Büsser was born in Toulouse of partly German ancestry. He entered the Paris Conservatoire in 1889, where he studied organ with César Franck and composition with Ernest Guiraud. After serving as secretary to Charles Gounod, he received valuable advice from him, who helped him obtain a position as organist at Saint-Cloud. In 1893, he won the Prix de Rome, and on his return from Italy he began a career as a conductor. At the personal request of Claude Debussy, Büsser led the fourth performance, and numerous subsequent performances, of Pelléas et Mélisande. He also became a protégé of Jules Massenet and was one of his closest friends during the last two decades of his life (Massenet died in 1912).
In 1921, Büsser began teaching at the Paris Conservatoire, and was promoted to professor of composition in 1931. Noted students include Prix de Rome winner Henri Challan, the Japanese composer Tomojirō Ikenouchi (1906–1991) and Henri Dutilleux (1916–2013). The Académie française elected him as member in 1938. He married the famous dramatic soprano Yvonne Gall (1885–1972).
While Büsser composed a wide range of compositions, his most important works were for the stage. His operas include Daphnis et Chloé, Colomba and Les Noces corinthiennes. Several stage works demonstrate his comic wit, especially Le Carrosse du Saint Sacrement and Roxelane as well as the farce Diaforus 60, an update of Molière's Le malade imaginaire. He composed in a sophisticated compositional style with finely crafted orchestration, but remained faithful to 19th-century French tradition.
His orchestrations of Debussy's Petite suite and Printemps are considered standards, as is his crisp, authoritative conducting of the first nearly complete 1930 early electrical HMV recording of Gounod's Faust featuring the great tenor César Vezzani in the title role and the renowned bass Marcel Journet, who as a Metropolitan star had sung and recorded Méphistophelès' key arias and ensembles with Caruso on Victor acoustical records earlier in the century. These recordings have all been transferred to CD.
Late in his life, he was made a Grand Officier de la Légion d'honneur. Büsser died in Paris at the age of 101, just short of his 102nd birthday. He lived for many years at 71 Avenue Kléber.
Works
Opera
Hélène, before 1890, incomplete
Les Accordailles, 1890, unperformed
Jane Grey, 1891
Les Marivaudages, 1891, unperformed
Daphnis et Chloé, 1897
Le Miracle de perles, 1898, unperformed
Blanc et noir, 1900
Colomba, 1921
Les Noces corinthiennes, 1922
La Pie borgne, 1927
Rhapsodie arménienne, 1930
Le Carrosse du Saint-Sacrement, 1948
Roxelane, 1948
Diafoirus 60, 1963
La Vénus d'ille, 1964
Ballet
La Ronde des saisons, 1905 (Paris Opera, choreography by Joseph Hansen)
Incidental music
Appassionato, 1910
Les Trois sultanes, 1923
Manon, 1925
Histoire de France, 1929
Chamber music
Petite suite for flute and piano, Op. 12
Pièce for trombone and piano, Op. 33
Appassionato for viola and piano, Op. 34, 1910
Prelude et scherzo for flute and piano, Op. 35
Morceau de concert (Concert Piece in D) for horn and piano, Op. 39
Variations for trumpet in C or Bb (or cornet) and piano, Op. 53, c. 1914 (Concours du Conservatoire National de Musique Paris)
Églogue for oboe and piano, Op. 63 (Concours du Conservatoire National de Musique de Paris)
Catalane sur des airs populaires for viola and orchestra or piano, Op. 78, 1926
Rhapsodie arménienne for viola and piano, Op. 81, 1930
Andalucia sur des thèmes andalous for flute and piano, Op. 86 (Concours du Conservatoire National de Musique Paris)
Aragon sur des airs populaires d' Espagne for clarinet and piano , Op. 91, c. 1934
La Chasse de Saint Hubert for horn and piano, Op. 99, c. 1937
Writings
De Pelléas aux Indes galantes—De la flûte au tambour (memoires), 1955
Sources
Arthur Hoérée & Richard Langham Smith: "Büsser [Busser], (Paul-) Henri", in Stanley Sadie (ed.), The New Grove Dictionary of Opera (New York: MacMillan, 1992) ISBN0-935859-92-6.
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