Slo-Blo (also stylized as Slo*Blo) is the debut album by the American alternative rock band Cell.[1][2] It was released in 1993 by DGC Records; the band had been signed by Thurston Moore.[3][4] The album was first issued by City Slang, in 1992.
Slo-Blo | ||||
---|---|---|---|---|
Studio album by Cell | ||||
Released | 1992, Germany 1993, United States | |||
Genre | Alternative rock | |||
Label | City Slang (Germany) Ecstatic Peace!/DGC Records | |||
Producer | John Siket, Cell | |||
Cell chronology | ||||
|
The album was produced by John Siket and Cell.[5] It had been recorded as a demo.[6] Cell used DGC's money to remix the album for its American release.[7]
Review scores | |
---|---|
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Calgary Herald | A−[9] |
Chicago Tribune | ![]() ![]() ![]() ![]() |
Entertainment Weekly | C−[11] |
The Indianapolis Star | ![]() ![]() ![]() ![]() |
Spin called the album "a leaden fumble, as close to formula as indie rock gets."[13] The Chicago Tribune praised the "dynamic six-string melodic grunge, where magisterial riffs and probing guitar jams share equal time."[10] Trouser Press opined that "if commercial post-punk noise were to get more formulaic than this, it’d have to be stacked in the generic-brand aisle."[14] The Washington Post thought that "at its most tuneful, on such songs as 'Tundra', Slo+Blo recalled the plaintive, folkish punk of Husker Du."[15]
Entertainment Weekly noted the "muffled drumming, proudly tuneless singing, sprawling arrangements that sound as if they’re about to crumble," writing that "the band forgot to write good songs, making Slo-Blo much noisy ado about nothing."[11] Newsday concluded that "on songs such as 'Cross the River' and 'Stratosphere', Cell's instrumentation gets very close to standard rock anthems."[6] The Indianapolis Star wrote that "raging guitars here offer a satisfying jolt but [there's] little melodic diversity."[12] The Calgary Herald called the album "hard, methodical, noisy."[9]
AllMusic admired the "fluid, meandering riffs that slowly build and overlap and begin to take shape as something powerful, hypnotic, and cohesive."[8]
No. | Title | Length |
---|---|---|
1. | "Fall" | 3:35 |
2. | "Wild" | 3:46 |
3. | "Cross the River" | 2:56 |
4. | "Dig Deep" | 3:27 |
5. | "Stratosphere" | 5:36 |
6. | "Two" | 2:59 |
7. | "Everything Turns" | 4:10 |
8. | "Tundra" | 4:10 |
9. | "Bad Day" | 2:24 |
10. | "Hills" | 4:09 |
Authority control ![]() |
|
---|