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The Trio No. 1 in B-flat major for piano, violin, and cello, D. 898, was written by Franz Schubert in 1827. The composer finished the work in 1828, in the last year of his life.[1][2] It was published in 1836 as Opus 99, eight years after the composer's death. Like the E-flat major trio, it is an unusually large scale work for piano trio, taking around 40 minutes in total to perform.

Piano Trio
No. 1
by Franz Schubert
Schubert in 1827
KeyB-flat major
CatalogueD. 898
Composed1828 (1828)
Published1836 (1836)
Duration40 minutes
Movements4

Structure


The piano trio contains four movements:

  1. Allegro moderato
    The first movement (4/4, B-flat) is in sonata form with two main themes in the exposition. The first theme is characterized by dotted rhythms and irregular phrase lengths while the second theme by contrast has lyrical melodies and regular phrases. As is typical in a classical piece, the development section expands on both themes, going into remote keys and often becoming turbulent. In the last section of the development, fragmented versions of the main theme are presented in a succession of keys, each closer to the central key than the previous one.
  2. Andante un poco mosso
    The second movement (6/8, E-flat) is in the style of a gondola song with a lilting melody and swaying rhythm. Like some of Schubert's other late slow movements, there is a contrasting section which is more turbulent. Soon after, however, calm is restored. The third movement (3/4, B-flat) is in the classical minuet form.
  3. Scherzo. Allegro
    The scherzo proper features heavy counterpoint, with the three instruments constantly imitating each other. The trio section is a relaxed waltz.
  4. Rondo. Allegro vivace
    The principal theme of the last movement (rondo, 2/4, B-flat) resembles that of one of Schubert's songs, "Skolie",[3] although this resemblance might be accidental. A two-bar rhythm is prevalent, giving the marked impression of alla breve time rather than 2/4, almost as if Schubert notated it 2/4 to avoid the frequent syncopations (in the equivalent alla breve, the music starts from the weak beat) which, though sounding smooth in actual performance, look clunky and cumbersome on the score. The sections in 2/4 are interrupted three times by passages in 3/2 time, in the style of a polonaise. These give further credence to the theory that the minim is in fact the basic time unit in this movement. The music ends with a coda marked Presto.

Discography



Notes


  1. Sleeve note of the Supraphon CD (SU 3959-2)
  2. Gibbs p. 187
  3. Einstein pp. 278-279

References






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