music.wikisort.org - Composition"Talkin' New York" is the second song on Bob Dylan's eponymous first album, released in 1962. A talking blues, the song describes his feelings on arriving in New York City from Minnesota, his time playing coffee houses in Greenwich Village, and his life as a folksinger without a record deal. The lyrics express the apparent difficulty he had finding gigs as a result of his unique sound, with a character in the song telling Dylan: "You sound like a hillbilly; We want folk singers here."
1962 song by Bob Dylan
"Talkin' New York" |
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Released | March 19, 1962 |
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Recorded | November 20, 1961 |
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Studio | Columbia Studio A (New York City) |
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Genre | Talking blues |
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Length | 3:20[1] |
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Label | Columbia |
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Songwriter(s) | Bob Dylan |
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Producer(s) | John Hammond |
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The song was recorded on 20 November 1961 at Columbia Studio A, 799 Seventh Avenue, New York City, produced by John Hammond.
Background
According to Clinton Heylin, "Talkin' New York" was one of several attempts by Dylan in 1961 to compose a "'New York is a mean ol' town song'"[2] In 1961, Dylan wrote "Down at Washington Square," a ballad about the 9 April 1961 police attack on the folksingers' gathering at Washington Square Park, and reworked the lyrics several times, although there is no evidence that the song was either recorded or featured in any of his live performances.[2] He also started a song that remained unfinished, called "NYC Blues," at around the same time, before composing "Talkin' New York" by May 1961,[2] reputedly whilst on a trip to his home state of Minnesota.[3]
Two versions of "Talkin' New York" were recorded on 20 November 1961 at Columbia Studio A, 799 Seventh Avenue, New York City, during the first of two sessions that provided the material for Dylan's eponymous debut album.[4] Dylan sang, and played a Gibson J-50 acoustic guitar and harmonica on the track, with John Hammond as producer.[1] The second take was used on Bob Dylan, which was released on 19 March 1962,[4] and was also included on The Original Mono Recordings in 2010.[5]
It was the first of Dylan's own songs to be recorded for Bob Dylan,[6] with the two takes of "Song To Woody," the album's other Dylan composition, following immediately afterwards.[5]
This early example of Dylan's songwriting exhibits many traits which later became synonymous with his work. For example, the line A lot of people don't have much food on their table/But they got a lot of forks n' knives/And they gotta cut somethin'.[7] has been cited as an early example of Dylan's lyrical wit.[8]
The lines Now, a very great man once said/That some people rob you with a fountain pen.[7] make specific reference to Woody Guthrie's "Pretty Boy Floyd". The song's structure and theme also bear similarities to Guthrie's "Talkin' Columbia", which Dylan had covered at least once in 1961, and "Talkin' Subway", with which one Dylan cataloguer drew an explicit connection. Both Guthrie and Dylan were both highly influenced by late 1920s country recording artist Chris Bouchillon, who first coined the term Talkin' Blues.[9]
US singer-songwriter Loudon Wainwright III, who had been labelled a "new Bob Dylan" in his early career,[10] recorded a parody/tribute song called 'Talkin' New Bob Dylan' on his 1992 album History.[citation needed]
Laurie Anderson covered "Talkin' New York" at a concert to celebrate Dylan's 77th birthday in 2018.[11]
Personnel
The personnel for the 20 November 1961 recordings at Studio A, Columbia Recording Studios, New York, are listed below.[1]
Musician
Technical
- John Hammond – production
- George Knuerr, Pete Daurier – engineering
Official releases
References
- Margotin, Philippe; Guedson, Jean-Michel (2015). Bob Dylan All the Songs: The Story Behind Every Track. Black Dog and Leventhal Publishers. p. 23. ISBN 978-1579129859.
- Heylin, Clinton (1995). Revolution in the Air – the songs of Bob Dylan Vol.1 1957–73. Constable & Robinson. pp. 50–54. ISBN 9781849012966.
- Trager, Oliver (2004). Keys to the rain: the definitive Bob Dylan encyclopedia. New York: Billboard Books. pp. 601–602. ISBN 0823079740.
- Heylin, Clinton (1995). Dylan: Behind Closed Doors – the Recording Sessions (1960–1994). Penguin Books. pp. 7–18. ISBN 978-0140257496.
- "Still on the road: 1961 concerts and recording sessions". bjorner.com. Olof Björner. Retrieved 15 May 2021.
- Gill, Andy (2011). Bob Dylan: the stories behind the songs 1962-1969. London: Carlton. pp. 13–15. ISBN 9781847327598.
- Gilliland, John (1969). "Show 31 - Ballad in Plain D: An introduction to the Bob Dylan era. [Part 1]" (audio). Pop Chronicles. University of North Texas Libraries. Track 2.
- Williams, Paul (2004). Bob Dylan: performing artist. 1960-1973 the early years. Omnibus Press. pp. 30–33. ISBN 1844490955.
