Katherine Hoover (December 2, 1937 – September 21, 2018) is remembered by the National Flute Association as an "artist—flutist, teacher, entrepreneur, poet, and, most notably, a distinguished composer".[1] Her work received many honors, including a National Endowment Composer's Fellowship, an Academy of Arts and Letters Award in composition, the National Flute Association's Lifetime Achievement Award.[2]
Katherine Hoover | |
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Born | Katherine Lacy Hoover (1937-12-02)2 December 1937 Elkins, West Virginia, U.S. |
Died | 21 September 2018(2018-09-21) (aged 80) New York City, New York, U.S. |
Resting place | Cremated; ashes scattered in a place of family significance. |
Alma mater | Eastman School of Music (Bachelor of Music in Music Theory) (Performer's Certificate in Flute) Manhattan School of Music (Master of Music in Music Theory) |
Occupation |
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Years active | 1959–2018 |
Title | Co-Founder of Papagena Press (1988) |
Spouse(s) | Richard V. Goodwin (m. 1985-2018) John Christopher Schwab (m. 1964-1972) |
Children | 1 (son) |
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Musical artist | |
Website | katherinehoover |
Her career as a composer began at a time when few women composers earned recognition in classical music in the 1970s.[3] As shown in her list of known work, below, she has composed pieces for solo flute, mixed ensembles, chamber orchestra, choir acapella, full orchestra and many other combinations of instruments and voice. Some of her flute pieces incorporated Native American themes.[4]
Hoover was born in Elkins, West Virginia, on December 2, 1937. Her mother was a painter/artist and editor, and her father was a biochemist. Her family lived in Washington, D.C., then moved to Philadelphia during World War II. She attended school in Philadelphia.[5]
She remembered hearing Mozart's music on a record player when she was three years old.[5] She also recalled reading music as early as four years old,[5] before she could read words.[6] Her parents supported her artistic interests, rescuing a piano being disposed of by a neighbor and starting her at piano lessons at five years old.[5] She began flute lessons at age eight. During this time, she discovered that she had perfect-pitch.[5] During interviews, she has shared she received "mediocre music instruction" during her early years.[7]
Hoover began her academic studies at the University of Rochester in 1955. After two years of general studies she was accepted to Eastman School of Music, where she studied with flutist Joseph Mariano,[8][9] and began studying composition. She graduated with a Bachelor of Music in Music Theory and a Performer's Certificate in Flute in 1959.[10] Unfortunately, her composition classes left a bad impression. Hoover comments, "There were no women involved with composition at all. [I got] rather discouraged – being the only woman in my classes, not being paid attention to and so forth."[7]
Hoover attended the Yale Summer Sessions in 1960 and 1961, where she studied flute, theory, and composition. During this time, she also studied with flutist William Kincaid in Philadelphia.[1] She later wrote that she owed " much of her success to her mentor, William Kincaid, teaching her more about music than any other composer".[8]
From 1962–1969, Hoover taught flute at the Juilliard Preparatory School as well as a few other small schools, including the Third Street Music School.[11] It was at the Third Street Music School that she received her first positive experience as a composer. She was asked to compose a piece for a school concert, a duet for violins, which was very well received.[7] She married John Schwab in 1964.[12] They divorced after eight years.
In 1969, Hoover began teaching flute and theory at the Manhattan School of Music. She shared that, as a theory teacher she learned a great deal about compositional techniques,[6] as it forced her to carefully analyze a wide spectrum of music scores. Also, during this time at Manhattan, she continued her graduate studies and received her Master of Music in Music Theory in 1974. It was also where she studied how other people identify with sounds.[13] She was a faculty member of Manhattan School of Music for seventeen years.[14][5][11]
Hoover became a faculty member at the Teachers College, Columbia University (1984-1989), where she taught theory and composition to graduate students.[11]
The first publication of her work was Three Carols (1972) for choir and flute, published by Carl Fischer.
Hoover was honored as a finalist for the Kennedy-Friedheim Contest's Outstanding New American Chamber Work award (1978). Her successes continued, becoming a finalist once again and being awarded a National Endowment for the Arts Composer's Fellowship (1979).
