music.wikisort.org - Composer

Martin Peudargent (or Peu d'argent, also Martin von Huy; Huy, c. 1510-1570s) was a Flemish composer and chapel master of William, Duke of Jülich-Cleves-Berg in Düsseldorf.[1][2][3]

Martin Peudargent
Born	1510 Huy
Died	1570s
Nationality	Flemish
Occupation	Composer

Mainly motets survive from Peudargents hand. His motetcollection from 1555 is known as the first music to ever be printed in Düsseldorf. Peudargents musical style is typical for the Flemish school and closely resembles that of composers such as Clemens non Papa, even though Peudargent sticks less to Gregorian modes and strives towards a stronger textual expression.[4]

Works (selection)

• Sacrarum Cantionum I, 12 motets for 5 voices, J. Bathen, Düsseldorf 1555
• Sacrarum Cantionum II, 14 motets, of which 1 for 6 voices and 13 for 5 voices, J. Bathen, Düsseldorf 1555
• Novi prorsus et elegantis libri musici, in quo continentur partim suavissima ... Moteta ... latinae & gallicae 4-, 5-, 6-voiced Motets, Oridryus & Buysius, Düsseldorf 1561. Aside of works by Peudargent also music by Josquin Baston, Pierre de Manchicourt, Jean de Latre and Clemens non Papa. This publication has disappeared during the Second World War.
• Misit me vivens pater 4 voices, Irrogat omnipotens 6 voices in: Sacrarum Cantionum diversorum autorum III, J. Bathen, Düsseldorf 1556
• Te Deum Patrem, 4 voices, in: Ecclesiasticarum cantionum quatuor vocum II, Susato Antwerpen 1553

Notes

References

• Quitin, José & Vanhulst, Henri (2001). "Peudargent, Martin". In Sadie, Stanley & Tyrrell, John (eds.). The New Grove Dictionary of Music and Musicians (2nd ed.). London: Macmillan. ‎

На других языках

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[de] Martin Peudargent

Martin Peudargent (* um 1510 in Huy, heute Belgien; † zwischen 1589 und 1594;[1] auch Peu d’Argent oder Peu d’argent geschrieben)[2] war ein Kirchenmusiker und Hofkomponist am Jülich-Klevischen Hof in Düsseldorf. Von Peudargent sind hauptsächlich Motetten überliefert.

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- [en] Martin Peudargent

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