Ľubica Čekovská (Ľubica Salamon-Čekovská, Ľubica Malachovská-Čekovská; born March 15, 1975, Humenné)[1] is a Slovak composer and pianist.
Slovak composer and pianist
Ľubica Čekovská
Biography
Čekovská studied at the Academy of Performing Arts in Bratislava and the Royal Academy of Music in London.[2] Her works have been featured at ISCM World Music Days festivals (2009, Sweden; 2013, Slovakia) and Prague Spring festivals (2006, 2013, 2015).[3] She was awarded the Ján Levoslav Bella Prize for her piano concerto Two Portraits (2003), and the 2012 SOZA Award for international performances of Slovak music.
Čekovská works in a variety of genres, including composing for film, television, and theatre. She is represented by the German music publisher Bärenreiter.
Her latest opera, Impresario Dotcom, was commissioned for the Bregenzer Festspiele in 2020, but postponed due to the coronavirus outbreak. Čekovská then created a special abridged version for the restructured Festtage im Festspielhaus event in August 2020.[4]
Works
Čekovská assigned opus numbers to early works, but stopped using them after Op. 12 in 2000.
Operas
As Time Goes By (2005)
Collaborative work by Čekovská, Marius Baranauskas, Age Hirv, Marios Joannou Elia, and Sean Reed. Libretto by Xavier Zuber. Premiered 29 September 2005, Staatsoper Hannover
Dorian Gray (2013)
Opera in 3 acts. Libretto by Kate Pullinger after the novel by Oscar Wilde. Premiered 8 November 2013, Bratislava. Slovak National Theatre, cond. Christopher Ward
Impresario Dotcom (2020)
Opera buffa in 4 acts. Libretto by Laura Olivi after Carlo Goldoni’sL'impresario delle Smirne (1759). Commissioned for the Bregenzer Festspiele, premiered in abridged version 20 August 2020.
Orchestral
Turbulence (Op. 11; 2000, rev. 2007)
Shadow Scale (2006)
Adorations (2006)
Dorian Gray Suite (2011)
Palingenia (2015)
Etuda (2016)
Cantus Simplicissimus (2018)
Large ensemble
Fragment and Elegies (1997, rev. 2004) – String orchestra
Piece for String Orchestra (Op. 7; 1999)
Arctic Descent (Op. 8; 1999) – Woodwind ensemble
Fractal (Op. 12; 2000) – Chamber orchestra
Postludium (2005) – Chamber orchestra
Interrupted Line (2006, rev. 2008) – chamber orchestra
Theatre Music (2011) – String orchestra
Concertos
Concerto Two Portraits (2003) – piano, orchestra
Violin Concerto (2010)
Chamber music and solo instrumental
Composition for Trumpet and Piano (Op. 2; 1997)
Brown’s Motion (Op. 3; 1997) – flute, bassoon, piano
Fragment and Elegies (Op. 4; 1997) – solo accordion
Dark (Op. 5; 1997) – oboe, piano
One Minute (1997) – solo trombone
The Song (2002) – cello, piano
Kuckucks Winterlied (2005) – 4 cellos
In Conversation (2006) – cello, bayan
Musica homonensis (2007) – solo organ
Lux in tenebris (2007) – trumpet, organ
Duo Concertante (2010) – violin, piano
Evenodd (2013) – wind quintet
Nachtigalls Frühlingslied (2014) – 4 cellos
A Midsummer Quartet (2016) – string quartet
Fathers Downbeat (2018) – 4 basses, percussion
Esaje [Essays] (2019) – viola, piano
Choral
Close Harmony (1997) – SATB
On First Looking into Chapman's Homer (Op. 6; 1998) – SATB
Three Fragments from Stabat Mater (2018) – SSAATTBB
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