Of her cpmpositions she wrote "I have feelings of pride for the successes writing works for specific performers using other instruments...Stitch-te Naku for Cello and Orchestra, for cellist Sharon Robinson and [the] Clarinet Concerto, for jazz clarinetist Eddie Daniels.[5]
Hoover co-founded Papagena Press, with her husband (Richard Goodwin, m.1985 ) in 1988 to publish her works. The first piece to be published was Kokopeli (1990), a work for solo flute inspired by the Hopi tribe and the American Southwest. It won the National Flute Association's Newly Published Music Competition (1991). This was Hoover's second of six NFA Newly Published Music awards.[1] She wrote that "Out of all of my achievements in music, I was overcome with the success of Kokopeli."[15]
The composer John Corigliano wrote of her: "Katherine Hoover is an extraordinary composer. She has a wide and fascinating vocabulary which she uses with enormous skill. Her music is fresh and individual. It is dazzlingly crafted and will reach an audience as it provides interest to the professional musician. I do not know why her works are not yet being played by the major institutions of this country, but I am sure that she will attain the status she deserves in time. She is just too good not to be recognized, and I predict that her time will come soon."[16]
A little known fact is that Katherine Hoover also composed under the pseudonym Kathryn Scott[17]
Hoover was involved with women's arts organizations and has worked to bring the works of women composers to the public's notice. She began work with the Women's Inter-Art Center in New York (1977). Here she organized Festivals I, II, and III of Women's Music which presented music by fifty-five historical and contemporary women composers.[15][18]
She was the composer in residence for the Fourth Festival of Women Composers at Indiana University of Pennsylvania (1996).
Hoover had always written poetry since her youth finding both a striking difference and similarity between music and words. “This Way About”(2015).[19] was her first book of poetry where she shares glimpses into her life.[20]
Manuscript | Compositions | Publisher | Instrumentation(s) | ASCAPworkID | OCLC | Notes |
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1972 | Three Carols | C. Fischer, Inc. | ch[SSA],fl | 500462806 | 24406874 | First published work. Theme, Christmas. |
1973 | Seven Haiku | Papagena Press | sop,fl | 490721930 | 26083491 | |
1973 | Wings | Papagena Press | mez,fl,cl,vn,pn | 21083846 | Performed Dec. 15, 1974, New-York Historical Society | |
1974 | Songs of Joy | C. Fischer, Inc. | (stab,vo,kbd)/(brass quartet) | 190102266 | 1152939091 | Christmas theme |
1974 | Trio for flutes | Papagena Press | 3fl | 500422742 | 33025763 | |
1975 | Divertimento | Papagena Press | fl,vn,va,vc / fl,str[trio] | 340219829 | 19003296 | |
1975 | Homage To Bartok | Papagena Press | fl,ob,cl,hn,bn | 380233667 | 41501015 | Inspired by Béla Bartók, (1881-1945) |
1976 | Four English Songs | Papagena Press | stab,bn,ob,pn | 360294460 | 38201399 | |
1976 | Sinfonia | Papagena Press | bn[quartet] | 490380022 | 878843774 | Written for the New York Bassoon Quartet |
1976 | Two dances | fL,ob,gtr | 38201372 | |||
1977 | Nocturne Fantasy | Papagena Press | fl,hp,str[orch] | 991222697 | Cataloged by New York Women Composers[30] | |
1977 | To Many A Well | Papagena Press | mez,pn | Cataloged by New York Women Composers[30] | ||
1977 | (Three) Pieces for piano | Katherine Hoover | pn | 500381804 | ||
1978 | Set for Clarinet | BoelkeBomart/Schott | 2cl | 490582966 | 681438640 | Cataloged by New York Women Composers[30] |
1974 | Trio (1974) | Papagena Press | vn,vc,pn | 500351202 | 689373475 | Finalist Kennedy-Friedheim, 1979 |
