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Franz Johannes Gleißner (1759 – 18 September 1818)[1] was a German lithographer and composer. In the late 18th century, he met Alois Senefelder, with whom he collaborated for approximately 30 years using lithography as a method of reproduction to print music scores. Using the songs composed by Gleißner,[2] Senefelder demonstrated that lithography could be successfully used for music publication.

Gleißner's compositions include masses, the oratorio Lazarus, about[vague] thirteen symphonies, much chamber music, and some stage works.[1]

In 1803, Gleißner made a catalog of Wolfgang Amadeus Mozart's manuscripts in Constanze's estate.[3]


Footnotes


  1. p. 432 (1980) Duckles
  2. p. 943 (2001) Duckles & Twyman
  3. p. 61, Zaslaw (2007) Neal. Middleton, Wisconsin "Mozart's Incidental Music to Lanassa and his Thamos Motets" in Cassaro (editor) James Music, Libraries, and the Academy: Essays in Honor of Lenore Coral A-R Editions

References





На других языках


[de] Franz Gleißner

Franz Johannes Gleißner (getauft 6. April 1761 in Neustadt an der Waldnaab; † 28. September 1818 in München) war ein deutscher Komponist, Hofmusiker am Münchner Hof (jetziges Bayerisches Staatsorchester), Sänger, Verfasser eines Mozartverzeichnisses und Miterfinder des lithografischen Notendrucks (siehe Notensatz).
- [en] Franz Gleißner

[fr] Franz Gleissner

Franz Johannes Gleissner ou Gleißner, né le 6 avril 1761 à Neustadt an der Waldnaab et mort le 28 septembre 1818 (à 57 ans) à Munich, est un compositeur, musicien à la cour de Munich, chanteur et musicologue allemand, qui a en outre participé à l’essor de la lithographie en s’associant avec son inventeur, Aloys Senefelder.



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