Volo Volo is an album by the American worldbeat band Poi Dog Pondering.[1][2] It was released in 1992 via Columbia Records.[3]
Volo Volo | ||||
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Studio album by | ||||
Released | 1992 | |||
Genre | Worldbeat | |||
Label | Columbia | |||
Producer | Alan Winstanley, Clive Langer, Jerry Harrison | |||
Poi Dog Pondering chronology | ||||
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The album was a commercial disappointment, with only 50,000 copies sold by the fall of 1993.[4] Columbia dropped the band; to regroup, several members of Poi moved from Austin to Chicago.[5]
The band built the songs by creating the rhythms first, before adding other instruments on top of the drum patterns.[6] About half of the album was produced by Alan Winstanley and Clive Langer.[7] Jerry Harrison also worked on Volo Volo.[8][9]
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Chicago Tribune | ![]() ![]() ![]() ![]() |
MusicHound Rock: The Essential Album Guide | ![]() ![]() ![]() ![]() ![]() |
The Rolling Stone Album Guide | ![]() ![]() ![]() ![]() ![]() |
The Washington Post wrote that "instead of acoustic rag-tag charm and unpredictability, something [the band's] early recordings had in abundance, Volo Volo offers a more focused and groove-oriented sound."[6] Trouser Press thought that the album "bears an occasional disconcerting resemblance to smart UK popsters like the Smiths, Wedding Present and Waterboys."[13]
The New York Times deemed the band's sound "a kind of world beat-influenced earth music," writing that Volo Volo "celebrates buildings, collarbones, thunder and the joy of shaking one's booty."[14] Spin panned the album, declaring that "this is kinda like a 'Don't Worry Be Happy' stew that's so dull you'll be jonesin' for some raw flesh to bite into."[15] The Philadelphia Inquirer disparaged the "techno-dance seasonings," opining that Poi had hopped on the "EMF/Happy Mondays bandwagon."[16]
AllMusic wrote that "interestingly, Poi Dog Pondering here seems to be attempting a move into a more pop-oriented direction, sounding at times like a bizarre meeting between Santana, the Meters, Wham!, and Simple Minds."[10] MusicHound Rock: The Essential Album Guide praised the "amazingly haunting" violin of Susan Voeltz.[11]
No. | Title | Length |
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1. | "Lackluster" | |
2. | "Collarbone" | |
3. | "Get Me On" | |
4. | "The Hardest Thing" | |
5. | "Ta Bouche Est Tabou" | |
6. | "I've Got My Body" | |
7. | "Jack Ass Ginger" | |
8. | "Be the One" | |
9. | "Tall" | |
10. | "Building" | |
11. | "Te Manu Pukarua" | |
12. | "Blood and Thunder" | |
13. | "Entrance" | |
14. | "Endtrance" |