Between the 1 and the 9 is the debut album by the American musician Patti Rothberg, released in 1996.[2][3] Compared to Alanis Morissette and other female singers of the mid-1990s, Rothberg disdained the "T. F. S., tortured female syndrome" label.[4]
| Between the 1 and the 9 | ||||
|---|---|---|---|---|
| Studio album by | ||||
| Released | 1996 | |||
| Label | EMI[1] | |||
| Producer | Little Dave Greenberg | |||
| Patti Rothberg chronology | ||||
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The album title refers to the New York City subway stop where Rothberg used to busk.[5] The album artwork was painted by Rothberg.[6]
Between the 1 and the 9 peaked at No. 83 on the UK Albums Chart.[7] The first single was "Inside", which was a minor alternative rock radio hit.[8][9] Rothberg promoted the album by touring with Primitive Radio Gods, among others.[10]
The album was produced by Little Dave Greenberg.[11][6] The songs were written by Rothberg, many during her time in Paris, in 1992 and 1993; she also played all the guitar and bass parts.[12][13] Between the 1 and the 9 contains an unlisted track, which shares the same title as the album.[14][15]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic | |
| The Encyclopedia of Popular Music | |
| The Indianapolis Star | |
| Knoxville News Sentinel | |
| Los Angeles Times | |
| MusicHound Rock: The Essential Album Guide | |
| Spin | 6/10[19] |
| USA Today | |
| Vancouver Sun | |
Entertainment Weekly praised the "well-crafted songs and an appealingly grainy voice—think of a distaff Dylan."[20] Spin wrote that "even when has the pedal to the metal ... she keeps her focus squarely on the words."[19] The Sun-Sentinel determined: "Not as angry as Alanis Morissette or as immature as Juliana Hatfield, Rothberg reaches for more understanding while trying to have more fun."[21] The Los Angeles Times opined that "there's a precocious intelligence to her raspy, sardonic vocals, and her scrupulously lean arrangements are full of tender and funky flourishes."[18]
The Washington Post noted that "'Perfect Stranger' proves her lyrics can be perceptive as well as pointed, and several songs are disarmingly catchy."[22] The Palm Beach Post stated that Rotheberg's "sandpaper voice, bad-boyfriend lyrics and folk and electric blues numbers have a sharp, confessional ring."[23] The Record concluded that Rothberg's "anger and occasional bitterness are conveyed by a sweet, grainy voice sitting atop inviting melodic music that draws from rock, folk, country, and blues and deftly blends acoustic and electric guitars."[24]
AllMusic wrote: "Strongly rooted in the singer/songwriter aesthetic of one woman and her guitar, the songs on Between the 1 and the 9 are fleshed out a bit with other instruments but retain their edge."[16] The Dayton Daily News listed the album among the 10 best of 1996.[25]
| No. | Title | Length |
|---|---|---|
| 1. | "Flicker" | |
| 2. | "Inside" | |
| 3. | "This One's Mine" | |
| 4. | "Treat Me Like Dirt" | |
| 5. | "Looking for a Girl" | |
| 6. | "Forgive Me" | |
| 7. | "Up Against the Wall" | |
| 8. | "Perfect Stranger" | |
| 9. | "Out of My Mind" | |
| 10. | "Change Your Ways" | |
| 11. | "Remembering Tonight" | |
| 12. | "It's Alright" |
| Authority control |
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