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Christ The Album è un album della punk band inglese dei Crass, pubblicato nel 1982.

Christ The Album
album in studio
ArtistaCrass
Pubblicazione1982
Durata95:23
Dischi2
Tracce40
GenerePunk rock
Anarcho punk
Hardcore punk
EtichettaCrass Records
ProduttoreCrass
RegistrazioneSouthern Studios, Londra, 1982
Crass - cronologia
Album precedente
(1981)
Album successivo
(1983)

Il disco fu stampato in un box contenente due LP, il primo contenente materiale studio il secondo, chiamato "Well Forked - But Not Dead" contiene tracce live registrate nel giugno del 1981 al 100 Club di Londra. L'Album contiene un book, A Series Of Shock Slogans and Mindless Token Tantrums, e un poster realizzato da Gee Vaucher.


Formazione



Tracce



Disco 1


  1. Have A Nice Day
  2. Smother Love
  3. Nineteen Eighty Bore
  4. I Know There Is Love
  5. Beg Your Pardon
  6. Birth Control 'n' Rock 'n' Roll
  7. Reality Whitewash
  8. It's The Greatest Working Class Ripoff
  9. Deadhead
  10. You Can Be Who?
  11. Buy Now Pay As You Go
  12. Rival Tribal Revel Rebel (pt 2)
  13. Bumhooler
  14. Sentiment (White Feathers)
  15. Major General Despair

Disco 2 "Well Forked - But Not Dead"


  1. Banned From The Roxy
  2. The Sound Of One Hand
  3. Punk Is Dead
  4. Nagasaki Nightmare
  5. Darling
  6. Beta Motel Blues
  7. Berkertex Bribe
  8. Fold It In Half
  9. Big Hands
  10. Heart-throb Of The Mortuary
  11. Bumhooler
  12. Big A Little A
  13. First Woman
  14. Arlington 73
  15. Bomb plus Bomb tape
  16. Contaminational Power
  17. I Ain't Thick
  18. G's Song
  19. Securicor
  20. I Can't Stand It
  21. Shaved Women
  22. A Part Of Life
  23. Do They Owe Us A Living
  24. So What
  25. Salt 'n' Pepper

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[en] Christ – The Album

Christ – The Album is the fourth album by Crass, released in 1982. It was released as a boxed-set, double-vinyl LP package, including one disc of new studio material and another, entitled Well Forked.. But Not Dead, a live recording of the band's June 1981 gig at the 100 Club in London along with other studio tracks, demos and tape fragments. The box also included a book, A Series of Shock Slogans and Mindless Token Tantrums (featuring Penny Rimbaud's essay "The Last of the Hippies", telling the story of the suspicious death of his friend Wally Hope),[1] and a large poster painted by Gee Vaucher. The album was well received and the band considered it their best.[2]
- [it] Christ The Album



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