For Keeps is the third and final album by The Field Mice. It was also their very first (and only) full-length release on Sarah Records - their previous two, Skywriting and Snowball, being mini-albums. "For Keeps" adheres to the Field Mice blueprint of ambient electronica combined with wistful acoustic/jangle pop with Bobby Wratten's lovelorn lyrical obsessions, best represented on the alternately reflective and soaring highlight that is "Star of David".
For Keeps | ||||
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Studio album by The Field Mice | ||||
Released | October 1991 | |||
Genre |
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Length | 51:23 | |||
Label | Sarah Records | |||
The Field Mice chronology | ||||
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2005 Reissue cover | ||||
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Review scores | |
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Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
Pitchfork Media | (7.9/10) link |
Stylus Magazine | (B) link |
Despite the middle section of side two being taken up with three successive slow-paced and pastoral-sounding ballads, the album still demonstrates a certain eclecticism that one comes to expect from The Field Mice. Opener "Five Moments", for instance, is a beautifully atmospheric showcase of co-vocalist Anne-Marie Davies' characteristically ethereal vocals. The album's most uptempo [and euphoric] track, "Coach Station Reunion", cheekily steals the guitar riff from The Beatles' "Doctor Robert" via an electric Byrds-ian Rickenbacker guitar, whilst "This Is Not Here" gives the origin of its title away with its blatant Lennon-esque stylings fronted by some psychedelic guitars and phased vocal effects. Two instrumentals bookend the second half: the first, "Tilting at Windmills", shows a more ambient side to the band, whilst the album's rockiest moment; the seven-minute "Freezing Point" which features frazzled Loop-like repetition and caustic guitars at its final coda, brings things to a noisy conclusion.
The following tracks appear on the 2005 reissue of the album from LTM recordings.
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