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Javier Álvarez Fuentes (born May 8, 1956 in Mexico City) is a Mexican composer who is known for creating works that combine a variety of international musical styles and traditions, and that often utilize unusual instruments and new music technologies. Álvarez is one of the best-known Mexican composers of his generation, and many of the works in his prolific oeuvre combine music technology with diverse instruments and influences from all around the world.

Javier Álvarez
Javier Álvarez in 2002
Born
Javier Álvarez Fuentes

(1956-05-08) May 8, 1956 (age 66)
México City, México
NationalityMexican & British
Alma materThe City University, UK
AwardsPremio Nacional de Ciencias y Artes 2013, Medalla Bellas Artes 2014, Medalla Mozart 2000, The Mendelssohn Scholarship 1986
Websitewww.temazcal.co.uk

Life and career


Born in Mexico City in 1956, Álvarez studied clarinet and musical composition with Mario Lavista in Mexico before moving to the United States in the early 1980s and subsequently, to Great Britain, where he attended the Royal College of Music and the City University in London. His first electroacoustic music dates from his time at the University of London, such as Temazcal (1984). In this contemporary classic, Álvarez unexpectedly pits a pair of maracas against a complex electroacoustic backdrop. Mannam (1992) takes its inspiration from the other side of the globe and an ancient Korean zither called a kayagum. Winner of a 1993 Prix Ars Electronica distinction, Mannam blends and juxtaposes elements of Korean music with materials and performance techniques drawn from the Mexican folk harp. Offrande (2001), a more recent work, offers an intriguing mix of Caribbean steel pans and electronically processed rhythmic patterns.

Conference of Javier Álvarez in the Museum auditorium of Museo de la Muerte (Museum of Death), Universidad Autónoma de Aguascalientes
Conference of Javier Álvarez in the Museum auditorium of Museo de la Muerte (Museum of Death), Universidad Autónoma de Aguascalientes

Several of Alvarez's works incorporate elements from Latin American dance genres, such as Mambo. In Mambo a la Braque (1991), he creates an electroacoustic collage of musical segments drawn from Cuban mambo composer Dámaso Perez Prado's “Caballo Negro” (Black Horse). On a larger scale, Alvarez's Papalotl (1987), for piano and electroacoustic sounds, refers to the wider world of dance through its use of complex rhythmic patterns in a carefully synchronized duet between pianist and electroacoustics. The resulting vibrant toccata won its composer the 1987 ICEM Prize in Paris and awards from the Bourges International Festival and Austria's Prix Ars Electronica. Amongst his orchestral and concerti output, Geometría Foliada (2003), written as a concerto for the Cuarteto Latinoamericano, reminisces on the vernacular but assimilates its influences in an evocative self-invented imaginary folklore.

Alvarez's compositions have been performed throughout the world by renowned orchestras such as the Chicago Symphony Orchestra, the London Sinfonietta, the Los Angeles Philharmonic, the Mexico City Philharmonic, and the Orchestre National de France, among others. He also composed the music for Guillermo del Toro's acclaimed 1993 horror film Cronos.

A graduate of the Royal College of Music and City University London, Álvarez has received numerous prizes and honors including a Mendelssohn Scholarship, the Lionel Robbins Award, a Gemini Fellowship, the ICEM Prize (1987), Austria's Prix Ars Electronica (1993), and awards at the Bourges International Festival. From 1993 to 1999, he was a Fellow of the Mexican Endowment for the Arts and Culture. He was a founding member of Sonic Arts Network and served as the artistic director of the Society for the Promotion of New Music in 1993. He has been a member of the music faculties of the City University London, the Guildhall School of Music and Drama, the Malmö Music Academy, the Royal College of Music, and the University of Hertfordshire.[1]

After 25 years living in England, Alvarez returned to Mexico where he became the founding director of the Musical Arts Department of the Escuela Superior de Artes de Yucatán. After a period serving as Dean of the Conservatorio de Las Rosas in Morelia, Michoacán, he resided in Mérida, in Yucatan, combining activities as a freelance composer and project animateur.[2]


Music works



Solo and chamber works



Large chamber ensembles



Soloist and orchestra



Orchestra



Voice and instruments



Choir and ensemble / orchestra



Opera



Electroacoustic



Film and dance


Feature. Directed by Guillermo del Toro. Produced by Iguana Producciones and Ventana Films. Mexico and Los Angeles 1992. Prix de la Critique, Cannes 1993.

Animation. Directed by William Latham. Produced by the Royal College of Art, London 1985.

Computer Animation by William Latham. Produced by the Royal College of Art, London 1987.

Composed for Sue Maclennan and Dancers. London. Commissioned by the Arts Council of Great Britain and produced by Sue Maclennan and Dancers and Chisenhale Dance Space. London. 1988.


References


  1. Biography of Javier Álvarez at londonsinfonietta.org[permanent dead link]
  2. Biography of Javier Álvarez at temazcal.co.uk



На других языках

- [en] Javier Álvarez (composer)

[es] Javier Álvarez Fuentes

Javier Álvarez Fuentes (Ciudad de México, 8 de mayo de 1956) es un compositor de música, catedrático y académico mexicano. Se ha especializado en música de concierto, música electroacústica, danza y música para cine. Es actualmente director de la Escuela Superior de Artes de Yucatán (ESAY).[1]


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