1940 recording by Glenn Miller and His Orchestra on RCA Bluebird, B-10612-B
In 1910, in Bath, Somerset, the English lawyer and lyricist Frederic Weatherly initially wrote the words to "Danny Boy" to a tune other than "Londonderry Air". An alternative story is that Margaret Weatherly sent him a copy of "Londonderry Air" in 1913, Weatherly modified the lyrics of "Danny Boy" to fit its rhyme and meter.[1][2] Another alternative version of the story has Jess singing the air to Weatherly in 1912 with different lyrics. Another alternative story is that Frederic did not set the poem to any tune, but that his sister-in-law Margaret Enright Weatherly, who together with her husband Edward were living near Ouray, Colorado at the Neosho mine, set the poem in 1913 to the tune of the "Londonderry Air" which she had heard as a child in California played by her father and other Irish railroad workers.[3]
Weatherly gave the song to the vocalist Elsie Griffin, who made it one of the most popular songs of the new century. Ernestine Schumann-Heink produced the first recording of "Danny Boy" in 1915.
Jane Ross of Limavady is credited with collecting the melody of "Londonderry Air" in the mid-19th century from a musician she encountered.[4]
Oh, Danny boy, the pipes, the pipes are calling
From glen to glen, and down the mountain side.
The summer's gone, and all the roses falling,
It's you, It's you must go and I must bide.
But come ye back when summer's in the meadow,
Or when the valley's hushed and white with snow,
It's I'll be there in sunshine or in shadow,—
Oh, Danny boy, Oh Danny boy, I love you so!
But when ye come, and all the flowers are dying,
If I am dead, as dead I well may be,
Ye'll come and find the place where I am lying,
And kneel and say an Avé there for me.
And I shall hear, though soft you tread above me,
And all my grave will warmer, sweeter be,
For you will bend and tell me that you love me,
And I shall sleep in peace until you come to me!
Meaning
There are various conjectures about the meaning of "Danny Boy".[6] Some interpret the song to be a message from a parent to a son going off to war or participating in the Irish uprising (as suggested by the reference to "pipes calling glen to glen") or emigrating as part of the Irish diaspora.[6]
The 1918 version of the sheet music with Weatherly's printed signature included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". Nonetheless, it is unclear whether this was Weatherly's intent.[7]
Usage
Percy Grainger's Irish Tune from County Londonderry adapts the Danny Boy/Londonderry Air melody for wind ensemble in 1918.[8]
The song is popular for funerals; but the National Catholic Reporter wrote in 2001 that it "cannot be played during Mass."[9]
Select recordings
"Danny Boy" has been recorded multiple times by a variety of performers. Several versions are listed below in chronological order.
1940 Judy GarlandLittle Nellie Kelly soundtrack. Garland also sang it live at her concerts in Ireland and Scotland and most famously at her New York Palace Theatre debut in 1951.
1940 Glenn Miller and His Orchestra released a single that climbed to #17 in "Pop Memories 1890-1954" (not Billboard's charts);[10] Arranged by Glenn Miller and pianist Chummy MacGregor.
1950 Al Hibbler released a single that rose to #9 on the R&B chart[13]
1957 Harry Belafonte sang the song from the album "An Evening with Harry Belafonte", where he began the song with a spoken recitative, before singing the 2 verses. He repeated the second half of the first verse the second time around. The Recitative goes: "The Time, a time of strife. The Place, the place is Ireland, This Irish legend had it, and the last rose of summer fell, and all the young men of Ireland Were together to stake a blow For Ireland's Freedom and Ireland's liberty, There songs for those who stayed at home, and songs for those who went away, and all O'er Ireland was sad".
1959 Conway Twitty's version charted at #10 on the Billboard Hot 100, #18 on Top R&B.[14](banned by the BBC)[15]
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