music.wikisort.org - CompositionOedipus Schmoedipus is an album by the English musician Barry Adamson, released in 1996.[2][3] Like Adamson's previous albums, Oedipus Schmoedipus was conceived as a soundtrack to an imaginary film.[4] The album peaked at No. 51 on the UK Albums Chart.[5]
1996 studio album by Barry Adamson
Oedipus Schmoedipus |
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Released | 1996 |
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Studio | GT Eden; Worldwide Studios, London |
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Genre | Experimental music |
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Label | Mute[1] |
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Producer | Barry Adamson |
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Soul Murder (1992) |
Oedipus Schmoedipus (1996) |
As Above, So Below (1998) |
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"Something Wicked This Way Comes" appears in the David Lynch film Lost Highway.[6]
Production
The album was produced by Adamson.[7] Nick Cave cowrote and contributed vocals to "The Sweetest Embrace", while Jarvis Cocker cowrote and sang on "Set the Controls for the Heart of the Pelvis".[8][9] Billy Mackenzie sang on "Achieved in the Valley of Dolls".[10]
Critical reception
Professional ratingsReview scores |
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Source | Rating |
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AllMusic |     [11] |
The Encyclopedia of Popular Music |     [1] |
MusicHound Rock: The Essential Album Guide |     [7] |
Muzik |     [12] |
NME | 7/10[13] |
Pitchfork | 8.1/10[14] |
NME called the album "too cool to be cringingly kitsch, too deep to be flaky."[13] Pitchfork stated that "with 13 tracks that sound like they could take form and commit acts of homicide on their own, the former Bad Seed's creation is undeniably ... alive."[14]
The Guardian determined that "Adamson's psychogeographical soundtracks snag your head and won't let go: he's made a (bad) dream of a music that simulates mainstream accessibility but is drenched with the maker's own terrors, memories, fixations."[15] Rolling Stone thought that "Adamson can brilliantly—and without words—suggest entire movie scenes with dizzying combinations of dance beats, jazz phrases, finger-snapping big-band arrangements, luscious strings and even references to '60s French pop."[16]
AllMusic wrote that "Adamson's skill in layering and devising unusual sound textures still qualifies him as one of experimental rock's more imaginative composers and producers."[11] Dave Thompson referred to the album as a "supreme slab of disturbance-with-a-(bit of a)-beat."[17]
Track listing
All tracks composed by Barry Adamson; except where noted.
Title | Writer(s) |
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1. | "Set the Controls for the Heart of the Pelvis" | Adamson, Jarvis Cocker | 5:37 |
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2. | "Something Wicked This Way Comes" | Adamson, Adrian Thaws, Andrew Vowles, Charles Blackwell, Grant Marshall, Harry Middlebrooks, Jacques Datin, Maurice Vidalin, Mike Shapiro, Robert Del Naja | 4:32 |
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3. | "The Vibes Ain't Nothin' but the Vibes" | | 4:48 |
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4. | "It's Business as Usual" | Adamson, Carla Bozulich, John Napier | 4:28 |
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5. | "Miles" | Miles Davis | 5:26 |
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6. | "Dirty Barry" | | 7:25 |
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7. | "In a Moment of Clarity" | | 4:12 |
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8. | "Achieved in the Valley of Dolls" | Adamson, Billy Mackenzie | 4:26 |
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9. | "Vermillion Kisses" | | 3:02 |
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10. | "The Big Bamboozle" | | 3:33 |
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11. | "State of Contraction" | | 1:37 |
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12. | "The Sweetest Embrace" | Adamson, Nick Cave | 4:46 |
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13. | "Set the Controls Again" | | 1:32 |
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- Sample of "Vertigo" taken from The Vertigo Suite
- Sample of "O' Les Temps des Souvenirs" by Françoise Hardy
- Sample of "Blue Lines" by Massive Attack
Personnel
- Barry Adamson - lead vocals
- Mark De Lane Lea, Ken Low - guitar
- Richard Hand - classical guitar
- Jarvis Cocker - vocals on "Set the Controls for the Heart of the Pelvis"
- Billy Mackenzie - vocals on "Achieved in the Valley of Dolls"
- Nick Cave - vocals on "The Sweetest Embrace"
- Seamus Beaghen - Hammond organ, piano
- Pete Wyman - saxophone, clarinet
- Ileana Ruhemann - alto flute
- Carla Bozulich, John Napier - voice overs on "It's Business As Usual"
- Miranda Gooch - storyteller on "Vermillion Kisses"
- Beverley Skeete, Chantel Mapp, Roy Hamilton, Zeeteah Massiah - backing vocals
- Atticus Ross - programming and sounds on tracks 1-6
- Ivor Wimborne - additional programming
- Audrey Riley, Billy McGee - string arrangements
- Technical
- Kevin Petrie - recording
- Barry Adamson, Simon Henwood - sleeve concept
- Steve Gullick - cover photography, still from Philippe Garrel's Le Révélateur
References
- Larkin, Colin (2006). The Encyclopedia of Popular Music. Vol. 1. MUZE. p. 51.
- "Barry Adamson Biography, Songs, & Albums". AllMusic.
- Unsworth, Cathi (27 July 1996). "Mummy's boy". Melody Maker. 73 (30): 47.
- "Barry Adamson Oedipus Schmoedipus". The Independent. Pop Albums. 2 August 1996. p. 10.
- "BARRY ADAMSON | full Official Chart History | Official Charts Company". www.officialcharts.com.
- Laderman, David; Westrup, Laurel (19 April 2014). Sampling Media. Oxford University Press. ISBN 978-0-19-994931-1 – via Google Books.
- MusicHound Rock: The Essential Album Guide. Visible Ink Press. 1999. p. 8.
- Dalziell, Tanya; Welberry, Karen (13 May 2016). Cultural Seeds: Essays on the Work of Nick Cave. Routledge. ISBN 9781317156253 – via Google Books.
- Sturdy, Mark (15 December 2009). Truth And Beauty: The Story Of Pulp. Omnibus Press. ISBN 9780857121035 – via Google Books.
- "The Quietus | Features | Strange World Of... | Memento Mori: The Strange World Of… Barry Adamson". The Quietus.
- "Oedipus Schmoedipus - Barry Adamson | Songs, Reviews, Credits | AllMusic" – via www.allmusic.com.
- Bush, Calvin (September 1996). "Barry Adamson: Oedipus Schmoedipus" (PDF). Muzik. No. 16. p. 132. Archived from the original (PDF) on 3 April 2022. Retrieved 16 July 2022.
- "NME.COM - BARRY ADAMSON - Oedipus Schmoedipus - 27/7/1996". 17 August 2000. Archived from the original on 17 August 2000.
- "Barry Adamson: Oedipus Schmoedipus: Pitchfork Review". 16 August 2000. Archived from the original on 16 August 2000.
- Pennman, Ian (26 July 1996). "Barry Adamson at the controls". The Guardian. p. T10.
- Vincentelli, Elisabeth (31 October 1996). "Oedipus Schmoedipus". Rolling Stone. No. 746. p. 70.
- Thompson, Dave (19 December 2000). Alternative Rock. Hal Leonard Corporation. ISBN 9780879306076 – via Google Books.
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