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Masashi Hamauzu (浜渦 正志, Hamauzu Masashi, born September 20, 1971) is a Japanese composer, pianist, and lyricist. Hamauzu, who was employed at Square Enix from 1996 to 2010, was best known during that time for his work on the Final Fantasy and SaGa video game series. Born into a musical family in Germany, Hamauzu was raised in Japan. He became interested in music while in kindergarten, and took piano lessons from his parents.

Masashi Hamauzu 浜渦 正志
Hamauzu in 2012
Background information
Born	(1971-09-20) September 20, 1971 (age 51) Munich, West Germany
Genres	Electronic classical ambient video game music
Occupation(s)	Composer pianist lyricist
Instrument(s)	Piano
Years active	1996–present
Labels	MONOMUSIK

Hamauzu was hired by Square as a trainee, and his debut as a solo composer came the following year when he scored Chocobo no Fushigina Dungeon. He has collaborated with friend and fellow composer Junya Nakano on several games.

After Nobuo Uematsu left Square Enix in 2004, Hamauzu took over as the leading composer of the company's music team. He was the sole composer for Final Fantasy XIII. He has also become a renowned pianist, arranging for several other composers. His music incorporates various styles, although he often uses classical and ambience in his pieces. In 2010, Hamauzu left Square Enix to start his own studio, MONOMUSIK.

Biography

Early life

Born in Munich, Germany, Hamauzu's mother was a piano teacher and his father, Akimori Hamauzu, an opera singer.[1][2] He developed an interest in music while in kindergarten.[1] Hamauzu grew up in Germany and started to receive piano and singing lessons from his parents at very young age, and when he was in high school, he composed his first original music piece. After his brother, Hiroshi, was born, the family moved to Osaka. He enrolled in the Tokyo National University of Fine Arts and Music, where he joined a student ensemble as a pianist. Hamauzu met his wife, Matsue Hamauzu (née Fukushi), at the university, and they have two children. Matsue worked alongside Hamauzu on the soundtrack to Final Fantasy VII as a soprano and Sigma Harmonics as a scat singer; she was also a soprano for the score to Final Fantasy VIII & a lead vocalist in Final Fantasy XIII. After graduating from the university, he thought about becoming a classical musician, but he eventually found out that he wanted to work with game music instead.[1]

Career

A fan of the Final Fantasy games,[3] Hamauzu decided to apply for a job at Square. Nobuo Uematsu was impressed with his résumé, and employed Hamauzu as a trainee in 1996.[1] His debut came with the 1996 title Front Mission: Gun Hazard, with Uematsu, Yasunori Mitsuda, and Junya Nakano.[4] Later the same year, he created four tracks for another multi-composer game, Tobal No. 1.[5] Working with Nakano on these games, Hamauzu admired his musical style, and they became friends; they have later collaborated on several titles.[1] Hamauzu's first solo project came in 1997 with Chocobo no Fushigina Dungeon.[1] Shortly after the title's release, Hamauzu and Yasuo Sako created Chocobo no Fushigina Dungeon Coi Vanni Gialli, an arranged album containing orchestral tracks from the game's music.[6] Both the soundtrack and Coi Vanni Gialli were praised. For Final Fantasy VII, Hamauzu was the synthesizer programmer for the rendition of Joseph Haydn's "The Creation", and provided bass vocals in the eight-person chorus for "One-Winged Angel".[1]

In 1999, Hamauzu was assigned with scoring SaGa Frontier 2, replacing the SaGa series' long-time composer Kenji Ito.[7] He spent some time conforming to the music Ito had established for the series, but eventually realized that he wanted to use his own unique style. The project introduced him to synthesizer programmer Ryo Yamazaki, whom he has worked with on most of his subsequent soundtracks.[1] Hamauzu also released Piano Pieces "SF2" ~ Rhapsody on a Theme of SaGa Frontier 2, an arranged album featuring piano pieces of the game's music.[8] In 2001, Hamauzu and Nakano were chosen to assist Uematsu in the production of the score for the critically acclaimed Final Fantasy X,[9][10] based on their ability to create music that was different from Uematsu's style.[11] Hamauzu also contributed the Piano Collections arranged album of the game, which he described as his most challenging work, and the track named "feel", an arrangement of "Hymn of the Fayth", from the EP feel/Go dream: Yuna & Tidus.[1]

In 2002, Hamauzu composed the music for Unlimited Saga, a game that would be received negatively by critics due to a variety of gameplay issues.[12][13] After Uematsu’s departure from Square Enix in 2004, he took over as the lead composer of the company’s music team. He incorporates various styles of music in his compositions, though most of the tune he uses classical and ambient tones in his pieces. In 2005, Hamauzu, Nakano, and the duo Wavelink Zeal (Takayuki and Yuki Iwai) scored Musashi: Samurai Legend, the sequel to the 1998 title Brave Fencer Musashi.[14] Hamauzu composed the highly anticipated but critically unsuccessful Final Fantasy VII follow-up, Dirge of Cerberus: Final Fantasy VII, in 2006.[15][16] Later the same year, he arranged the Sailing to the World Piano Score at the request of Mitsuda.[17] The album was well received by fans, and helped confirm Hamauzu's position as a leading piano arranger of video game music.[1]

