Gavriil Nikolayevich Popov (Russian: Гаврии́л Никола́евич Попо́в; 12 September 1904, in Novocherkassk – 17 February 1972, in Repino) was a Soviet composer.
Soviet composer (1904–1972)
Gavriil Popov composing (1941)
Life and career
Popov studied at the Leningrad Conservatory from 1922 until 1930 with Leonid Vladimirovich Nikolayev, Vladimir Shcherbachov, and Maximilian Steinberg. He was considered to have the raw talent of his contemporary Dmitri Shostakovich; his early works, in particular the Septet (or Chamber Symphony) for flute, trumpet, clarinet, bassoon, violin, cello and bass, and his Symphony No. 1 (Op. 7, banned immediately after its premiere in 1935 and not publicly heard again in his lifetime), are impressively powerful and forward-looking. Not surprisingly, he ran afoul of the authorities in 1936 and began writing in a more conservative idiom in order to avoid charges of formalism.
Despite his alcoholism, Popov produced many works for orchestra, including six completed symphonies. Many of his compositions, written under the strictures of the Soviet system, are paeans to Soviet life and Communist heroes as prescribed by state authority. Examples include his Symphony No. 4 subtitled "Honor of the Motherland," and a poem-cantata titled "Honor to our Party." In spite of this, the few works which have been recorded bear witness to an almost intact creative strength. Recent research claims that the progressive aesthetical approach of his early years has been transformed and secretly kept in a politically more accessible, yet maintaining a highly socio-critical music language.[1] His melodic and instrumental invention was sharp, deeply rooted in Russian folk music. Even pieces adapted from propagandist movies, such as his Symphony No. 2, recorded by Hermann Abendroth (Urania LP), can be profoundly stirring. His sense of the orchestra, brilliant and buoyant, his grasp of large formal patterns, as found in the huge Symphony No. 3 for large string orchestra, are equally outstanding. Symphony No. 6 "Festive" betrays a kind of convulsive and disturbing vigor.[2] Popov also wrote several film scores. He was awarded the Stalin Prize in 1946.
Compositions
This list is incomplete; you can help by adding missing items. (June 2011)
Orchestral
Symphonic Suite No. 1 (1933)
Symphony No. 1, Op. 7 (1935)
Concert-Poem for Violin and Strings, Op. 17 (1937)
Violin Concerto (started 1937 – unfinished)
Symphonic Divertimento, Op. 23 (1938)
Piano Concerto, Op. 24 (unfinished)
Hispania Suite, Op. 28 (1940)
Heroic Intermezzo, Op. 25 (1941)
Symphony No. 2 "Motherland", Op. 39 (1943)
Symphonic Aria for Cello and Orchestra, Op. 43 (1946)
Symphony No. 2, Op. 39 "Motherland" (with works by Farhad Amirov) – Leipzig Radio Symphony Orchestra/Hermann Abendroth (Urania, ULS 5156-CD)
Symphony No. 1, Op. 7 (with Theme and Variations, Op. 3 by Dmitri Shostakovich) – London Symphony Orchestra/Leon Botstein (Telarc SACD 60642)
Symphony No. 1, Op. 7; Symphony No. 2, Op. 39 "Motherland" – Moscow State Symphony Orchestra, USSR Radio and TV Symphony Orchestra/Gennady Provotarov (Olympia OCD 588)
Symphonic Suite No. 1 (from music to the film "Komsomol is the Chief of Electrification"); Symphony No. 5, Op. 77 "Pastoral" – Moscow Radio and TV Symphony Orchestra/Edvard Chivzhel; USSR State Symphony Orchestra/Gurgen Karapetian (Olympia OCD 598)
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