Dennis Morris is a British photographer, best known for his images of Bob Marley and the Sex Pistols.[1][2]

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Life and work

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In 1974 Morris, then at school in London, heard that Bob Marley was playing at the Speakeasy Club in Great Marlborough Street, London. He went to the club during the day, met Marley and asked to take his picture. Marley agreed, and after hearing that Morris wanted to be a photographer told him “You are a photographer”. The following day Morris left with the band in their Transit van. He went on to photograph the musician until Marley's death in 1981.[3]

After being approached by John Lydon personally, after their signing to Virgin Records, In May 1977 Morris spent a year with the Sex Pistols, documenting them in depth.[4][5][6] In 1978 Morris went with Virgin boss Richard Branson on a talent-spotting trip to Jamaica. Morris persuaded Virgin that John Lydon should accompany them.[7]

Morris describes his style as "reportage", citing as influences Robert Capa and Don McCullin. He used a Leica camera, finding that its small size meant that "you can take it anywhere, and no one takes it seriously. So you get them to open up."[5]

In 1979 Morris created the logo for the band Public Image Limited and the innovative Metal Box album packaging.[8] He then became art director of Island Records[9] and designed album covers for Linton Kwesi Johnson, Marianne Faithfull (Broken English) and Bob Marley.

In mid-1979 Morris replaced Don Letts as vocalist of Basement 5, a reggae punk fusion band. He created their logo, image, photography and graphics and gained a recording contract with Island Records. Their albums, 1965–1980 and Basement in Dub, were produced by Martin Hannett in 1980[10] and re-released by the PIAS label in 2017.[11]

In 2000 Morris travelled to the Philippines to photograph the crucifixion of artist Sebastian Horsley.[12] In 2002, to mark the 40th anniversary of Jamaican independence, Morris was commissioned by BBC 2 to document reggae superstars, Jamaican street culture and the energy of the dancehall for the award-winning TV series and accompanying book Reggae: The Story of Jamaican Music.[13][14]

In June 2005 the Spectrum London gallery had a show of photographs by Morris documenting the daily lives, ceremonies and rituals of the Mowanjum Community of Indigenous Australians.[15] The gallery was blessed by tribe leader Francis Firebrace, wearing body paint and tribal dress.[15]

Morris was commissioned to show a new body of work at the Today Art Museum in Beijing in 2008 to coincide with the Olympic Cultural programme.[16]

A large installation of his punk images (part of the I am a cliché, Echoes of the Punk Aesthetic exhibition curated by Emma Lavigne) was shown at the 41st Rencontres d'Arles (France) during the summer of 2010.[17]

In 2013 Morris collaborated with Shepard Fairey on a body of work titled S.I.D (Superman Is Dead), culminating in an exhibition at Subliminal Projects (LA- USA).[18][19]

In April 2014 he exhibited a large collection of his Bob Marley photographs at the Known Gallery in Los Angeles.[20][21]

In early 2016 BBC 4 made a documentary on his work as part of their ongoing series What do artists do all day?[22]

In 2016 the Institute of Contemporary Arts presented an exhibition of his design, marketing, art direction and photography of Public Image Ltd.[23]

In 2018, nowness made a short film of Dennis Morris in Tokyo for their "Photographers in Focus" series [24]

Some of his photos from his Growing Up Black collection are part of the Tate Britain collection and were displayed in an exhibition titled Stan Firm inna Inglan from November 2016 to November 2017.[25][26]

His photographs have appeared in publications including Rolling Stone, Time, People, V, GQ, I-D, Vogue, "Frieze magazine"[27] and the Sunday Times.^{[citation needed]}

He has held exhibitions worldwide (Sydney Opera House,^{[citation needed]} Laforet Museum, Tokyo,[28] Contact Toronto and in galleries in London, New York, Paris,^{[citation needed]} San Francisco,^{[citation needed]} and Stuttgart).^{[citation needed]}

His photographs have become highly collectable,^{[citation needed]}; one body of work, Southall – a home from home, was bought by English Heritage,[29] and is on permanent display at Gunnersbury Park Museum in London.[30] "Growing Up Black", a collection of his photographs of the black community in Hackney is part of the permanent collection of the Hackney Museum.[31] The Victoria and Albert Museum has also acquired some photographs from this series.[32]

Morris' work has been used in books such as Lipstick Traces: A Secret History of the 20th Century by Greil Marcus Century by Bruce Bernard, Punk by Steven Colgrave and Chris Sullivan, and Rolling Stone: The Complete Covers 1967–1997. He has been the subject of documentaries and television programmes in the UK and US.^{[citation needed]}