1979 | Selima | Papagena Press | sop,cl,pn | 490455942 | 19254558 | Cataloged by New York Women Composers[30] |
1980 | Suite for Saxophones | Papagena Press | sax[satb] | 490537372 | 27076481 | Cataloged by New York Women Composers[30] |
1981 | Images | Papagena Press | cl,vn,pn | 390413515 | 37276876 | Cataloged by New York Women Composers[30] |
1981 | Medieval Suite | T. Presser Co. | fL,pn // fl,orch[chamber/full] | 430321529 | 756986608 | Based on Barbara Tuchman's history of medieval France A Distant Mirror: The Calamitous Fourteenth Century.[31] |
1981 | Psalm 23 | Papagena Press | stab,org/orch[sm] // fL,ob,cl,bn,2hn,str[+] | 460325175 | 30747830 | Premiered Cathedral of St. John, NYC |
1981 | Suite for Two Flutes | BoelkeBomart/Schott | 2fl | 490584722 | 680287474, | |
1982 | Duo(Six Simple Duets) | BoelkeBomart/Schott | 2fl | 679993029 | ||
1982 | From the Testament of Francois Villon | Papagena Press | bass/bar,bn,str[quartet] | 41501023 | ||
1982 | Reflections | BoelkeBomart/Schott | fl | 480194216 | 42227877 | Variations on a Norwegian chant written outdoors at Artpark, NY |
1982 | Serenade | Papagena Press | cl,2vn,va,vc,bn,pn | 30393167 | Cataloged by New York Women Composers[30] | |
1982 | Aria | Papagena Press | bn/vc/v,pn // cl,str[qt] | 37334345 | Cataloged by New York Women Composers[30] | |
1983 | Allegro & Andante | Papagena Press | pn | 20145576 | Instructional | |
1983 | Lyric Trio | Papagena Press | fL,vc,pn | 420303326 | 21065779 | NFA Newly Published Music Award, 1994 |
1983 | Pieces for Piano | Papagena Press | pn | 460685867 | 33945845 | |
1983 | Songs of Celebration | WC Music Corp. | 2satb,kbd brass[quartet] | 190087604 | Theme, Christmas | |
1984 | Medieval Suite | T. Presser Co. | fL,pn | 430321529 | 756986608 | NFA Newly Published Music Award, 1987 |
1984 | The Last Invocation | Papagena Press | 2satb | 30747827 | Inspired by Walt Whitman | |
1984 | Sonata, for brass quintet | Papagena Press | brass quintet | 30580689 | ||
1985 | Aria and Allegro Giocoso | Papagena Press | bn/vc/v,pn // cl,2vn,va,vc | 310262132 | 36123853 | Aria: c1982, Allegro giocoso: c1985. |
1985 | (Nuit d'Ete) Summer Night | T. Presser Co. | fl,hn[F],vn,vn,va,vc,cbn,perc // FL,hn,pn | 490579774 | 681170566 | Premiered by New York Concerto Orchestra, Lincoln Center, 1985 |
1985 | Sweet Thievery | Papagena Press | stab / ch | 490712271 | 30747831 | Madrigal in 4 voice. |
1986 | Eleni: A Greek Tragedy | T. Presser Co. | [3333 4331 timp,perc,gtr,alto,str] | 350150991 | 1039702763 | Tone poem based on Nicholas Gage's book Eleni |
1987 | Clarinet Concerto | T. Presser Co. | cl,pn // [2212 1 Sax, 2330, 2 Perc, Str] | 330391518 | 607081234 | Premiered by Eddie Daniels Santa Fe Symphony |
1985 | Qwindtet | Papagena Press | fl,ob,cl,bn,hn | 470085219 | 21190883 | |
1988 | Quintet "Da Pacem" | Papagena Press | pn,2vn,va,vc | 470090767 | 37276904 | Premiered by New Jersey Chamber Music Society, Lincoln Center |
1989 | Double concerto | Papagena Press | 2vn, str[orch], (pn) | 340367795 | 21190883 | |
1989 | Ritual | Papagena Press | cl,pn | 480215765 | 27038609 | |
1989 | Two Sketches | Papagena Press | [2223(2) 2210 pn,hp,vc,timp,perc,str] | 500427461 | 42777874 | |
1990 | Kokopeli | Papagena Press | fl // fl, accompanied | 410105470 | 981366319 | NFA Newly Published Music Award, 1991 |
1990 | Sound Bytes | Papagena Press | 2fl | 490729905 | 25826554 | |
1991 | Canyon Echoes | Papagena Press | fl,gtr | 330453308 | 27758942 | NFA Newly Published Music Award, 1993 |
1991 | Sonata, for oboe & piano | Papagena Press | ob,pn | 490706135 | 985585677 | |
1992 | Night Skies | Papagena Press | [4333 6440 hp timp perc str] | 440215198 | 35728503 | Inspired by "Landscape with Stars" by Henri Edmond Cross |
1994 | Stitch-Te Naku | Papagena Press | [vc solo,2222,4210,pn+vc,tp,2perc,str] | 490850676 | 48771942 | Inspired by SW Indian creation story, Grandmother Spider |