Hamauzu released a solo album, Vielen Dank, in 2007 after recording it in Munich, Germany. The album includes eleven piano pieces that he composed for personal pleasure after the creation of Piano Pieces "SF2" ~ Rhapsody on a Theme of SaGa Frontier 2 as well as 14 arrangements of his game compositions.[18] Two tracks from the album were performed at the 2007 Symphonic Game Music Concert in Leipzig.[19] In 2008, he composed the soundtrack to Sigma Harmonics,[20] with synthesizer programming by Mitsuto Suzuki rather than Yamazaki.[1] At the 2006 E3 event, a Square Enix press conference revealed that Hamauzu would be returning to the Final Fantasy series, scoring Final Fantasy XIII.[21] He left Square Enix on January 19, 2010.[22] He went on to form his own studio, Monomusik, which he described as a personal studio that did not include any other composers.[23] Despite leaving Square Enix, Hamauzu was still hired to score various games by the company, including Final Fantasy XIII-2, Lightning Returns: Final Fantasy XIII, World of Final Fantasy, and the high definition version of Final Fantasy X. Outside of the Final Fantasy series, Hamauzu also wrote music for games such as Half-Minute Hero: The Second Coming, The Legend of Legacy, and The Alliance Alive in the 2010s.[24][25]

Musical style and influences

Hamauzu composes music in a wide variety of styles, often using multiple styles throughout the various pieces of a soundtrack. He mostly creates classical and ambient music, and uses the piano predominantly as an instrument. He frequently uses dissonance to provide an atmospheric effect.[26] In Unlimited Saga, for example, the style of his compositions mix classical marches, tango music, electronic ambiance, instrumental solos, bossa nova, and jazz.[27]

He cites animation composers Hiroshi Miyagawa and Ryuichi Sakamoto of Yellow Magic Orchestra, impressionist composers Maurice Ravel and Claude Debussy, and his father as major musical influences.[1] During his adolescence, he enjoyed listening to the works of Miyagawa and Sakamoto. While attending university, he developed an appreciation for classical music, especially the compositions of Ravel and Debussy.[1]

Works

All works listed below were composed by Hamauzu unless otherwise noted.

Year	Title	Notes	Ref.
1996	Front Mission: Gun Hazard	with Nobuo Uematsu, Yasunori Mitsuda, and Junya Nakano	[1]
	Tobal No. 1	with various others	[1]
1997	Chocobo no Fushigi na Dungeon		[1]
1999	SaGa Frontier 2		[1]
2001	Final Fantasy X	with Nobuo Uematsu and Junya Nakano	[1]
2002	Unlimited Saga		[1]
2005	Musashi: Samurai Legend	with Junya Nakano, Takayuki Iwai, and Yuki Iwai	[1]
2006	Dirge of Cerberus: Final Fantasy VII	with Ryo Yamazaki	[1]
2008	Oolong Tea Story		[1]
	Sigma Harmonics		[1]
2009	Final Fantasy XIII		[1]
2011	Music GunGun! 2	with various others	[1]
	Final Fantasy IV: The Complete Collection	arrangements with Junya Nakano and Kenichiro Fukui
	Half-Minute Hero: The Second Coming	with various others	[1]
	Final Fantasy XIII-2	with Naoshi Mizuta, Mitsuto Suzuki, and Yoshitaka Suzuki	[1]
2012	Good Luck Girl!	anime	[28]
2013	Lightning Returns: Final Fantasy XIII	with Naoshi Mizuta and Mitsuto Suzuki	[1]
	Final Fantasy X/X-2 HD Remaster	arrangements with Junya Nakano, Tsutomu Narita, and Ryo Yamazaki
2014	Paulette's Chair	anime
	Super Smash Bros. for Nintendo 3DS and Wii U	arrangements with various others
	Groove Coaster	composed "Shooting Star"
2015	The Legend of Legacy
	Typhoon Noruda	anime	[29]
	Chunithm: Seelisch Tact	composed "The ether"
2016	ClassicaLoid	anime
	World of Final Fantasy	with Shingo Kataoka and Hayata Takeda
2017	The Alliance Alive	with Ayane Hamauzu
2019	Final Fantasy XIV: Shadowbringers	composed "A Dream in Flight"
2020	Final Fantasy VII Remake	with Nobuo Uematsu and Mitsuto Suzuki	[30]
2021	Across the Worlds ~ Chrono Cross Wayô Piano Collection	arrangements with Akio Noguchi and Mariam Abounnasr	[31]
	To Your Eternity	anime; composed "Mediator"	[32]
2022	Sin Chronicle	with various others	[33]

References

External links

• Official website (in Japanese)
• MONOMUSIK website (in Japanese)

На других языках

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[de] Masashi Hamauzu

Masashi Hamauzu (jap. 浜渦 正志 Hamauzu Masashi; * 20. September 1971 in München) ist ein Komponist für Videospielsoundtracks, der fast ein Jahrzehnt für Square Enix gearbeitet hat.

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- [en] Masashi Hamauzu

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[es] Masashi Hamauzu

Masashi Hamauzu (浜渦正志; Hamauzu Masashi) nació el 20 de septiembre de 1971 en Múnich, Alemania.

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[ru] Хамаудзу, Масаси

Маса́си Хамау́дзу (яп. 浜渦 正志, род. 20 сентября 1971, Мюнхен, Бавария) — японский игровой композитор, с 1996 по 2010 года работавший в компании Square Enix. Наиболее известен по созданию звукового ряда к играм Final Fantasy и SaGa. Родился в Германии в музыкальной семье, но ещё в детстве переехал в Японию. Музыкой стал интересоваться ещё в детском саду, уже тогда родители давали ему первые уроки игры на пианино.

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