Helmut Bornefeld (14 December 1906 – 11 February 1990) was a German Protestant church musician, composer, Orgelsachverständiger[de], and writer.
Career
Born in Untertürkheim, Bornefeld began his vocational training in 1922 with an apprenticeship as gardener, which he completed with the skilled worker examination. From 1924 to 1928 he studied music at the Adler Conservatory in Stuttgart. In 1928 he moved to the Musikhochschule (today Staatliche Hochschule für Musik und Darstellende Kunst Stuttgart), where he studied composition with Ewald Straesser, piano and organ with Hermann Keller. From 1935 to 1937 he completed his education by studying church music, which he completed with the A-exam. From 1937 to 1971 he worked, with the exception of a six-year interruption of the war from 1939 to 1945, as cantor and organist at the Evangelische Pauluskirche (Heidenheim)[de]. In 1951 he was appointed Kirchenmusikdirektor there. From 1950 to 1958 he taught as lecturer for composition and Kantoreipraxis[de] at the Evangelische Hochschule für Kirchenmusik Tübingen[de].
Together with Siegfried Reda, Bornefeld organized the Heidenheimer Arbeitstage für Neue Kirchenmusik from 1946 to 1960. From 1937 to 1977 he was also an organ keeper with more than a hundred new buildings and renovations, many of them with his own draft brochures. Under his influence, numerous organs worthy of protection were - partly irrevocably - changed in character according to his ideas. By sawing off pipes, among other things, he endeavoured to brighten the sound of mainly Romantic or late Romantic organs and to reshape the dispositions according to his aesthetic ideals.
Bornefeld has written numerous texts and essays on questions of church music and organ building.
Bornefeld was awarded the Bundesverdienstkreuz for his achievements in 1972.[1] On 5 June 1976 Land Minister Hans Filbinger awarded him the honorary professorship of the state of Baden-Württemberg and thus the title of professor.[2]
On December 4, 1981, he received the Citizen Medal of the City of Heidenheim.[3] In 1993, the name of the local Kirchenstraße was changed in Helmut-Bornefeld-Straße.[4]
Organ brochures and organ dispositions (selection)
Orgel der Stadtkirche Murrhardt
As an organ keeper, Bornefeld designed numerous instruments with an eye to outer appearance, casing and mensuration. His musical aesthetic concerns are still evident today in many instruments, of which a selection of thirty have been listed in the area of the Protestant Church in Württemberg:
Evangelische Michaelskirche in Heidenheim an der Brenz.[5]
Evangelische Versöhnungskirche in Wiblingen[de] by Ulm
Versöhnungskirche (Oberkochen)[de], built by Gebrüder Link, Giengen
Works (selection)
Organ, choir and chamber music
1930–1960: Choralwork with numerous choir and accompanying movements, organ choral movements, choral preludes, motets, cantatas, partitas and sonatas
Arrangements of secular folk songs
Spiritual and secular canons
Music for solo singing or/and solo instruments with organ
Works for organ solo
Chamber music
Numerous arrangements of the works of other composers from different eras for different instrumentations
Hymnbooks
The Evangelisches Gesangbuch contains canons by Bornefeld:
EG 173 Der Herr behüte deinen Ausgang und Eingang (1947) (Stammteil)
EG 633 Trachtet nach dem, was droben ist (1947) (Regionalteil Bayern)
EG 683 Jesus Christus gestern und heute (1947) (Regionalteil Württemberg).
Bibliography
Wolfgang Dallmann (1996). Helmut Bornefeld – Ein deutscher Komponist zwischen Tradition und Avantgarde. International Journal of Musicology. Vol.5. pp.207–238. ISSN0941-9535.
Martin Jörg: Der Komponist Helmut Bornefeld (1906–1990) – Verzeichnis seines Nachlasses in der Württembergischen Landesbibliothek. Teil 1: Das musikalische Werk, Korrespondenz I, Schrifttum, Werkverzeichnisse, Wißner-Verlag, Augsburg 2006, ISBN978-3-89639-523-8.
Martin Jörg: Der Komponist Helmut Bornefeld (1906–1990) – Verzeichnis seines Nachlasses in der Württembergischen Landesbibliothek. Part 2: Restliche Korrespondenz, Orgelakten, Bildnerischer Nachlass, Tonaufnahmen und anderes, Wißner-Verlag, Augsburg 2011, ISBN978-3-89639-751-5.
Klaus Kirchberg: Bornefeld, Helmut.[6] in Grove Music Online (subscription required).
Klaus Kirchberg, Richard Baum: Bornefeld, Helmut. In Ludwig Finscher (editor): Die Musik in Geschichte und Gegenwart. Second edition, Personenteil, volume 3 (Bjelinski – Calzabigi). Bärenreiter/Metzler, Kassel u. a. 2000, ISBN3-7618-1113-6 (in line edition, subscription required for full access)
Thomas Daniel Schlee (1986). Zur freien Orgelmusik von Helmut Bornefeld. Württembergische Blätter für Kirchenmusik. pp.218–223. ISSN0177-6487.
Jürgen Schwab (1986). Bornefeldorgeln. Streifzug durch eine einzigartige Orgellandschaft. Württembergische Blätter für Kirchenmusik. pp.231–251. ISSN0177-6487.
References
Verdienstkreuz für Helmut Bornefeld. In Württembergische Blätter für Kirchenmusik. 39, 1972, p.115.
Joachim Widmann: Helmut Bornefeld 75. Laudatio anläßlich der Verleihung der Bürgermedaille der Stadt Heidenheim an Professor Helmut Bornefeld am 4. Dezember 1981. In Der Kirchenmusiker. 33, 1982, p.26–29; auch als Privatdruck.
Biografische Angaben nach helmut-bornefeld.de: "Biografie in Stichworten". helmut-bornefeld.de. Retrieved 26 January 2019.
Другой контент может иметь иную лицензию. Перед использованием материалов сайта WikiSort.org внимательно изучите правила лицензирования конкретных элементов наполнения сайта.
2019-2025 WikiSort.org - проект по пересортировке и дополнению контента Википедии