Oscar Fetrás (16 February 1854 – 10 January 1931) was a German composer of popular dance music, military marches, piano pieces and arrangements.
German composer
This article includes a list of general references, but it lacks sufficient corresponding inline citations. (November 2011)
Oscar Fetrás
Birth name
Otto Kaufmann Faster
Born
(1854-02-16)16 February 1854
Died
10 January 1931(1931-01-10) (aged76)
Genres
Classical
Occupation(s)
Composer, musician
Instrument(s)
Piano
Musical artist
Fetrás had over 200 compositions to his name. His best known work is his waltz "Mondnacht auf der Alster" Op.60 which is still immensely popular to the present day.
Biography
Fetrás was born as Otto Kaufmann Faster in 1854 in Hamburg. His father Matthias Faster was an Hamburgian editor of a stock-exchange magazine. The Faster family originally came from Bützfleth, a locality of today's Stade near Hamburg. Fetrás's grandfather, a sea captain, died in the sinking of his ship Ceres. His mother Amalie Margarethe, born Decker, had ancestral origins from the island of Sylt.
Early in his career Fetrás worked for Ferdinand Laeisz[de], founder of the Flying P-Liner. Once he became widely regarded as being on the same level as the revered Viennese waltz kings, he departed to conduct his own orchestra. At the age of 26 Fetrás's compositions attracted the attention of a Hamburg publisher. He changed his name to Fetrás, an anagram of his surname Faster.
Fetrás soon rose to the position of conductor of the Uhlenhorster Fährhaus, a famous restaurant with ballrooms in Hamburg for which he composed his second most famous, but now forgotten work, Uhlenhorster Kinder. He was regarded as the most talented light music composer that Northern Germany ever produced and from the start modelled his own composing on that of his idol, Johann Strauss Jr. As a gift of thanks for his waltz "Mondnacht auf der Alster" which brought Hamburg international acclaim, the local business community gave Fetrás a bronze statue of the Roman god Hermes/Mercurius by the French artist Marius Montagne. This statue is the only remaining possession of Fetrás which survived the World War II bombings and is now owned privately in Henstedt-Ulzburg near Hamburg.
His tombstone
It might have been Franz von Blon, at that time the conductor of the Stadttheater Orchestra, who introduced "Mondnacht auf der Alster" at the inaugural concert for the 1888 ball season. It was a sensation and earned Fetrás the title of "The Hamburg Waltz King". Soon he was invited to tour Germany, Austria and France with his orchestra. He became personally acquainted with Johann Strauss. In 1904 he won a prize for his composition "Frühlingsluft" and later he wrote Reiche Mädchen, a reworking of Johann Strauss's 1897 operetta Die Göttin der Vernunft. The complete Die Göttin der Vernunft operetta has been released in 2011 by Naxos Records, whilst the Reiche Mädchen has been recorded by Marco Polo on their two CD production of Johann Strauss operetta collections. Fetrás remained well-known and respected and though definitely a second rank composer in the Viennese style, he produced some 300 works. Fetrás died January 1931 in Hamburg and was buried in the Ohlsdorf Cemetery.
Legacy
In 1943, the Uhlenhorster Färhaus was destroyed by Allied bombing, and with it was lost the original score of Fetrás's most famous work "Mondnacht auf der Alster". The waltzes and music of Fetrás appear to have disappeared from the mainstream repertoire since then. This was primarily due to the many outlets of music publishers and music parts libraries which issued his material being destroyed during the bombing of Hamburg in World War II, leaving no publishers to issue his material to this day. Arrangements for solo piano of all of his works, published with opus numbers, are available on IMSLP.
In Hamburg-Rahlstedt the street Fetrasweg is named after him.
Works
Op. 10 Goldschmieds Töchterlein – waltz
Op. 11 Bankett – march
Op. 12 Schönes Lenchen – polka française
Op. 13 Hand in Hand – lanciers
Op. 14 Lustig voran! – march
Op. 15 in der gold'nen Faschingszeit – waltz
Op. 16 Traulich beisammen – gavotte
Op. 17 Fruhling im Herzen – waltz
Op. 18 Ihm nach! – polka schnell
Op. 19 Luftschlösser – waltz
Op. 20 Flottes Carré – lanciers
Op. 21 Rosamundchen – polka française
Op. 22 Carmen – waltz after motives from Bizet's opera
Op. 23 Nachtschwärmer – waltz
Op. 24 An die Gewehre! – march
Op. 25 Die Schäferin – rheinische polka
Op. 26 Das blonde Gretchen – waltz
Op. 27 Maskentrubel – polka française
Op. 28 Elekrisch – polka schnell
Op. 29 Balduin Dahl-march – march
Op. 30 La mascotte – waltz after motives from Audran's opera
Op. 216 Nymphe und Faun – waltz after motives from Léo Delibes
Op. 218 Minutenspiele – potpourri
Op. 219 Sang und Tanz vom Böhmerland – potpourri
Op. 222 Russische Volksklänge – potpourri
Op. 223 Tanzlust auf der Alm – Ländler
In popular culture
"Moonlight on the Alster" is described as being popular with Royal Navy personnel in the novel HMS Ulysses by Alistair MacLean.
Sources and references
Lexikon des Blasmusikwesens, Freiburg-Tiengen: Blasmusikverlag Schulz, 1988
La musica en la radio: radio Ciudad Real EAJ 65 y sus discos de pizarra Coordinador: Francisco Alía Miranda Cuenca: Ediciones de la Universidad de Castilla-La Mancha, 2000, p.321–356
The heritage encyclopedia of band music: composers and their music Edited by Paul E. Bierley. William H. Rehrig, Westerville, Ohio: Integrity Press, 1991
The New Grove Dictionary of Music and Musicians London: Macmillan, 1980
Kurschners Deutscher Musiker-Kalender 1954 Zweite Ausgabe des Deutschen Musiker-Lexikons erausgeber: Hedwig und E.H. Mueller von Asow, Berlin: Walter de Gruyter, 1954
Sohlman's musiklexikon Gosta Morin, Carl Allan Moberg. Einar Sundstrom Stockholm: Sohlman Forlag, 1951
Dizionario universale dei musicisti: Supplemento Schmidl, Carlo. Milan: Sonzogno, 1938
Kurzgefasstes Tonkünstler Lexikon: fur Musiker und Freunde der Musik Begründet von Paul Frank. Neu bearbeitet und erganzt von Wilhelm Altmann. Regensburg: Gustave Bosse, 1936
Deutsches Musiker-Lexikon Herausgegeben von Erich H. Muller. Dresden: Wilhelm Limpert, 1929
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