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Mats Wendt (born in 1965) is a Swedish classical composer and artist. His best known work internationally is Eddan – the invincible sword of the elf-smith, a 16-hour-long "cybersymphonic" work on Norse mythology according to Viktor Rydberg. Five hours from Eddan was performed in Bayreuth 2003 during the annual Wagner festspiele,[1] in Wahnfried, Wagner's former home, now the Richard Wagner museum. The work was first performed in its entirety in Reykjavik in 2009.[2] Prior to Eddan, he's been inspired by works of writers like William Blake and T. S. Eliot.[3]

Wendt is also the originator of "cybersymphony",[4] a concept for transferring the symphony orchestra to computers and by this create a super instrument that is independent of development of hard and software. He's performed his work at the Swedish National Museum of Science and Technology.[5]


Cybersymphony


The concept of Cybersymphony was created by Wendt in 1993 to build a foundation for symphonic music created by computers and synthesizers.

The "instrument" used to perform a cybersymphony consists of two things: the cybersymphonic law that defines what the instrument is, and any synthesizer that meets the requirements. This means that, in the absence of a physical instrument (and the small differences caused by the analogue), a consistently defined sound is available.

The Cybersymphonic Law summarised:


Some works



Sources



References


  1. Redvall, Eva (19 July 2003). "Wagnerhändelse och dröm för svensk cybersymfoniker". Sydsvenskan (in Swedish).
  2. Betts, Jane (22 May 2009). "Tonsatt Edda uruppförs av Karlskronakompositör". Blekinge Läns Tidning (in Swedish).
  3. Andersson, Margareta (23 May 2009). "Mats Wendt uruppför cyber-Eddan". Sydsvenskan.
  4. "Cybersymfoniker uppträder i Lund". Sydsvenskan (in Swedish). 16 April 2000.
  5. Betts, Jane (16 October 2000). "Wendt med orkester till Tekniska museet". Blekinge Läns Tidning.





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