Boye (pronounced /bo.je/; a pun coming from feminine of boy and from boje, transl. colors) were a Serbian and Yugoslav rock band formed in Novi Sad in 1981. Until the late 1980s, Boye were an all-female band, but later lineups also featured male members, with drummer Biljana Babić being the only mainstay member during the band's career. Initially a part of the Yugoslav new wave scene, Boye later moved towards garage rock-influenced alternative rock. The band released four studio albums before disbanding in 1997.
Boye | |
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![]() Boye in the early 1980s | |
Background information | |
Origin | Novi Sad, Serbia, Yugoslavia |
Genres |
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Years active | 1981 – 1997 |
Labels | PGP RTB, Search & Enjoy, Doranit Enterprises Ltd, B92 |
Past members | Biljana Babić Jasna Manjulov Ljiljana Radaković Klaudija Gavrilović Vesna Branković Milica Žilnik Darko Matić Tanja Đajić Ilija Vlaisavljević Jelena Kajtez Aleksandra Blažić Vladimir Radusinović Miloš Rašković Đorđe Todorović Robert Telčer |
The band was formed in October 1981 by Biljana Babić (drums), Jasna Manjulov (keyboards, vocals, lyrics author), Ljiljana Radaković (bass guitar) and Klaudija Gavrilović (guitar, vocals).[1] The band had their first live appearance in December of the same year in the Novi Sad Medical School, presenting themselves as an energetic all-female new wave band.[1]
In February of the following year, along with other Novi Sad new wave bands, they performed at Novosadski novi talas (Novi Sad New Wave) concert held in the Vienna club Arena.[1] In 1983 the band performed at the international rock festival Frauen in der Rock Music (Women in Rock Music) in Vienna and Frauen Avantgarde (Avant-garde Women) festival in Linz.[1] At the time, Klaudija Gavrilović left the band, being replaced by Vesna Branković, and Milica Žilnik "Maša" became the lead vocalist.[1] In 1984 the band recorded their debut album in Zagreb, but the recordings were never released. The album was produced in synth-pop manner, as the record label wanted to promote Boye as a synth-pop act, and the members of the band, dissatisfied with the recorded material, broke a contract with the label.[1]
In 1985 the band made demo recordings with the Disciplina Kičme frontman Dušan Kojić "Koja" as the producer, presenting themselves with a more guitar-driven sound.[1] The recorded demo tracks provided them with an opportunity to release the 7-inch single with the songs "Ja hoću te" ("I Want You"), and "Kralj dosade" ("King of Boredom") through Belgrade-based PGP RTB.[2] The cover of the single was designed by Biljana Babić and featured the inscriptions "Prvi pravi ženski zvuk" ("The first true feminine sound") in Kojić's already familiar manner.[1]
The single release was followed by the debut album, Dosta! Dosta! Dosta! (Enough! Enough! Enough!), released by PGP-RTB in 1988, with material written during the previous years, featuring the prominent songs "Mama Kivi" ("Mother Kiwi"), "Gde se možemo sresti" ("Where Could We Meet") and the title track.[1] The album featured the new bass guitarist Darko Matić, the first male member in the group, and yet another vocalist, Tanja Đajić.[1] Under Kojić's influence, the band had maintained their original musical style and introduced rap vocal sections.[1] The album cover was designed by Babić.[1] In 1989 the band was joined by new bass guitarist Ilija Vlaisavljević "Bebec", formerly of the band La Strada, bringing new ideas and becoming a new leading figure of the band.[1]
In 1990, the band released their second studio album, 78, through the independent record label Search and Enjoy from Zagreb.[1] The album producer was once again Kojić, who also appeared as the author of the tracks and a guest guitarist.[2] The song "Ja sam radosna" ("I am Joyful"), present in the band repertoire since the beginning of their career, appeared on the album.[3] The song lyrics were written by former La Strada leader Sloboan Tišma, with La Strada song "Mlad i radostan" ("Young and Joyful") sampled on the track.[3]
