Traveling Mercies is the ninth studio album by jazz saxophonist Chris Potter released on the Verve label in 2002.[1] It features keyboardist Kevin Hays, bassist Scott Colley and drummer Bill Stewart, along with guitarists John Scofield and Adam Rogers guesting separately on seven of the ten tracks.
Traveling Mercies | ||||
---|---|---|---|---|
![]() | ||||
Studio album by Chris Potter | ||||
Released | September 17, 2002 | |||
Recorded | January 27–29, 2002 | |||
Venue | Avatar Studios, NYC | |||
Genre | Jazz | |||
Length | 64:02 | |||
Label | Verve SCC 3034 | |||
Producer | Jason Olaine, Chris Potter | |||
Chris Potter chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
All About Jazz | ![]() ![]() ![]() ![]() ![]() |
The Guardian | ![]() ![]() ![]() ![]() ![]() |
The Penguin Guide to Jazz Recordings | ![]() ![]() ![]() ![]() |
The Allmusic review by David R. Adler awarded the album 4 stars stating "Chris Potter gets more and more adventurous. On this follow-up to the strong Gratitude, the tenor and soprano saxophonist beefs up strong writing and heady group interplay with occasional sampled sounds and miscellaneous textures like clavinet and reed organ ... As a jazz record, Traveling Mercies is very much a product of its post-millennial times, but it still comes across as highly individual. Its value will be lasting".[2]
All About Jazz correspondent Mark F. Turner observed "Potter possesses a strong tenor sound, which is throaty and deep with meaning, but it's a real treat to hear him on bass clarinet, flute, and odd instrumentation such as the reed organ. Combine this with exceptional compositional skills, and choice musicians; Traveling Mercies is a cut above the rest".[3]
Not all reviews were as enthusiastic. In The Guardian, John Fordham wrote "Plenty of virtuosity, but it doesn't really do Chris Potter's obvious musicality justice".[4] JazzTimes' writer Aaron Steinberg said "despite some fine playing by Potter, Traveling Mercies’ attempts to sound eclectic and vibrant end up sounding calculated and cautious. At this point, Potter fronting a band with quick reflexes on daring material, minus concept and gimmicks, would be more than welcome"[6]
All compositions by Chris Potter except where indicated
Authority control ![]() |
|
---|