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The classical composer Leopold Koželuch left around 400 compositions. Among these there are about thirty symphonies, twenty-two piano concertos, including a concerto for piano four-hands, arguably one of the best examples of this rare genre, two clarinet concertos, twenty-four violin sonatas, sixty-three piano trios, six string quartets, two oratorios (one of which, Moses in Ägypten, has recently been produced and recorded), nine cantatas and various liturgical works. Among his music there are also operas and works for ballet, which—with the exception of one opera —have yet to be heard in recent years. Numerous arrangements by him of Scottish songs for the Edinburgh collector George Thomson were popular, and some of these have also been recorded.

Koželuch's substantial output of keyboard compositions reflected the promotion of his reputation as a specialist keyboard virtuoso. By contrast, the musicologist Allan Badley labels Koželuch's symphonic compositions as "modest by the standards of the time".[1]

His works are currently cataloged using Poštolka numbers, after the work of the musicologist Milan Poštolka.


Symphonies and overtures



Concertos



Serenades and parthias



Dances and marches



String quartets



Keyboard trios



Keyboard sonatas


The complete sonatas for keyboard instrument by Leopold Koželuh was published in four volumes by Bärenreiter, the editor was Christopher Hogwood.[2]


Keyboard pieces



Other chamber music



Oratorios



Choral pieces and part-songs



Secular cantatas and arias



Songs



Operas



Ballets



Sacred music



References





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