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Squeeze is the fifth and final studio album released under The Velvet Underground band name. Squeeze was recorded in the autumn of 1972 and released in Feb 1973 by Polydor Records. The album features no members of the Lou Reed-era group other than multi-instrumentalist Doug Yule, who wrote and recorded the album almost entirely by himself. Yule had joined the Velvet Underground (replacing founding member John Cale,) in October 1968, prior to the band recording their self-titled third album, and Yule had also contributed significantly to the fourth album, Loaded. Following the departures of the remaining founding members (Reed and Sterling Morrison), Yule took control of the band. Longtime drummer Maureen Tucker was slated to appear on Squeeze by Yule, but she was dismissed by the band's manager, Steve Sesnick.

Squeeze
Studio album by
ReleasedFebruary 1973 (1973-02)
RecordedAutumn 1972
StudioLondon, England
GenreRock
Length33:30
LabelPolydor
ProducerThe Velvet Underground
The Velvet Underground chronology
Live at Max's Kansas City
(1972)
Squeeze
(1973)
1969: The Velvet Underground Live
(1974)

Following a brief promotional tour for the album by Yule and a backing band, Yule called it quits, bringing the Velvet Underground to an end until the group reformed for a tour in 1993. Squeeze failed to chart and quickly fell into obscurity after its release. Critics generally dismiss the record as "a Velvet Underground album in name only".[1][page needed]


Composition and recording


Following the departure of guitarist Sterling Morrison in Aug. 1971, the final Velvet Underground lineup consisted of Doug Yule (vocals, guitar), Willie Alexander (keyboards, vocals), Walter Powers (bass guitar) and Maureen Tucker (drums). This version of the band had toured the United Kingdom and the Netherlands in October and November 1971 to support its latest album, Loaded, which had been written and recorded when Lou Reed was in the band, and which had seen a European release in March 1971. The plan was to record a second and final album for their record company, Atlantic Records, afterwards,[2] but Atlantic lost faith and decided to issue an archive audience recording from 1970 featuring Lou Reed, Live at Max's Kansas City, instead.

After the tour, band manager Steve Sesnick managed to get a recording deal with Polydor UK to record a final Velvet Underground album. Alexander, Powers and Tucker were sent back to the United States by Sesnick, however, presumably for him to retain maximum control over the finished product. Thus, although Squeeze was released nominally as a Velvet Underground album, Yule was the only Velvet to actually perform on it. Yule later said, "I don't think Moe [Tucker] would have been expensive in money, but too costly in terms of 'management', meaning that she didn't take a lot of bullshit and would have taken a lot of 'handling' on Sesnick's part."[3] Yule also recalled that the album "was done with just me. All the basic tracks were laid down with drums and me. Ian Paice of Deep Purple played the drums. So he and I would lay down a track. How much interplay can you have when all it is one guitar or a piano? You can hear that, it's kind of dead. I think you get more when you have 3 or 4 people playing together, they feed off each other, they work together and something comes out of it, it's bigger."[4] Yule's and Paice's performances were augmented with occasional saxophone and backing vocals.

The eleven songs that make up Squeeze were written by Yule and range from Beatles-like whimsy ("Crash") via pop to typical 1970s rock ("Mean Old Man"). Yule later recalled, "I remember sitting on a plane writing extensive notes on the mixing of the album. I sent it to Steve and none of my suggestions were taken, I'm sure he didn't even read it. He mixed it for the best possible commercial success. (...) It's really embarrassing. I gave what I had at the time. There are parts of it I hate and parts I don't. But if I had to do it over again, it would be a completely different album, with different people and have nothing to do with Sesnick."[3]


Release and reception


Professional ratings
Review scores
SourceRating
AllMusic[5]
The Encyclopedia of Popular Music[6]
Rolling Stone[7]

