Old Wives' Tales is an album by the American musician Exene Cervenka, released in 1989.[2][3] Cervenka told the Los Angeles Times that she considered the album to be "for and about women."[4]
Old Wives' Tales | ||||
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Studio album by | ||||
Released | 1989 | |||
Genre | Folk, folk rock | |||
Label | Rhino Records[1] | |||
Producer | Tony Gilkyson | |||
Exene Cervenka chronology | ||||
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"He's Got a She" peaked at No. 17 on Billboard's Modern Rock Tracks chart.[5] Cervenka promoted the album by touring with the Oyster Band.[6]
The album was produced by the former X guitarist Tony Gilkyson.[7] Unlike in X, Cervenka contributed to both the album's music and lyrics; Cervenka had to reacquaint herself with playing the guitar.[4][8] The songs were written in northern Idaho.[9]
"Gravel" and "Famous Barmaid" include poetry recitations.[10] Gilkyson's sister, Eliza, provided backing vocals on the album.[11]
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Chicago Tribune | ![]() ![]() ![]() ![]() |
Robert Christgau | B[13] |
The Encyclopedia of Popular Music | ![]() ![]() ![]() ![]() ![]() |
MusicHound Rock: The Essential Album Guide | ![]() ![]() ![]() ![]() ![]() |
Orlando Sentinel | ![]() ![]() ![]() ![]() ![]() |
Ottawa Citizen | ![]() ![]() ![]() ![]() ![]() |
The Rolling Stone Album Guide | ![]() ![]() ![]() ![]() ![]() |
The Chicago Reader called the album "a surpassingly melodic manifesto on what can only be called post-postpunk feminism and romanticism."[17] The New York Times thought that "as in X, Ms. Cervenka's lyrics conjure an American panorama of prosaic hopes and romantic friction."[18] The Globe and Mail wrote that it is the "casual musical eclecticism, along with Exene's ability to toss off lines like 'She believes in a God who's all thumbs,' that make Old Wives' Tales interesting."[19]
Robert Christgau stated: "Always a notebook-toter, she goes for the roots and poetry you'd expect—in other words, folk-rock."[13] Trouser Press determined that "the tasteful and varied mixture of folk, country, recitation and sturdy rock isn’t that great a stylistic leap from the essence of X."[20] The Orlando Sentinel concluded that if Cervenka "didn't have a punk-rock past, her solo debut might win her a place among country-Western New Traditionalists such as Lyle Lovett and K.D. Lang."[15] The Toronto Star opined that while Cervenka "doggedly wrestles with the empty romance of poverty-stricken America," the album "comes replete with suspect vocals and arrangements."[21]
AllMusic called Old Wives' Tales "a charming, timeless album of mostly quiet, quirky folk music."[12] The Rolling Stone Album Guide deemed the songs "wordy and pretentious."[16]
No. | Title | Length |
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1. | "She Wanted" | |
2. | "Biggest Memory" | |
3. | "Here Come the Crucifiers" | |
4. | "Cocktail Trees" | |
5. | "Famous Barmaid" | |
6. | "Leave Heaven Alone" | |
7. | "Good Luck" | |
8. | "White Trash Wife" | |
9. | "He's Got a She" | |
10. | "Gravel" | |
11. | "Coyote on the Town" |
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