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Hilding Constantin Rosenberg (June 21, 1892 May 18, 1985)[1] was a Swedish composer and conductor. He is commonly regarded as the first Swedish modernist composer, and one of the most influential figures in 20th-century classical music in Sweden.

Hilding Rosenberg
Hilding Rosenberg

Life and career


Born in Bosjökloster, he was an organist (completing his examinations in 1909),[2] and as a young man a concert pianist and music teacher. In 1915 he began studying at the Stockholm Conservatory[1] under Ernst Ellberg. Later teachers included Wilhelm Stenhammar (counterpoint) and Hermann Scherchen (conducting). Stenhammar included several of Rosenberg's early works in concerts he arranged.[2] After the First World War, he toured Europe and became a prominent conductor. In 1920 he studied on a scholarship in Berlin, Dresden, Vienna and Paris, which brought formative contacts with Arnold Schönberg and Paul Hindemith.[2]

In 1932 he was appointed coach and assistant conductor of the Royal Swedish Opera, becoming its chief conductor two years later, although from this point composing began to take a prominent part in his life to conducting.[1]

While his earlier works display the influence of Sibelius, he soon led the way for Swedish composers to move away from the late Romantic style and became considered as somewhat radical. His output covered all genres, from his 14 works for string quartet (1920–1972) and eight symphonies (1917–1974, including his symphony no. 2 Grave, symphony no. 4 Johannes Uppenbarelse, fifth symphony Örtagårdsmästaren and sixth Sinfonia Semplice) as well as Piano Concerto no. 2 to songs. He wrote a considerable body of work for the theatre (around 50 scores in total), including nine operatic works.[1]

He taught composition privately to amongst others Karl-Birger Blomdahl, Ingvar Lidholm, and Daniel Börtz. He opined that "One creates out of what has been before, out of the experiences of others, as well as those of oneself, out of everything one knows, has read, or been acquainted with".[2]

His violin concerto features as part of the sound track of the 1936 film Intermezzo, directed by Gustaf Molander and starring Ingrid Bergman and Gösta Ekman. He also composed music for the 1944 film Hets (known in English as either Torment or Frenzy), directed by Alf Sjöberg from a screenplay by Ingmar Bergman.

Rosenberg was Vice-President of the Royal Swedish Academy of Music in 1951–1953, received a honorary doctorate from Uppsala University in 1951 and was a honorary member of the International Society for Contemporary Music.[2] He died in Bromma, Stockholm.


Selected compositions



Orchestral music



Symphonies


Concertante


Other orchestral music


Chamber music



String quartets

Violin and piano

Other chamber music


Solo compositions



Piano sonatas


Other piano music


Organ


Violin


Other


References


  1. Lyne Peter H. Rosenberg, Hilding (Constantin). In: The New Grove Dictionary of Opera. Macmillan, London & New York, 1997.
  2. Percy, Gösta. Leading Swedish Composers of the Twentieth Century - Hilding Rosenberg. In: Swedish music - past and present. Stockholm, Musikrevy, 1967?. OCLC Number: 585452.



На других языках


[de] Hilding Rosenberg

Hilding Rosenberg (* 21. Juni 1892 in Bosjökloster; † 19. Mai 1985 in Stockholm) war ein schwedischer Dirigent und Komponist.
- [en] Hilding Rosenberg

[es] Hilding Rosenberg

Hilding Constantin Rosenberg (Bosjökloster, 21 de junio de 1892 - Estocolmo, 18 de mayo de 1985) fue un director de orquesta y primer compositor modernista sueco, una de las figuras más influyentes en la música clásica de Suecia en el siglo XX.[1]



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