music.wikisort.org - CompositionNew York City (You're a Woman) is the fourth album by American singer-songwriter Al Kooper for Columbia Records, recorded and released in 1971.[1]
1971 studio album by Al Kooper
New York City (You're a Woman) |
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Released | June 1971 |
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Recorded | 1971 |
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Studio | Trident Studios, London Columbia Studios, Hollywood, California[1] |
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Genre | Rock |
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Length | 42:53 |
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Label | Columbia |
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Producer | Al Kooper |
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- "New York City (You're a Woman)"
Released: July 1971
- "Medley: Oo Wee Baby, I Love You / Love Is A Man's Best Friend"
Released: November 1971
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Professional ratingsReview scores |
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Source | Rating |
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AllMusic |     [1] |
Background
The album was recorded with two separate groups, one in Los Angeles, California (which produced eight tracks) and the other in London, England (which produced three).[1] It was inspired by the likes of Elton John (whose "Come Down in Time" is covered), The Beatles and Neil Young. Kooper trotted out a more subdued sound than on his previous albums, recorded without the horns and orchestrations. He kept to his normal format of original compositions interspersed with covers, including the traditional folk-song "500 Miles". Among the best-known tracks from the album is the title track, the only released portion of the presumably unfinished New York City: 6 A.M. to Midnight project.
Track listing
- "New York City (You're a Woman)" (Al Kooper) – 5:20
- "John the Baptist (Holy John)" (Kooper, Phyllis Major) – 3:34
- "Can You Hear It Now (500 Miles)" (Traditional, arranged by Kooper) – 3:27
- "The Ballad of the Hard Rock Kid" (Kooper) – 4:19
- "Going Quietly Mad" (Kooper) – 3:54
- Medley
- "Oo Wee Baby, I Love You" (Richard Parker) – 1:59
- "Love Is A Man's Best Friend" (Irwin Levine, Kooper) – 2:24
- "Back on My Feet" (Kooper) – 3:22
- "Come Down in Time" (Bernie Taupin, Elton John) – 4:39
- "Dearest Darling" (Bo Diddley) – 3:55
- "Nightmare #5" (Kooper) – 3:00
- "The Warning (Someone's on the Cross Again)" (Kooper, Phyllis Major) – 3:00[1]
Personnel
Musicians
- Al Kooper – piano, organ, guitars, mellotron, harmonium, vocals
- Paul Humphries – drums (tracks 2-4, 6-9, 11)
- Bobbye Hall Porter – percussion (tracks 2-4, 6-9, 11)
- Lou Shelton – guitar (tracks 2-4, 6-8, 11)
- Terry Kath – guitar solo (track 3)
- Carol Kaye – electric bass (tracks 2, 4, 7, 9, 11)
- Herbie Flowers – electric bass (tracks 1, 5, 8, 10)
- Bobby West – acoustic and electric basses (tracks 3, 6, 8)
- Roger Pope – drums (tracks 1, 5, 10)
- Sneaky Pete Kleinow – pedal steel (tracks 4, 11)
- Caleb Quaye – guitar (tracks 5, 10)
- Various combinations of Rita Coolidge, Venetta Fields, Clydie King, Donna Weiss, Julia Tillman Waters, Edna Wright, Maxine Willard Waters, Lorna Willard, Edna Woods, Claudia Lennear, Dorothy Morrison, Robbie Montgomery, Jessie Smith, Robert John, Michael Gately and Jay Siegel – backing vocals (tracks 2-3, 6-9, 11)[2]
Technical
- Al Kooper – producer
- Doug Pomeroy, Frank Laico, Ken Scott, Mark Friedman, Sy Mitchell – engineers
- Richard Avedon – cover photography
- John Berg – design
References
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