Blue Mongol is an album by trombonist Roswell Rudd and the Mongolian Buryat Band, a five-member ensemble led by Mongolian vocalist Badma Khanda, featuring horse-head fiddle and bass, instruments resembling zither, dulcimer, and flute, and a throat singer. It was recorded in 2005 at Nevessa Production in Saugerties, New York, and was released by Sunnyside Records later that year. The album is a continuation of the cross-cultural experiments that Rudd began pursuing with 2002's Malicool.[1][2][3]
Blue Mongol | ||||
---|---|---|---|---|
![]() | ||||
Studio album by Roswell Rudd and The Mongolian Buryat Band | ||||
Released | 2005 | |||
Recorded | October 11, 2005 | |||
Studio | Nevessa Production, Saugerties, New York | |||
Genre | Jazz, World music | |||
Length | 1:04:44 | |||
Label | Sunnyside SSC1147 | |||
Producer | Roswell Rudd, Verna Gillis | |||
Roswell Rudd chronology | ||||
|
Rudd and the Mongolian Buryat Band toured the United States in late 2006. He reflected: "Listeners will be reminded of American folk music and aspects of the blues... I call their music 'art folk' because it combines the sophistication of conservatory training with the indigenous performance style of their long history."[4]
Review scores | |
---|---|
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
All About Jazz | ![]() ![]() ![]() ![]() ![]() |
The Penguin Guide to Jazz | ![]() ![]() ![]() ![]() |
In a review for AllMusic, Thom Jurek wrote: "Wow! Simply put, this recording is almost indescribable... There isn't another recording like this on the planet; it's stunning."[2]
The Village Voice's Francis Davis stated: "Twinning with Khanda, matching the throat singer's gargle with growled multiphonics, or just floating over the strings, Rudd throws himself into everything with such relish you might be hard-pressed to tell which tunes are traditional and which are his without glancing at the credits. The Buryats meet him halfway, occasionally recalling Django or country swing, even boogie-woogie... East is East, and West is West, and wherever the four winds blow—that's not just a quote, it's his philosophy."[7]
Writing for All About Jazz, John Kelman remarked: "Blue Mongol, with its greater elegance and emotional depth, requires more inherent sensitivity than the upbeat MALIcool, making it a riskier proposition. And while it has a few disconnected moments, it succeeds more often than not, making it a worthwhile listen for those who believe music to be the voice that speaks to all cultures."[5]
Tom Hull commented: "The great jazz trombonist engages a conservatory-trained Mongolian folk group; part of the interest is the similar harmonics between trombone and throat singing, but the highlight is when Rudd cops a Beach Boys line for 'Buryat Boogie'."[8]