for orchestra)[8]
Vocal
- An Acre for a Bird (motet)[8]
- Bourn (text by A. R. Ammons; soprano, tenor, cello and harpsichord)[8]
- Canticle (text after the Song of Solomon; soprano, oboe and harpsichord)[8]
- De Amore et Morte (woman's voice and chamber ensemble)[8]
- Diffraction (text by e. e. cummings; soprano, flute, piano and percussion)[8]
- Dona Nobis Pacem (chorus)[6]
- “Huit Chants en Brun” (text by Federico Garcia Lorca; translated into French by Andre Belamich)[8]
- Hymn (text by A. R. Ammons; soprano, oboe and piano)[8]
- Icarus (eight voices, recorder, and bongo drums)[8]
- Leavings (soprano, percussion and prepared piano)[8]
- Mirages (text by e. e. cummings; bass, cello and quarter tone harpsichord)[8]
- “Now” (text by e. e. cummings)[8]
- Only the Cold, Bare Moon (song cycle based on eight Chinese poems; soprano, flute and piano)[8]
- Pictures from Brueghel (soprano and chorus)[8]
- Raft (text by A. R. Ammons; narrator and percussion)[8]
- Scroll (soprano and chamber ensemble)[8]
References
- "Ann Silsbee discography - RYM/Sonemic". Rate Your Music. Retrieved 2022-04-23.
- Hixon, Donald L. (1993). Women in music : an encyclopedic biobibliography. Don A. Hennessee (2nd ed.). Metuchen, N.J.: Scarecrow Press. ISBN 0-8108-2769-7. OCLC 28889156.
- Borroff, Edith (1992). American operas : a checklist. J. Bunker Clark. Warren, Mich.: Harmonie Park Press. ISBN 0-89990-063-1. OCLC 26809841.
- Zhou, Andrew. "Downriver: Ann Silsbee and the Creation of Letter from a Field Biologist". Retrieved 2022-04-23.
- Stern, Susan (1978). Women composers : a handbook. Metuchen, N.J.: Scarecrow Press. ISBN 0-8108-1138-3. OCLC 3844725.
- Anderson, Ruth (1976). Contemporary American composers : a biographical dictionary. Boston: G.K. Hall. ISBN 0-8161-1117-0. OCLC 2035024.
- Directory of New Music. Crystal Record Company. 1983.
- Cohen, Aaron I. (1987). International encyclopedia of women composers (Second edition, revised and enlarged ed.). New York. ISBN 0-9617485-2-4. OCLC 16714846.
- Surtees, Warnaby, John. The Music Of Peter Maxwell Davies Based On The Writings Of George Mackay Brown. OCLC 1005982091.
- Home, Bangs Funeral. "Obituary for Robert H. Silsbee | Bangs Funeral Home". Obituary for Robert H. Silsbee | Bangs Funeral Home. Retrieved 2022-04-23.
- McVicker, Mary F. (2016-08-04). Women Opera Composers: Biographies from the 1500s to the 21st Century. McFarland. ISBN 978-1-4766-2361-0.
- Heinrich, Adel (1991). Organ and harpsichord music by women composers : an annotated catalog. New York: Greenwood Press. ISBN 978-0-313-38790-6. OCLC 650307517.
- Stewart-Green, Miriam (1980). Women composers : a checklist of works for the solo voice. Boston, Mass.: G.K. Hall. ISBN 0-8161-8498-4. OCLC 6815939.
- Price, Nancy (2016-02-25). Cello and Double Bass Ensemble Music. Lulu.com. ISBN 978-1-329-92715-5.
- The Clarinet. Department of Music, Idaho State University. 1980.
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