Gallery

• 
  Morris at the exhibition of his work on Public Image Ltd (PIL) at the Institute of Contemporary Arts, London
• 
  Morris at an exhibition of his work
• 
  Morris in front of one of his photos of Bob Marley
• 
  Morris at his Super Perry exhibition in Tokyo June 2022
• 
  Morris at his Superman Is Dead (S*I*D) show in London 2022

Books

• Destroy: Sex Pistols 1977. Creation Books, 1998. ISBN 1-84068-058-X.
• Bob Marley: A Rebel Life: A Photobiography 1973–1980. Plexus Publishing, 1999. ISBN 0-85965-268-8.
• Southall – a Home from Home. Olympus, 1999. ISBN 1-84068-054-7.
• A Bitta PIL. Parco Publishing, 2011. ISBN 978-4-89194-890-0.
• Growing Up Black. Autograph ABP, 2012. ISBN 978-1-899282-14-2.
• This is the one: a photo essay on the rise of the Stone Roses. WSI, 2012. ISBN 978-0-9572471-0-9.
• "Resurrection." Space Shower Books, 2013. ISBN 978-4906700912.
• The Bollocks: a photo essay of the Sex Pistols. Zero + Publishing, 2014. ISBN 978-1-937222-40-6.
• Super Perry: The Iconic Images of Lee Scratch Perry. TANG DENG Co., 2022. ISBN 9784908749339.

Album sleeves photography and design

• (1975) Bob Marley: Live at the Lyceum, cover photography [33]
• (1976) The Mighty Diamonds: Right Time, photography[34]
• (1978) XTC: White Music, photography[35]
• (1978) Public Image Ltd: Public Image: First Issue, photography and concept design.[36]
• (1979) Judy Mowatt: "Black Woman", photography.[37]
• (1979) Marianne Faithfull: Broken English, photography and concept design[38]
• (1980) Pablo Moses: "a song," photography and concept design [39]
• (1980) Linton Kwesi Johnson: LKJ in Dub, concept design[40]
• (1980) Linton Kwesi Johnson: "Bass Culture", sleeve concept and design[41]
• (1981) Basement 5: 1965–1980, photography and concept design[42]
• (1985) Simply Red: "Money's Too Tight (to Mention)," photography and concept design[43]
• (2003) Dillinja and Lemon D: "The Killa - Hertz", photography[44]
• (2011) Lee Scratch Perry: The Return of Sound System Scratch, photography[45]

Exhibitions

• 2008: Timeless, Mori Tower Gallery, Tokyo, Japan.[46]
• 2008: 8 Visions, one Dream, Today Art Museum, Beijing, China.[47]
• 2009: Growing Up Black, Hackney Museum, London, UK.[48]
• 2009: Marianne Faithfull: unseen images from the Broken English session, Snap Galleries, London, UK.[38]
• 2010: Rencontres d'Arles festival, Arles, France.[49]
• 2011: A Bitta PIL, PARCO Factory, Tokyo, Japan.[50]
• 2012: No, collaboration with Tim Noble and Sue Webster, Vinyl Factory, London, UK.[51]
• 2013: SID (Superman Is Dead), collaboration with Shepard Fairey, Subliminal Projects, Los Angeles, USA.[52]
• 2014: Bob Marley: Giant, Known Gallery, Los Angeles, USA.[53]
• 2014: The Bollocks, Known Gallery, Los Angeles, USA.[54]
• 2015: Staying Power, V&A Museum, London, UK (group show)[55]
• 2016: PiL first issue to Metal Box, ICA, London, UK[23]
• 2016: "Punk in Britain", Galleria Carla Sozzani, Milan, Italy (group show)[56]
• 2017: "Stan Firm inna ingland", Tate Britain, London, UK, (group show) [57]
• 2018: "Liam Gallagher, Rock'n'Roll Star", BookMarc, Tokyo, Japan [58]
• 2020: "Dub London", Museum of London, London, UK [59]
• 2021: "Life Between Islands", Tate Britain, London, UK [60]
• 2022: "Super Perry" the iconic images of Lee Scratch Perry, BookMarc, Tokyo, Japan [61]
• 2022: "Superman Is Dead" on Sid Vicious, Covent Garden, London, UK [62]

• 2022: "Super Perry" the iconic images of Lee Scratch Perry, 30 Old Burlington Street, London, UK [63]

References

External links

• Official website
• Video interview of Morris by Tate
• Film - 'Dennis Morris A Life in Focus'