Lost Futures is a studio album by American guitarists Marisa Anderson and William Tyler, released August 27, 2021, via Thrill Jockey.[3] Lost Futures was recorded by producer Tucker Martine at his Portland, Oregon recording studio Flora Recording & Playback.[2]
Lost Futures | ||||
---|---|---|---|---|
Studio album by Marisa Anderson and William Tyler | ||||
Released | August 27, 2021 | |||
Studio | Flora Recording & Playback, Portland, Oregon | |||
Genre | Ambient,[1] blues, Americana[2] | |||
Length | 41:09 | |||
Label | Thrill Jockey | |||
Producer |
| |||
William Tyler chronology | ||||
| ||||
Marisa Anderson chronology | ||||
| ||||
Singles from Lost Futures | ||||
| ||||
The pair first decided to make an album together after performing at a David Berman tribute concert in Portland in January 2020. The album is inspired by, and named in reference to, Jacques Derrida's philosophical concept hauntology, and particularly Mark Fisher's writing on the subject in his work Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures. Tyler had been gifted a copy of Fisher's book by his manager Ben Swank.[4]
The album was preceded by three singles: the title track released March 18, 2021,[3] "Hurricane Light" released June 4,[5] and "At the Edge of the World" released August 24.[6]
Aggregate scores | |
---|---|
Source | Rating |
Metacritic | 82/100[7] |
Review scores | |
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Loud and Quiet | 6/10[1] |
Mojo | ![]() ![]() ![]() ![]() ![]() |
Pitchfork | 7/10[10] |
PopMatters | 8/10[2] |
Spectrum Culture | 85/100[11] |
Uncut | 8/10[4] |
Lost Futures received positive reviews from critics noted at review aggregator Metacritic. It has a weighted average score of 82 out of 100, based on 7 reviews.[7] AllMusic's Timothy Monger wrote that "it might take a number of listens to fully appreciate Lost Futures' peculiar spread of dynamics. But, like any grower, its slow revelation is part of its charm."[8] PopMatters's Chris Ingalls wrote that the "brilliant artists" Tyler, Anderson, and Martine "are bursting with creativity and bold ideas", and that the album "may be dotted with nostalgia, but it's most definitely a bold move forward."[2] Holly Hazelwood wrote for Spectrum Culture that Lost Futures is "one of the best albums of 2021 not because it's daring or because of what it has to say, but because its craftsmanship is such that you'll be mad that this is (as of now) all that we have to listen to from the duo."[11]
Loud and Quiet's Alex Francis wrote that the "album's artwork makes it clear that the album is also about climate change in the broadest possible sense", but that "This doesn't make it through to the music itself, which is largely too pleasant and meandering to really make clear the threat, sorrow and chaos of rapid climate change. The album's understanding of climate change is less nuanced than Daniel Bachman's excellent Axacan, which made clear the connections between extractive colonial capitalism and global heating without losing the music's emotional core". Francis also said that "The bottom line is that this album does not reshape Americana in a new image, like the work of Bachman, Yasmin Williams, or Gwenifer Raymond. But, realistically, that's because William Tyler and Marisa Anderson already did that years ago and their influence is only beginning to be fully felt. It's enough for Lost Futures to offer some more to completionists while giving a good introduction to those who are newly exploring the genre".[1]
All tracks are written by Marisa Anderson and William Tyler. All tracks are produced by Anderson, Tyler, and Tucker Martine.
No. | Title | Length |
---|---|---|
1. | "News About Heaven" | 3:56 |
2. | "Lost Futures" | 2:54 |
3. | "Pray for Rain" | 5:14 |
4. | "Something Will Come" | 6:02 |
5. | "At the Edge of the World" | 6:16 |
6. | "Hurricane Light" | 3:56 |
7. | "Life and Casualty" | 4:05 |
8. | "Haunted by Water" | 8:43 |
Total length: | 41:09 |