Born in Paris, Baschet began her musical studies at the École normale de musique de Paris and at the Accademia Nazionale di Santa Cecilia in Rome, then in musicology, in harmony and counterpoint in Paris. She entered the Conservatoire national supérieur musique et danse de Lyon in 1988 (SONVS department) where she studied musical composition and sound transformations by electroacoustic means. In 1991, she won the First prize in composition and computer music. She then took advanced courses at the Acanthes Center[1] with Luigi Nono and then with Elliott Carter. In 1992, she joined the IRCAM as part of the composition and computer music curriculum.
She then received numerous commissions, including from the IRCAM, Radio France, the Ensemble 2e2m and the Groupe de recherches musicales, the Festival Manca, the Festival Why Note and the Ensemble l'Itinéraire whose artistic director and composer Michael Levinas actively supported her work. She was appointed composer in residence at the M.I.A. and the Conservatoire d'Annecy[fr] from 2003 to 2005, then in 2005 in Dijon with the Ensemble L'Itinéraire and in 2006 at the Grame in Lyon. In 2007, she was appointed composer in research at the Ircam, an institute for which she wrote a string quartet and device, created in 2008 by the Danel Quartet.
One of the guiding principles of her work is the critical integration of a natively instrumental vocabulary into her writing. The continuation of her research at Ircam leads her to work in the field of mixed music, which combines the soloist with the electroacoustic device in a particular interactive relationship linked to the instrumental gesture and which seeks to highlight the phenomena of interpretation on which sound transformations will depend.
Her works are published at éditions Jobert.
Works
Vocal music and instruments
Alma Luvia / for female voices, trio and electronics (1993–1992), 7min
Femmes 2nd version / for 2 female voices and quintet (1998–2001), 25min
Femmes first version / for 2 female voices and 10 instruments (1998), 25min
Filastrocca / for tenor, bass, instrumental and electronic ensemble (2002), 15min
Piranhas video-opera / for 2 voices, saxophone quartet, ensemble and electronics (2004), 40min
Spira manes / for 7 voices, 7 instruments, and electroacoustic device in real time (1995), 21min
Terra Nova / for choir and orchestra (2000), 20min
A cappella vocal music
Beréchit / for bass voice, also baritone and real-time electroacoustic device (2006), 10min
Soloist music (except voice)
BogenLied / for augmented violin and real-time electroacoustic device (2005), 12min
Electrics / for solo instrument with real-time electroacoustics, (2004–2005), 9min
Instrumental ensemble music
Aïponis / for ensemble (1997), 13min
Bobok / for ensemble and electroacoustic device (2003), 13min
Laps / for orchestra (1996)
Oyat / for harmony orchestra (2000), 7min
Sinopia / for eleven instruments (1993)
Chamber music
Etruria / trio for clarinet, viola and crystal (1991), 3min
Etruria II 2nd version / for clarinet, viola, and vibraphone (1994), 3min
Etruria III version for quintet (2001), 9min
Mai-Mia / trio for piano, marimba, Baschet crystal and electroacoustics (1990)
Nuraghe / 4 keyboards and string trio with real-time electroacoustic device (1991), 10min
Quintette Aligoté / for quintet and real-time electronics (2005), 14min
StreicherKreis / for "augmented" string quartet and electroacoustic device, live (2007–2008), 25min
Trinacria / Trio for trombone, viola and guitar (2002), 10min
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