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Popol Vuh[needs IPA] were a German musical collective founded by keyboardist Florian Fricke in 1969 together with Frank Fiedler (sound design, fine cut), Holger Trülzsch (percussion), and Bettina Fricke (tablas and production).[1] Other important members during the next two decades included Djong Yun, Renate Knaup, Conny Veit, Daniel Fichelscher, Klaus Wiese, and Robert Eliscu.[2] The band took its name from the Mayan manuscript containing the mythology of highland Guatemala's K'iche' people.[3]

Popol Vuh
OriginMunich, West Germany
Genres
  • Krautrock
  • ambient
  • world
  • psychedelia
  • new-age
  • electronic
  • neoclassical
Years active1969–2001
Labels
  • Liberty
  • Pilz
  • United Artists
  • Kosmische Kuriere
  • Brain
  • Innovative Communications
Past membersFlorian Fricke
Frank Fiedler
Holger Trülzsch
Djong Yun
Conny Veit
Daniel Fichelscher
Klaus Wiese
Bob Eliscu
Renate Knaup
Bettina Fricke
Alois Gromer
Ted De Jong
Guido Hieronymus
Maya Rose

Popol Vuh began as an electronic music project, but under Fricke's leadership they soon abandoned synthesizers for organic instrumentation and world music influences.[4] They developed a productive working partnership with director Werner Herzog, contributing scores to films such as Aguirre, The Wrath of God (1972), Nosferatu the Vampyre (1979), and Fitzcarraldo (1982).[5] The group are associated with West Germany's 1970s krautrock movement and are considered progenitors of new-age and ambient music.[6] Today, Popol Vuh's best-reviewed works are In den Gärten Pharaos (1971) and Hosianna Mantra (1972).[7]


History


The band's name, taken from the Mayan manuscript, has been translated roughly as "meeting place"[1] or "book of the community".[3] Their first album, Affenstunde, released in 1970, can be regarded as one of the earliest space music works, featuring the then new sounds of the Moog synthesizer together with ethnic percussion. This continued for only one more album, In den Gärten Pharaos, and material later to be released on the soundtrack to Aguirre, the Wrath of God, before Fricke largely abandoned electronic instruments in favour of piano-led compositions from 1972's Hosianna Mantra forward. This album also marked the start of exploring overtly religious themes rather than a more generally spiritual feeling within the music. The group evolved to include a range of instruments: wind and strings, electric and acoustic alike, combined to convey a mystical aura that made their music spiritual and introspective.

Popol Vuh influenced many other European bands with their uniquely soft but elaborate instrumentation, which took inspiration from the music of Tibet, Africa, and pre-Columbian America. With music sometimes described as "ethereal", they created soundscapes through psychedelic walls of sound, and are regarded as precursors of contemporary world music, as well as of new age and ambient.[citation needed]

The band contributed soundtracks to films of Werner Herzog, including the aforementioned Aguirre, the Wrath of God, as well as Nosferatu, Fitzcarraldo, Cobra Verde, Heart of Glass and The Enigma of Kaspar Hauser, in which Fricke appeared.

Florian Fricke died in Munich on 29 December 2001 and the group disbanded.[citation needed]

In October 2003 Klaus Schulze wrote:

"Florian was and remains an important forerunner of contemporary ethnic and religious music. He chose electronic music and his big Moog to free himself from the restraints of traditional music, but soon discovered that he didn't get a lot out of it and opted for the acoustic path instead. Here, he went on to create a new world, which Werner Herzog loves so much, transforming the thought patterns of electronic music into the language of acoustic ethno music."[8]

Discography


  1. Affenstunde (1970)
  2. In den Gärten Pharaos (1971)
  3. Hosianna Mantra (1972)
  4. Seligpreisung (1973)
  5. Einsjäger und Siebenjäger (1974)
  6. Das Hohelied Salomos (1975)
  7. Aguirre (1975)
  8. Letzte Tage – Letzte Nächte (1976)
  9. Herz aus Glas (1977)
  10. Brüder des Schattens – Söhne des Lichts (1978)
  11. Nosferatu (1978)
  12. Die Nacht der Seele (1979)
  13. Sei still, wisse ICH BIN (1981)
  14. Agape – Agape (1983)
  15. Spirit of Peace (1985)
  16. Cobra Verde (1987)
  17. For You and Me (1991)
  18. City Raga (1995)
  19. Shepherd's Symphony – Hirtensymphonie (1997)
  20. Messa di Orfeo (1999)

Florian Fricke solo albums



Compilations


Note: there are two distinct issues of the compilation Best of Popol Vuh – Werner Herzog. These are distinct from The Best Soundtracks from Werner Herzog Films, though the selections of tracks overlap.


Unauthorized album



References


  1. Popol Vuh Biography, Booklet to CD issue of "Popol Vuh Revisted & Remixed, 1970–1999", SPV recordings, 2011
  2. Michael Fuchs-Gambock, Gerhard Augustin: Booklet to CD re-issue of "Hosianna Mantra", SPV recordings, 2004
  3. Link text, additional text.
  4. Jason, Ankeny. "Biography". AllMusic. Retrieved 21 May 2019.
  5. Jason, Ankeny. "Biography". AllMusic. Retrieved 21 May 2019.
  6. Jason, Ankeny. "Biography". AllMusic. Retrieved 21 May 2019.
  7. "Acclaimed Music – Popol Vuh". Acclaimed Music. Retrieved December 22, 2016.
  8. Klaus Schulze, Oldau, October 7, 2003: Booklet to CD re-issue of "Hosianna Mantra", SPV recordings, 2004



На других языках


[de] Popol Vuh (Band)

Popol Vuh war eine experimentelle Band um Florian Fricke, die 1969 in München gegründet wurde und bis 2001 bestand. Die deutsche Formation wird gemeinhin dem Krautrock zugeordnet. Popol Vuh lässt sich aufgrund einer stilistischen Vielfalt und unterschiedlichster Einflüsse, darunter Indische Musik, jedoch schwer auf dieses Genre reduzieren.
- [en] Popol Vuh (band)

[es] Popol Vuh (banda)

Popol Vuh era un grupo musical alemán fundado en 1970 cuyo líder era el pianista Florian Fricke. Con la muerte de este en 2001 la banda desapareció. El nombre del grupo está tomado del libro de leyendas mitológicas mayas, el Popol Vuh.

[ru] Popol Vuh

Popol Vuh (Пополь-Вух) — немецкая музыкальная группа, основанная в 1969 г. в Мюнхене и исполнявшая краут-рок с элементами этнической музыки. Строгие стилистические определения по отношению к творчеству Popol Vuh использовать сложно: звучание проекта значительно изменялось от альбома к альбому. Группа известна по музыке в фильмах Вернера Херцога «Агирре, гнев божий», «Носферату — призрак ночи» и «Фитцкарральдо».



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