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Emily's D+Evolution is the fifth studio album by American musician Esperanza Spalding, released on 4 March 2016 by Concord Records.

Emily's D+Evolution
Studio album by
Released4 March 2016
StudioNRG Studios, North Hollywood, California
The Magic Shop, Manhattan, New York
HUMAN (NYC), New York City, New York
Genre
  • Jazz
  • jazz fusion
  • funk
  • art rock
Length45:44
LabelConcord
Producer
Esperanza Spalding chronology
Radio Music Society
(2012)
Emily's D+Evolution
(2016)
Exposure
(2017)

Background


The album was co-produced by Spalding and longtime David Bowie collaborator Tony Visconti.[1][2] On the album, Spalding sings through the alter ego of Emily, which is her middle name.[3][4] In an interview, Spalding stated that Emily "is a spirit, or a being, or an aspect who I met, or became aware of. I recognize that my job...is to be her arms and ears and voice and body".[5]


Critical reception


Professional ratings
Aggregate scores
SourceRating
AnyDecentMusic?7.9/10[6]
Metacritic84/100[7]
Review scores
SourceRating
All About Jazz[8]
AllMusic[1]
Exclaim!7/10[9]
The Guardian[10]
Now[11]
Robert Christgau[12]
Pitchfork8.6/10[5]
PopMatters[2]
Rolling Stone[13]
Stereophile[14]

Emily's D+Evolution received widespread critical acclaim from contemporary music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 84, based on 14 reviews, which indicates "universal acclaim".[7]

Marcus J. Moore of Pitchfork Media praised the album, stating, "The lyrics are elusive at first, darting behind fast-moving songs and delivered in impressionistic, conversational bursts that recall the delivery of Joni Mitchell. But the fearless generosity behind them communicates itself loud and clear, and it's a spirit that animates the entire album. With it, Spalding has once again redefined an already singular career, dictating a vision entirely on her own terms".[5] Michael J. Warren of Exclaim! commented, "Emily's D+Evolution is a tough album to get a full grasp on. It's not a neat alter ego side project; rather than going the Chris Gaines route, Esperanza Spalding is again flexing her range, showing that her playing style and voice can find a home in any genre. There are moments here where she falls into a nice pocket that the listener might wish she'd remain in for a little while longer."[9] Christopher R. Weingarten of Rolling Stone added, "...Emily’s D+Evolution is a far more ambitious and thornier affair. The lyrics, flowing in disjunctive clusters, are about deleted narratives, glass ceilings and dreams deferred – ultimately a complex, funky prog-rock concept opera about love and identity.[13]


Track listing


All tracks are written by Esperanza Spalding, except where noted.

No.TitleWriter(s)Length
1."Good Lava" 3:38
2."Unconditional Love" 3:46
3."Judas" 4:10
4."Earth to Heaven" 3:52
5."One" 3:15
6."Rest in Pleasure" 4:59
7."Ebony and Ivy" 4:20
8."Noble Nobles"3:33
9."Farewell Dolly" 2:07
10."Elevate or Operate" 4:03
11."Funk the Fear" 5:07
12."I Want It Now"2:51
Total length:45:44
Deluxe Edition
No.TitleLength
13."Change Us"3:57
14."Unconditional Love"9:40

Personnel


Credits adapted from the liner notes of Emily's D+Evolution.[15]

Main personnel
Additional personnel

Charts


Chart (2016) Peak
position
French Albums (SNEP)[16] 181
Dutch Albums (Album Top 100)[17] 175
Belgian Albums (Ultratop Flanders)[18] 148
US Billboard 200[19] 88
US Top Jazz Albums (Billboard)[20] 1

References


  1. Collar, Matt. "Emily's D+Evolution". AllMusic. Retrieved 14 March 2020.
  2. Layman, Will (11 March 2016). "Emily's D+Evolution". PopMatters. Retrieved 20 March 2016.
  3. Chinen, Nate (17 May 2015). "Review: Esperanza Spalding Recalls the Creativity of Youth in New Songs". New York Times. Retrieved 20 March 2016.
  4. Johnston, Maura (3 March 2016). "Berklee's Esperanza Spalding thrills with new album". Boston Globe. Retrieved 20 March 2016.
  5. Moore, Marcus J. (4 March 2016). "Emily's D+Evolution". Pitchfork Media. Retrieved 19 March 2016.
  6. "Emily's D+Evolution by Esperanza Spalding reviews | Any Decent Music". AnyDecentMusic?. Retrieved 3 March 2020.
  7. "Emily's D+Evolution by Esperanza Spalding". Metacritic. Retrieved 5 April 2017.
  8. Turner, Mark F. (12 April 2016). "Esperanza Spalding: Emily's D+Evolution". All About Jazz. Retrieved 6 July 2018.
  9. Warren, Michael J. (2 March 2016). "Esperanza Spalding: Emily's D+Evolution". Exclaim!. Retrieved 6 July 2018.
  10. Fordham, John (3 March 2016). "Esperanza Spalding: Emily's D+Evolution review – unconditionally terrific". The Guardian. Retrieved 6 July 2018.
  11. CLARKE, CHRISTINE (9 March 2016). ">>> Esperanza Spalding: Emily's D+Evolution". Now. Now Communications. Retrieved 6 July 2018.
  12. "Consumer Guide Reviews: Emily's D+Evolution". Robert Christgau. Retrieved 16 June 2018.
  13. Weingarten, Christopher R. (4 March 2016). "Emily's D+Evolution". Rolling Stone. Retrieved 12 April 2016.
  14. Baird, Robert (17 May 2016). "Recording of June 2016: Emily's D+Evolution". Stereophile. Retrieved 6 July 2018.
  15. Emily's D+Evolution (LP liner notes). Esperanza Spalding. Concord Records. 2016. CRE-38281-01.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  16. "Lescharts.com – Esperanza Spalding – Emily's D+Evolution". Hung Medien. Retrieved 29 November 2021.
  17. "Dutchcharts.nl – Esperanza Spalding – Emily's D+Evolution" (in Dutch). Hung Medien. Retrieved 29 November 2021.
  18. "Ultratop.be – Esperanza Spalding – Emily's D+Evolution" (in Dutch). Hung Medien. Retrieved 29 November 2021.
  19. "Esperanza Spalding Chart History (Billboard 200)". Billboard. Retrieved 17 June 2022.
  20. "Esperanza Spalding Chart History (Top Jazz Albums)". Billboard. Retrieved 29 November 2021.

На других языках


- [en] Emily's D+Evolution

[ru] Emily’s D+Evolution

«Emily’s D+Evolution» — пятый студийный альбом американской певицы и автора-исполнителя Эсперансы Сполдинг, выпущенный 4 марта 2016 года на лейбле Concord Records. Сопродюсером Эсперансы стал легендарный Тони Висконти, работавший с Дэвидом Боуи[2][4].



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