The political circumstances in the country influenced the work within the group. With the outbreak of the Yugoslav Wars, Tanja Đajić, Jasna Manjulov and Vesna Branković left the band quitting their musical careers.[3] Biljana Babić and Ilija Vlaisavljević continued to lead Boye featuring new members Jelena Kajtez (vocals) and Aleksandra Blažić "Caka" (vocals) and Vladimir Radusinović "Radule" (guitar), the member of the Novi Sad punk rock band Atheist Rap, who had left Boye after a short period of time.[3] The new lineup appeared on the Ne računajte na nas (Do Not Count On Us) antiwar concert held at the Belgrade Republic Square during the spring of 1992.[3]
The following year, the band recorded their third studio album, Boye se ne boje (Boye Are Not Afraid). The album was recorded in the Netherlands at the Sing Sing studio owned by the former Čista Proza member Milan Ćirić.[3] The album production was done by Vlaisavljević, who had also recorded the guitar sections, and as guests on the album appeared former Disciplina Kičme member Zoran Erkman "Zerkman" (trumpet) and David Gardeur (keyboards).[3] With the help of the latter, the band recorded a promotional video for the track "Gleglegledaj!" ("L. L. Look!") which, along with the interview with the band, had been broadcast on Dutch national television.[3] The album was released for the Western market by the Israel record label Doranit Enterprises Ltd, led by two people from Novi Sad, under the name Boye Aren't Afraid, and in Serbia it was released first by Music YUser and then by Metropolis Records.[3] The album got the award for the best release in 1993 by the Serbian magazine Ritam.[3]
After Boye's return from the Netherlands, Aleksandra Blažić left the band, and Miloš Rašković (guitar) and Đorđe Todorović (trombone) became the new band members.[3] During the early 1994, the band held three concerts in Athens.[3] In 1995 they performed in Athens once again and at Crete as a part of the manifestation Za mir na Balkanu (For Peace on the Balkans).[3] In April of the following year the band performed. At the time, Robert Telčer became the new guitar player.[3] The new lineup performed in March 1996 at the Balkans Art Festival in Komotini and Xanthi situated in Greece, near the Turkish border.[3]
The fourth studio album Prevariti naviku (To Trick a Habit) was released in July 1997, once again recorded at the Sing Sing studio and produced by Vlaisavljević.[3] The album featured the single "Ludilo mašina" ("Machine Madness"), presenting the band in a more modern musical direction than on the previous releases. After the album release, without any official announcement, the band ceased to exist.[3] During the same year, on the Slovenian live various artists compilation V živo v Štuki (Live in Štuk), the band appeared with the recording of their 1995 performance at the Maribor Štuk Hall, along with the performances of various bands from Slovenia and Croatia.[3]
After leaving Boye, Jasna Manjulov published two books of poetry, Različite pesme (Different Songs, 1988) and Lažno predstavljanje (Misrepresentation, 1996) and worked as a proofreader.[3] Vlaisavljević, with the members of the band Obojeni Program, wrote and recorded music for Aleksandar Davić's 2004 film Party.[3]
In 2021 the album Prevariti naviku was polled 95th on the list of 100 Best Serbian Albums Since the Breakup of SFR Yugoslavia. The list was published in the book Kako (ni)je propao rokenrol u Srbiji (How Rock 'n' Roll in Serbia (Didn't) Came to an End).[4]
In 2009 the Serbian alternative rock band Obojeni Program covered the song "Ja hoću te" and released it in 7-inch single format through Dutch independent record label Hello Bing.[5] During the same year, the Serbian indie rock band Autopark covered the song "Gde možemo se sresti" ("Where We Could Meet") on their album Sve dalje (Further On).[6] In 2011, at the Belgrade Mikser Festival, Serbian alternative rock band Jarboli performed the album Dosta! Dosta! Dosta! in its entirety.[7]
In 2014 the cast of the Otvorena vrata TV series, covered the song "Dosta! Dosta! Dosta!", for the soundtrack for the episode "Idoli" ("Idols").[8]