Point is the fourth studio album by Japanese musician Cornelius.[3] It was released in Japan on October 24, 2001, by Trattoria Records,[4] and in the United States on January 22, 2002, by Matador Records.[5] Point peaked at number four on the Oricon Albums Chart.[6] The album was reissued on CD by Warner Music Japan in 2019 with a second disc containing the Five Point One music video collection.[7]
Point | ||||
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Studio album by | ||||
Released | October 24, 2001 (2001-10-24) | |||
Genre | Shibuya-kei | |||
Length | 45:27 | |||
Label | Trattoria | |||
Producer | Keigo Oyamada | |||
Cornelius chronology | ||||
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Singles from Point | ||||
Drowned in Sound's Samuel Rosean described Point as a Shibuya-kei album, albeit "in only the most abstract and contextual manner", noting that its "spacey guitar and synth-heavy production" was more comparable to that of works by artists such as Stereolab and the Notwist.[8]
Aggregate scores | |
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Source | Rating |
Metacritic | 82/100[9] |
Review scores | |
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Alternative Press | 8/10[11] |
Blender | ![]() ![]() ![]() ![]() ![]() |
Entertainment Weekly | A[13] |
The Guardian | ![]() ![]() ![]() ![]() ![]() |
Muzik | 4/5[15] |
NME | 8/10[16] |
Pitchfork | 7.8/10[17] |
Q | ![]() ![]() ![]() ![]() ![]() |
Spin | 7/10[19] |
At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, Point received an average score of 82 based on 24 reviews, indicating "universal acclaim".[9] Ty Burr of Entertainment Weekly described Point as "11 irresistible sound collages that feature driving beats, amiable guitar acoustics, and a quadraphonic sense of aural play that encourages rampant headphone abuse."[13] LA Weekly's Dan Epstein found it to be a "consistently whimsical and inventive" record,[20] while The A.V. Club's Noel Murray called it "a magnificent piece of pop architecture."[21]
AllMusic editor Heather Phares found that while Point eschews the "stylistic about-faces" of its predecessor Fantasma, "the restraint and cohesion [Cornelius] brings to the album make its louder and crazier moments... that much more distinctive."[10] Blender's Alex Pappademas deemed it an improvement over Fantasma, with less "stylistic range" but a more refined pop sensibility.[12] Fiona Sturges of The Independent found that Cornelius had "honed his cut-and-paste sensibilities into something more coherent and utterly beautiful."[22] Nick Southall of Stylus Magazine said, "More rounded and less determinedly schizo than Fantasma, Point is a great album of delicious odd-pop made by a whimsically modest genius."[23] Guardian critic Garry Mulholland was more critical, panning the music as "noises in search of a song, a groove or, indeed, a point."[14]
For the album's tour, Cornelius and his band created music videos for each song, which played behind them. In The Daily Telegraph, Richard Wolfson said of the overall effect: "A Cornelius show is a blur of precision-perfect stops and starts, visual gags, unusual camera angles and sudden visceral leaps into new musical and visual styles."[24] On July 23, 2003, the Felicity and Polystar labels released a DVD titled Five Point One containing all the songs' music videos.[25]
All tracks are written by Keigo Oyamada, except where noted.
No. | Title | Lyrics | Music | Length |
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1. | "Bug (Electric Last Minute)" | 0:38 | ||
2. | "Point of View Point" | 3:54 | ||
3. | "Smoke" | 5:48 | ||
4. | "Drop" | 4:53 | ||
5. | "Another View Point" | 5:35 | ||
6. | "Tone Twilight Zone" | 3:39 | ||
7. | "Bird Watching at Inner Forest" | 4:22 | ||
8. | "I Hate Hate" | 1:43 | ||
9. | "Brazil" |
| Barroso | 3:27 |
10. | "Fly" | 5:40 | ||
11. | "Nowhere" | 5:48 | ||
Total length: | 45:27 |
Credits are adapted from the album's liner notes.[26]
Chart (2001–2002) | Peak position |
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Japanese Albums (Oricon)[6] | 4 |
UK Albums (OCC)[27] | 124 |
UK Independent Albums (OCC)[28] | 18 |
US Independent Albums (Billboard)[29] | 47 |
US Top Dance/Electronic Albums (Billboard)[30] | 17 |
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Studio albums |
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EPs |
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