1995 | Central American Songs | Papagena Press | v[med],fl,perc,pn | 331043240 | 755284130 | Inspired by Izok Amar - Go, edited by Zoe Anglese |
1996 | Three for Eight | Papagena Press | fl/picc,(2-6)fl[C],afl) | 500553413 | 36123814 | Commissioned by the New York and Long Island Flute Clubs |
1996 | Dances and Variations | Papagena Press | fl,hp | 340381760 | PBS Documentary Deborah Novak's New Music | |
1997 | Psalm 100 | Papagena Press | satb,kbd | |||
1997 | The Heart Speaks | Papagena Press | v,pno | 500553413 | 1098303265 | Inspired by poems from Teasdale & Wickham |
1997 | Winter Spirits | Papagena Press | fl | 530449346 | 40219789 | Premiered by Jeffrey Khaner, NFA Convention, 1997 |
1998 | Echo | Songs of Peer LTD | stab ch, v[a cappella] | 350336924 | 1103212693 | Poem by Christina Rossetti |
1998 | Kyrie | Songs of Peer LTD | 12fl,(org/bell) // ch,pn | 410130406 | 48943921 | Premiered by Tucson Flute Club, NFA Convention, 1998 |
1998 | Masks | Papagena Press | fL,pn | 430558006 | 39904429 | Premiered by J. Foster & S. Jacob, NFA Convention, 1998 |
1998 | String Quartet | Papagena Press | 2vn,va,vc | 470113689 | 747546214 | Written for Colorado Quartet, 3rd mv is a Hopi lullaby |
1999 | Blow Thou Winter Wind | Papagena Press | stab | 1256051189 | ||
1999 | Caprice | Papagena Press | fl,gtr | 330788224 | 47253307 | Inspired by Red Event by James Michael Smith |
2000 | Quito Suite | Papagena Press | fL,bn,gtr | 470116220 | Alt. title: Dizi dance, 3rd mvmt. Mountain and Mesa | |
2001 | Celebration | Papagena Press | fL, perc // fl[ensemble] | 331043222 | 680171795 | Celebrating Joseph Mariano's 90th birthday |
2001 | Mariposas | Papagena Press | fL[orch] | 430721347 | 48446562 | Loosely based on the emergence and flights of butterflies |
2001 | Shadows | Papagena Press | va,pn | 663974620 | In Memorium 9/11;
Premiered by Marka Gustavsson & Lisa Moore, at Bard 2009 | |
2002 | Antics | Papagena Press | 2fl | 310635088 | 755014926 | Premiered NFA convention, 2002 |
2002 | Two Pieces (Fauré) | Papagena Press | 2fl,pn | 893217725 | 51318813 | Re-arranged for modern flute |
2002 | Requiem | Songs of Peer LTD | ch[satb],satb[solo],br[choir],perc,org/pn,2speakers | 891821567 | 755191040 | Memoriam 9/11, words, Whitman and the Requiem (Latin, English) |
2003 | At The Piano | Papagena Press | pn | 310719185 | 55635549 | Instructional |
2003 | El Andalus | Papagena Press | va/vc,pn | 310676561 | 57467029 | Comm. AZ Friends of Music for Sharon Robinson, Premiered 2004 |
2003 | For Peace: Prayer in Time of War | Papagena Press | women's chorus a capella | 1180386449 | ||
2003 | Peace Is the Way | Songs of Peer LTD | stab,ch | 896870784 | 1000298821 | Inspired by the 2003 invasion of Iraq and a quote from A.J. Muste |
2003 | Three Sketches | Papagena Press | pic,pn | 500941342 | 55635512 | |
2004 | Peace Is the Way | Papagena Press | 6fl,(fl),(fl),(fl[+]) | 174042913 | Inspired by the 2003 invasion of Iraq and a quote from A.J. Muste | |
2004 | Preludes for piano | Papagena Press | pn | 460685885 | 65209628 | |
2004 | String Quartet No.2 | Papagena Press | 2vn,va,vc | 470149007 | 225935863 | Written for the Colorado Quartet |
2004 | To Greet The Sun | Papagena Press | fl | 501001249 | 66380518 | Premiered by Alexa Still, NFA Convention 2005 |
2006 | Concertante "Dragon court" | Papagena Press | afl,bfl,(cbfl),15fl,solo: 2fl,fl/pic | 334304499 | 297186178 | In memory of Frayda Osten |
2006 | Collage | Papagena Press | 2pn | Originally noted katherinehoover.com, 4 mvts total | ||
2006 | Incantations | Papagena Press | fch[SSA],fl,perc | 390900300 | 82200548 | Mayan women’s poetry; for NY Treble Singers |
2006 | Turner Impressions | Papagena Press | [3333,4331,3perc,hp,pn,hpd] | 883080613 | 725342529 | Inspired by paintings of J. M. W. Turner. |
