Compassion Seizes Bed-Stuy is an album by the American jazz double bassist William Parker, recorded in 1995 and released on Homestead.
Compassion Seizes Bed-Stuy | ||||
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Studio album by William Parker | ||||
Released | 1996 | |||
Recorded | December 18, 1995 | |||
Studio | Tedesco Studio, Paramus, NJ | |||
Genre | Jazz | |||
Length | 69:29 | |||
Label | Homestead | |||
Producer | William Parker | |||
William Parker chronology | ||||
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The album is the third part of a sound trilogy including the sextet In Order to Survive and the solo bass Testimony. In Order to Survive is the name of the ensemble, a quartet with Rob Brown on alto sax, Cooper-Moore on piano, and newcomer Susie Ibarra on drums. "Unrestricted" is a piano-drums duo dedicated to saxophonist Julius Hemphill. "Goggles" is dedicated to bassist Earl Freeman. "For Robeson" is for Paul Robeson. "Malcolm's Smiles" is for Malcolm X. The cover art is a "MusicWitness" painting made during live recording by Jeff Schlanger.[1]
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
The Penguin Guide to Jazz | ![]() ![]() ![]() ![]() |
In his review for AllMusic, Don Snowden states "Slack moments are rare and the evenly balanced contributions of all four musicians make this a fine example of freewheeling collective improvisation."[2] The Penguin Guide to Jazz says that compared with the previous album the tracks "are more developed and feature some of the bassist's very best writing."[3] In a double review for the Chicago Reader, Peter Margasak says that Parker's original compositions "employ a variety of melodic and structural gambits toward a single goal: highly sensitive and all-enveloping improvisation."[4] In an article for the Boston Phoenix Ed Hazell notes that "Each track is a cathartic cry from the heart, complex, yet with utter clarity of structure."[5]
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