Squeeze was recorded in the autumn of 1972 and released in the United Kingdom, France, Germany (all 1973), Spain (1974), and Japan (year unknown).[8] No singles were taken off it and the album did not chart. Yule assembled a backing band consisting of Rob Norris (guitar), George Kay (bass guitar) and Mark Nauseef (drums) to tour the United Kingdom in November and December 1972 to promote the upcoming album; a live recording from this tour is included on the 2001 live box set Final V.U. 1971–1973. After the tour, during which they were deserted by Sesnick, Yule also called it quits, bringing the Velvet Underground to an end.[9]

Squeeze saw a number of re-issues in France during the 1970s and early 1980s.[8] It went out of print afterwards, until it received a compact disc and new LP release in 2012 by Kismet Records (see below). The status of Squeeze in the Velvet Underground's recorded canon was generally regarded as dubious well into the 1990s. In the mid-1970s, the NME Book of Rock counted it as "a Velvet Underground album in name only".[1]:402 The 1995 CD boxed set Peel Slowly and See includes the four studio albums from the Lou Reed era of the band, but excludes Squeeze. In the liner notes, David Fricke didn't offer any analysis of the album, and dismissed it as "an embarrassment to the VU discography". AllMusic's Stephen Thomas Erlewine says "it doesn't just ride the coattails of VU's legacy but deliberately co-opts their achievement – but it's listenable, something its reputation never suggests".[5] In March 2012, Classic Rock included the album at 28 in their list of The 50 Worst Albums of All Time.[10]

In recent years however, the album has been revisited by both critics and musicians with more sympathetic and favorable reviews. In 2011 music writer Steven Shehori included Squeeze in his "Criminally Overlooked Albums" series for The Huffington Post, and in a lengthy review of the album, offered the following positive assessment of Squeeze: "if you pluck it from the shackles of its murky back-story, Squeeze is nothing short of a quintessential listening experience."[11] The UK band Squeeze took their name from its title according to band member Chris Difford, who also offered the following opinion of the album in a 2012 interview: "It's an odd record, but the name came from that, definitely. […] In a retrospective way I really enjoy it. It has kind of a naivety about it".[12] In 1995, Doug Yule described the recording of Squeeze being "like the blind leading the blind, me leading myself. That's what came out of it, I don't even have a copy of it. But it's kind of a nice memory for me and kind of an embarrassment at the same time. I wish I had my eyes wider open, but it was nice to get my name and my songs out there."[4]

The song "Friends" was included by the indie rock band Luna on their covers album "A Sentimental Education" which was released in September 2017.[13]


CD release



In 2012, Squeeze received both a CD release and a new LP release from Kismet Records,[14] a label that specializes in reissuing obscure albums by relatively unknown acts. On the CD, a slight amount of white noise can be heard throughout, indicating that it was recorded directly from an LP copy of the album. The reissues do not appear to be officially licensed from Polydor. A disclaimer included with the release states:

Due to the obscurity of releases on this label, we are occasionally unable to locate the owner of the master recordings. As we have no desire to deprive owners of their royalties, we have created an escrow account in the hopes that the rightful owners will see these releases and contact us. This approach is far from desirable but this is the only way we can bring this music to a wider audience. Thank you for your understanding in this matter.

An e-mail address is then provided for the owner(s) of the music to contact Kismet for payment of royalties.[15]

The reissues contain no outtakes. The packages do feature a short article from Melody Maker written by Richard Williams, originally published on 6 October 1971. The article features brief comments from Yule about the then-current UK tour that he was completing with original Velvet drummer Maureen Tucker and recently added members Walter Powers and William Alexander.


Track listing


All tracks are written by Doug Yule.