2006 | Two for Two | Papagena Press | afl/bfl,pn | 501001267 | 701810557 | |
2007 | Dancing | Papagena Press | vn,pn | 905827954 | Inspired by quote from Ezra Pound, 1972 | |
2007 | Line Drawings | Papagena Press | pn | 767817924 | Based on work by Saul Steinberg, Premiered by Marian Conti | |
2008 | Dream Dances | Papagena Press | pn | 343574574 | Varied dances woven together; premiered by Marian Conti | |
2008 | Passacaglia & Romp | Papagena Press | 2pn | Commissioned by Pianofest premiered 2009 | ||
2008 | Mountain & Mesa | Papagena Press | fL,pn | 880877968 | 456187099 | Premiered by Mimi Stillman and Jeremy Gill, NFA Convention, 2009 |
2009 | Journey | Papagena Press | bn,pn | 880877969 | 625311599 | For Peter Kolkay |
2009 | The Word in Flower | Papagena Press | mez,fl,gtr | 740049030 | Premiered: Oct 17, 2009, by K. Ciesinsky, B. Boyd, N. Goluseswas | |
2009 | Thin Ice | Papagena Press | pn | 883939769 | 664680784 | Premiere by Marian Conti |
2010 | Shoes For Two Clarinets And Piano | Papagena Press | 2cl,pn | 880877970 | cataloguing in process | |
2011 | Ayres | Papagena Press | ssax,pn | 884491072 | 818319359 | Based on lute songs, English Renaissance composer John Dowland |
2011 | Clowning Around | Papagena Press | 4+fl,(afl),(perc) | 884431800 | 884431800 | NFA convention, movement choreographed by Zara Lawler |
2011 | Etudes | Papagena Press | Flute | 884431798 | 748937764 | Mark Sparks, NFA convention, 2015 |
2011 | Toccata | Papagena Press | Solo Piano | 884431799 | 748937762 | |
2012 | Blessing | Songs of Peer LTD. | ch | 904363213 | 1180386449 | cataloguing in process |
2012 | In Memoriam, Ravi Shankar | Papagena Press | vn | 1048884372 | ||
2012 | Spirit Flight | Papagena Press | fl | 888935890 | 892634593 | Commissioned by Wendela van Swol, of Cordoba, Spain |
2012 | Two Preludes | Papagena Press | fl,vib/mar | 886801645 | 868240801 | |
2013 | Five Pieces | Papagena Press | 3v,v,cl,fl,hn,ob | 60044413 | Re-arrangement of public domain | |
2014 | Dancing | Papagena Press | 4fl,perc,afl | 905827954 | 1024248018 | Commissioned by and dedicated to Julie Rosenfeld |
2015 | Four Winds | Papagena Press | fl,pn/orch,(pn) | 892067111 | 932333515 | Premiered by Mark Sparks |
2016 | Blow | Papagena Press | ten,bar,ch | 880877970 | Recorded 4TAY 4048 | |
2019 | Canyon Shadows | Papagena Press | Flute, Native Flute, Percussion | 330714384 | Posthumously edited by Joanne Lazzaro. Original K. Hoover manuscript 1997. NFA Newly Published Music Award, co-winner, 2020 | |
unknown | Sanctus | Songs of Peer LTD. | ch,pn | 904363212 | performed and recorded | |
As a flutist, Hoover has performed other compossers works, as well as her own. The following is a selected list of her recorded performances.
Title | Album details | Work performed | Composer | Instrument |
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Original Broadway Cast "Jesus Christ Superstar" |
Release: ©1971
[32] |
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Music Of Dale Jergenson |
Release: ©1977
[33] |
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Sonata da chiesa |
Release: ℗1982
[34] |
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New Music for Flute |
Release: ℗1984
[35] |
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Chaitkin/Moore: Chamber Works |
Release: 1981
[36] |
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Journeys-Orchestral Works by American Women |
Release: ℗1987
[37] |
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Kokopeli : Katherine Hoover plays |
Release: ℗2001
[38] |
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Music Of Dale Jergenson
Daysongs / Sonata da chiesa / Variations for Solo Flute
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