Wiring is an album by Trio 3, a jazz group consisting of saxophonist Oliver Lake, bassist Reggie Workman and drummer Andrew Cyrille, with guest pianist Vijay Iyer. It was recorded in 2013 and released by Intakt Records.
Wiring | ||||
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Studio album by Trio 3 + Vijay Iyer | ||||
Released | 2014 | |||
Recorded | August 14–15, 2013 | |||
Studio | Sear Sound, New York City | |||
Genre | Jazz | |||
Length | 69:55 | |||
Label | Intakt | |||
Trio 3 chronology | ||||
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In the summer of 2013 Lake, Workman, Cyrille invited Vijay Iyer for a week long residency in New York's Jazzclub Birdland, before they recorded this album. Iyer was the fourth guest piano player cooperating with Trio 3 after Irène Schweizer, Geri Allen and Jason Moran.[1]
Review scores | |
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Source | Rating |
Down Beat | ![]() ![]() ![]() ![]() ![]() |
Tom Hull – on the Web | B+[3] |
All About Jazz | ![]() ![]() ![]() ![]() ![]() |
The Down Beat review by Peter Margasak states "Iyer connects with the group in a substantive way; there’s nothing tentative or overly polite, even when they tackle Curtis Clark's soulful 'Chiara', a luminescent ballad stripped of any hollow sentiment."[2]
The All About Jazz review John Sharpe notes "Iyer becomes an integral part of the outfit, whether stretching out simultaneously with the saxophonist, or comping energetically behind him."[4]
In a review for Jazzwise, Kevin Le Gendre stated: "The Lake-Workman-Cyrille ensemble is proving to be a stellar contemporary supergroup, evolving periodically by way of the addition of a guest pianist... Iyer... proves to be an effective collaborator on a set that has the strength of character one would expect from such illustrious names."[5]
Irwin Block, writing for Senior Times, commented: "This is fabulous work – music that grows with listening because of its broad palette and subtle impact. The music is well-constructed, the improv parts played with care and conviction."[6]
In an article for The Telegraph, Ivan Hewett remarked: "As always with this trio, the blues is never far away, and the pull between that earthiness and the music’s freewheeling impulse is fascinating."[7]
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