Flock is the eleventh album by English musician Jane Weaver, released on 5 March 2021 by Fire Records.[1] Inspired by Lebanese torch songs, 1980s Russian Aerobics records and Australian punk, the album incorporates a pop-leaning production in comparison to Weaver's previous works. Upon release, the album was met with critical acclaim, with praise towards its experimental sound.
Flock | ||||
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Studio album by Jane Weaver | ||||
Released | 5 March 2021 (2021-03-05) | |||
Recorded | 2020 | |||
Studio | Eve Studios, Stockport | |||
Genre | Pop[1] | |||
Length | 44:29 | |||
Label | Fire | |||
Producer |
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Jane Weaver chronology | ||||
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Singles from Flock | ||||
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Flock follows Weaver's ambient ensemble Fenella's project Fehérlófia, delivered in 2019 that was inspired by Marcell Jankovics's 1981 Hungarian animated film of the same name.[2] It also marks her first full-length release since her 2019 album, Loops in the Secret Society.[3] As opposed to her previous works which incorporated synth-pop, cosmic folk, experimental electronics, and avant-garde indie rock,[4] Flock has a pop-indebted sound.[5] According to Weaver, the record was inspired by Lebanese torch songs, 1980s Russian Aerobics records and Australian punk.[6][3]
[...] Flock is a collection of pop songs that I don't think lend themselves to just one thing, I just went with the flow and looked at each song individually. The artwork features me in a peacock chair surrounded by birdboxes waiting for the flock to return.
— Weaver on the album, Louder Than War[7]
The record was announced in October 2020, alongside the cover-art and tracklist.[8][9] "The Revolution of Super Visions", a Prince-esque funk track, was simultaneously served as the lead single from the album.[6] In lead-up to the release, the album opener, "Heartlow" was served as the second single on 13 January 2021.[10] Flock was released on 5 March 2021 by Fire Records.[8] The album was released in three vinyl editions: olive-green, cream, and standard light rose vinyl editions.[11]
Aggregate scores | |
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Source | Rating |
AnyDecentMusic? | 7.6/10[12] |
Metacritic | 85/100[13] |
Review scores | |
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
The Arts Desk | ![]() ![]() ![]() ![]() ![]() |
The Guardian | ![]() ![]() ![]() ![]() ![]() |
The Line of Best Fit | 8/10[15] |
Loud and Quiet | 8/10[16] |
Mojo | ![]() ![]() ![]() ![]() ![]() |
musicOMH | ![]() ![]() ![]() ![]() ![]() |
The Quietus | ![]() ![]() ![]() ![]() ![]() |
Under the Radar | ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
Uncut | 9/10[13] |
At Metacritic, which assigns a weighted average rating out of 100 to reviews from mainstream publications, this release received an average score of 85, based on 10 reviews, indicating "universal acclaim".[13] At AnyDecentMusic?, which collates album reviews from websites, magazines and newspapers, they gave the release a 8 out of 10, based on a critical consensus of 11 reviews.[12]
In The Guardian, music critic Alexis Petridis listed it as the best album of its release week. He lauded the album for experimenting with diverse pop styles and incorporating a "hallucinatory" production. Petridis noted similarities in the music to the works of Kylie Minogue and Dua Lipa. He also praised the lyricism and described the record as "genuinely different and exhilarating".[1] Janne Oinonen of The Line of Best Fit wrote that the album portrayed "the sweet revenge of the melody: dancefloor-friendly pop music, but of a variety that remains intoxicatingly unmoored to the conventions and codes of the earthly realm."[15] Richard Foster of The Quietus felt the album recalled "'60s girl groups, '90s grooves, and '50s sound effects". He said that it acted as a "a midwife, delivering the feeling of delight you get when listening to things that have been sat glumly in the back of the cabinet, or reassessing careworn memories given a good polish."[18]
Tim Sendra of AllMusic commended the album for exploring various genres and dubbed it as Weaver's "greatest-hits" album. He further wrote, "Flock is the work of a daring artist, a crafty writer and performer, and someone who is always worth following to see what kind of great things she might do in the future.[4] Similarly, Under the Radar's Dom Gourlay considered it "the best of all Weaver's diverse genre colliding worlds in one glorious sitting."[3] Loud and Quiet writer Alex Francis praised the album for its retro stylings and wrote that "Flock is a record which is invested in the production of a better future.[16]
All tracks are written by Weaver[19].
No. | Title | Length |
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1. | "Heartlow" | 4:12 |
2. | "The Revolution of Super Visions" | 5:01 |
3. | "Stages of Phases" | 5:01 |
4. | "Lux" | 1:29 |
5. | "Modern Reputation" | 5:59 |
No. | Title | Length |
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6. | "Flock" | 3:25 |
7. | "Sunset Dreams" | 4:28 |
8. | "All the Things You Do" | 4:25 |
9. | "Pyramid Schemes" | 5:08 |
10. | "Solarised" | 5:21 |
Total length: | 42:29 |
Chart (2021) | Peak position |
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Scottish Albums (OCC)[20] | 7 |
UK Albums (OCC)[21] | 24 |
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