Side one
No.TitleLength
1."Little Jack"3:25
2."Crash"1:21
3."Caroline"2:34
4."Mean Old Man"2:52
5."Dopey Joe"3:06
6."Wordless"3:00
Total length:16:18
Side two
No.TitleLength
1."She'll Make You Cry"2:43
2."Friends"2:37
3."Send No Letter"3:11
4."Jack & Jane"2:53
5."Louise"5:43
Total length:17:07

Personnel


Additional musicians

References


  1. Logan, Nick, ed. (1975). The New Musical Express Book of Rock. Star Books. ISBN 978-0352300744.
  2. — (November–December 1971), "Velvet Underground (...) ist wieder da", Sounds (#34){{citation}}: CS1 maint: numeric names: authors list (link). Archived on thomas-oestreicher.de, with English translation included.
  3. Yule, Jennifer (1998). "The Artist Formerly Unknown as Doug Yule". From a Doug Yule fansite.
  4. Thomas, Pat (21 October 1995). "Doug Yule interview (Part 2)". Perfect Sound Forever.
  5. Erlewine, Stephen Thomas. Squeeze at AllMusic
  6. Larkin, Colin (2007). The Encyclopedia of Popular Music (4th ed.). Oxford University Press. ISBN 978-0195313734.
  7. —. "The Velvet Underground: Album Guide". Rolling Stone Artists website. Archived from the original on 27 September 2011. Retrieved 15 September 2017.{{cite web}}: CS1 maint: numeric names: authors list (link)
  8. As listed on Olivier Landemaine's Velvet Underground Web Page discography pages for the UK, France, Germany, Spain, and Japan.
  9. Yule, Doug (2001), Liner notes of Final V.U. 1971–1973 box set, Captain Trip Records
  10. Hughes, Rob (March 2012). "The 50 Worst Albums of All Time". Classic Rock Magazine (168): 85.
  11. "Criminally Overlooked Albums: Squeeze by Doug Yule's Velvet Underground | Steven Shehori". HuffPost. 22 June 2011. Retrieved 30 April 2015.
  12. Woodbury, Jason P. (11 April 2012). "Squeeze's Chris Difford on England, John Cale, and the Paul McCartney-Produced Record That Never Came to Be – Page 2 | Phoenix New Times". Blogs.phoenixnewtimes.com. Retrieved 30 April 2015.
  13. "Luna: A Sentimental Education / A Place of Greater Safety". PopMatters. 18 September 2017.
  14. —. "Squeeze – The Velvet Underground | AllMusic". AllMusic.{{cite web}}: CS1 maint: numeric names: authors list (link)
  15. Squeeze liner notes, Kismet, 2012.



На других языках


[de] Squeeze (Album)

Squeeze ist das fünfte und letzte Studioalbum der Avantgarde-Rock-Band The Velvet Underground. Es ist das einzige Album, an dem keines der ursprünglichen Mitglieder beteiligt war.
- [en] Squeeze (The Velvet Underground album)

[es] Squeeze (álbum)

Squeeze fue el quinto y último álbum de estudio lanzado bajo el nombre de The Velvet Underground. Fue grabado y escrito principalmente por el guitarrista y cantante Doug Yule en un estudio de grabación en Londres, después de que Lou Reed y Sterling Morrison dejaran la banda. La baterista Maureen Tucker, a pesar de ser, técnicamente, miembro de la banda en aquel momento, no estuvo involucrada en la grabación del álbum, según se dice por medidas de reducción de gastos. Tucker nunca se volvió a unir a la banda después de la grabación del álbum, terminando así su asociación con The Velvet Underground hasta la reunión de la alineación "clásica" de la banda en el año 1993.

[it] Squeeze (The Velvet Underground)

Squeeze è il quinto e ultimo a album di studio ad uscire a nome Velvet Underground. Venne pubblicato solo in Europa nel febbraio del 1973 dalla Polydor Records.

[ru] Squeeze (альбом The Velvet Underground)

Squeeze — пятый и последний студийный альбом американской рок-группы The Velvet Underground, изданный в 1973 году фирмой Polydor Records в Великобритании. Фактически альбом является сольной работой Дуга Юла, который стал автором всех песен на альбоме и исполнил большинство инструментальных партий (кроме ударных и саксофона).



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