- "Roots of Bob Dylan: Woody Guthrie". Manfred Helfert. Retrieved November 16, 2013.
- Clayton-Lea, Tony (6 August 2016). "Loudon Wainwright III: 'I had issues with my parents'". The Irish Times. Retrieved 17 May 2021.
- Myers, Mitch (2018-05-25). "Bill Murray, Gina Gershon, Steve Buscemi Celebrate Bob Dylan at Birthday Tribute". Variety. Retrieved 2021-03-19.
External links
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- Discography
- Awards
- Bibliography
- Songs written by Dylan
- Bob Dylan cover songs
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Studio albums | 1960s | |
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1970s | |
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1980s | |
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1990s | |
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2000s | |
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2010s | |
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2020s | |
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Live albums | |
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Compilations | |
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The Bootleg Series | |
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Bootlegs | |
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Concert tours |
- England Tour (1965)
- World Tour (1966)
- Isle of Wight Festival (1969)
- Tour with The Band (1974)
- Rolling Thunder Revue (1975–1976)
- World Tour (1978)
- Gospel Tour (1979–80)
- European Tour (1984)
- True Confessions Tour (1986)
- Tour with the Grateful Dead (1987)
- Temples in Flames Tour (1987)
- Rough and Rowdy Ways World Wide Tour (2021–24)
Never Ending Tour |
- 1988
- 1989
- 1990
- 1991
- 1992
- 1993
- 1994
- 1995
- 1996
- 1997
- 1998
- 1999
- 2000
- 2001
- 2002
- 2003
- 2004
- 2005
- 2006
- 2007
- 2008
- 2009
- 2010
- 2011
- 2012
- 2013
- 2014
- 2015
- 2016
- 2017
- 2018
- 2019
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Films | |
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Writings |
- Tarantula
- Writings and Drawings
- Chronicles: Volume One
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Books about Dylan |
- The Bob Dylan Encyclopedia
- Bob Dylan, Performing Artist
- Invisible Republic
- The Cambridge Companion to Bob Dylan
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Family | |
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Related | |
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Category
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1962 | |
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1963 | |
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1965 | |
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1966 | |
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1967 | |
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1968 | |
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1969 | |
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1970 | |
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1971 | |
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1973 | |
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1974 | |
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1975 | |
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1976 |
- "Mozambique" / "Oh Sister"
- "Stuck Inside of Mobile With the Memphis Blues Again" (live) / "Rita May"
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1978 | |
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1979 | |
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1980 |
- "Slow Train" / "Do Right to Me Baby"
- "Solid Rock" / "Covenant Woman"
- "Saved" / "Are You Ready?"
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1981 |
- "Heart of Mine" / "Let It Be Me"
- "Dead Man, Dead Man" / "Lenny Bruce"
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1983 |
- "Union Sundown" / "Angel Flying too Close to the Ground"
- "I and I" / "Angel Flying too Close to the Ground"
- "Sweetheart Like You" / "Union Sundown"
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1984 | |
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1985 | |
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1986 |
- "Band of the Hand" / "Joe's Death" (Michael Rubini)
- "Got My Mind Made Up" / "The Usual"
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1988 |
- "Silvio" / "Driftin' too Far from the Shore"
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1989 | |
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2000 | |
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2006 | |
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2007 |
- "Most Likely You Go Your Way (And I'll Go Mine)" (Mark Ronson remix version) / "Most Likely You Go Your Way (And I'll Go Mine)" (album version)
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2008 |
- "Dreamin' of You" (edit piece) / "Dreamin' of You" (album version)
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2009 |
- "Beyond Here Lies Nothin'" / "Down Along the Cove" (live)
- "I Feel a Change Comin' On" / "I Feel a Change Comin' On" (edit piece)
- "Must Be Santa" / "'Twas the Night Before Christmas"
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2010 | |
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2012 | |
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2013 |
- "Wigwam" (demo version) / "Thirsty Boots"
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Authority control  | |
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На других языках
- [en] Talkin' New York
[es] Talkin' New York
«Talkin' New York» es la segunda canción del primer álbum de Bob Dylan (titulado Bob Dylan). En ella se describen sus sentimientos al llegar a Nueva York y sus vivencias para obtener una grabación.[1] También es la primera de las dos canciones que Dylan escribió en el álbum.[2]
[ru] Talkin’ New York
«Talkin’ New York» — вторая песня на дебютном альбоме Боба Дилана. В ней описываются переживания молодого музыканта по прибытии в Нью-Йорк, его выступление в кафе в Гринвич-Виллидж и его жизнь до получения первого контракта. Дилан поет о трудностях, связанных с его необычным звучанием, которое мешало ему в начале карьеры, «Ты играешь как деревенщина, нам тут нужны фолк-певцы.» (англ. You sound like a hillbilly; We want folk singers here.).
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