Le Carrosse du Saint-Sacrament (after Prosper Mérimée; 1923, prod. Paris, 1924, Théâtre des Champs-Élysées, revised 1926)
Ballet
The Triumph of Neptune (10 tableaux; composed for Sergei Diaghilev, scenario Sacheverell Sitwell, choreography George Balanchine; 3 December 1926, Lyceum Theatre, London)
Adagio, Variations and Hornpipe arr. for strings from 5th and 6th tableaux
Suite for orchestra
Luna Park (1930; scenario Boris Kochno, choreography George Balanchine, C. B. Cochran's Revue, Palace Theatre, London)
A Wedding Bouquet (1937; scenario Gertrude Stein, choreography Frederick Ashton; costumes and scenery by Berners himself; 27 April 1937, London, Sadler's Wells Theatre)
Cupid and Psyche (1938; stage setting Sir Francis Rose, choreography Frederick Ashton, 27 April 1939, Sadler's Wells)
Les Sirènes (1946; designs by Cecil Beaton; Royal Opera House; the orchestration was entirely the work of Roy Douglas, who was sworn to secrecy)[1]
Mark Amory, Lord Berners: The Last Eccentric, 1998, Ch. XVII 'Peace'
Lane, Philip. "Programme Note: Lord Berners Valses Bourgeoises (1918)". Retrieved 12 February 2015. The third waltz pays tribute (of sorts!) to the music of Johann, Richard and Oscar with near quotes in places, most pointedly with Der Rosenkavalier.
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