music.wikisort.org - Musician

Patricia Caicedo (born 1969)[1] is a Colombian-Spanish classical soprano and musicologist who specializes in the study and performance of the Latin American and Spanish art song repertoire in Spanish, Catalan, Portuguese and Indigenous languages. She is also a trained physician.

Patricia Caicedo
Born	1969 (1969) Ibague, Colombia
Occupation	soprano singer musicologist
Years active	1993 – present
Website	patriciacaicedo.com

Life and career

Born in the Colombian city of Ibagué, Patricia Caicedo started studying music in her childhood at the Conservatorio de música del Tolima. She began singing in her teens, initially singing folk Latin American music. In 1992, after completing medical studies at the Escuela Colombiana de Medicina,[2] she initiated voice studies at the Conservatorio del Tolima[3] and later in Barcelona and New York. She studied with Rocio Rios, Alfredo Kraus, Maya Maiska, and Gilberto Escobar.

In 1993, she made her professional debut at the International Festival of Classical Music, accompanied by the Tolima Symphony Orchestra. She performed as a soloist in Juan Crisóstomo Arriaga's Stabat Mater and Pergolesi's Stabat Mater[4]^{[non-primary source needed]} and in other recitals. In 1993, she received first prize in the Concurso Nacional del Bambuco competition, and in 1998 she was named best classical soloist in Colombia by Sony Music.^{[citation needed]}

Patricia Caicedo specialized in Latin American and Iberian vocal repertoire. In this area she has published several books and CDs and frequently gives master classes,[5] lectures, and recitals in European and American universities.^[5][7][8] In 2013 she completed a PhD in musicology at the Universidad Complutense de Madrid, her dissertation title is The Latin American Art Song: National Identity, Performance Practice and the Worlds of Art.[6]

Since 2001 Caicedo has developed a busy concert and recording agenda. She has recorded eleven albums dedicated to the Latin American and Iberian Art Song repertoire in Spanish, Catalan and Portuguese ^[6] . Patricia has published several books, articles and CDs related to the Latin American, Catalan and Iberian vocal repertoire.[7][8][9][10][11][12][13]

A co-founder of the Latin American Art Song Alliance (LAASA), Caicedo founded Mundo Arts,[14] a company that publishes and distributes Latin American art song.[15][16]

In 2005, she founded the Barcelona Festival of Song,[16][15] an annual summer program for classical singers and a concert series dedicated to the study of the history and interpretation of the Latin American and Iberian vocal repertoire. The festival arrived to its seventeen edition in 2021.

Since 2008, Caicedo was included in the Who's Who in America. Published by Marquis Who's Who is the leading biographical reference publisher of the highest achievers and contributors from across the country and around the world. Her inclusion represents a tribute to her discipline and hard work as an advocate of the Latin American and Spanish Music. Since 2010 Patricia is also included in the Who's Who in American Women and Who´s Who in the World.[1][17]

In 2014, she created EYECatalunya, an interactive Internet platform dedicated to internationally promote Catalan creativity.[18]

In 2020 Patricia was elected as an Executive Board Member[19] of the International Music Council,[3] an organization founded in 1949 by UNESCO. The IMC[20] is the world's largest network of organizations and institutions working in the field of music. It promotes access to music for all and the value of music in the lives of all peoples.

In 2020 the National Association of Teachers of Singing (NATS)[21] of the United States highlighted Patricia's contribution to the diversity[22] in vocal performance and research. In the same year the European Voice Teacher Association invited her as a keynote speaker at EUROVOX[23] the congress of the association.

In 2022 Patricia was invited as a visiting scholar at the Iberian and Latin American Music Center of the University of California Riverside where she spend six months.[24] In the same year she presented lectures and masterclasses at Montclair University,[25] George Mason University, CalPoly,[26] New York University and University of California Irvine.[27] She presented a Masterclass of Latin American and Iberian Art Songs at the International Congress of Voice Teachers in Vienna.[28]

Since 1998, Caicedo lives in Barcelona, Spain, and has double citizenship, Colombian and Spanish.

Publications

Caicedo's publications include:

Books

• We are what we listen to: the impact of music on individual and social health. Barcelona: Mundoarts Publications, 2021.[29]
• Somos lo que escuchamos: impacto de la música en la salud individual y social. Barcelona: Mundoarts Publications, 2021.[30]
• Latin American and Iberian Art Songs by Women Composers. Barcelona: Mundoarts Publications, 2020.[31]
• Spanish Diction for Singers: A Practical Guide for the Pronunciation of the Peninsular and American Spanish. Barcelona: Mundoarts Publications, 2020.[32]
• The Latin American Art Song, Sounds of Imagined Nations. Maryland: Lexington Press, 2018.[33]
• Los sonidos de las naciones imaginadas: la canción artística latinoamericana en el contexto del nacionalismo musical. Barcelona: Mundo Arts Publications y Fundación Autor, 2018.[7]
• The Argentinian Art Song: Irma Urteaga, Complete Songs for Voice and Piano, Barcelona: Mundoarts Publications, 2017.[34]
• The Latin American Art Song: Critical Anthology and Interpretive Guide for Singers. Barcelona: Tritó, 2005[12][35][36]
• The Colombian Art Song: Jaime León, analysis and compilation of his works for voice and piano. New York: Mundo Arts Publications, 2009.[37][38]
• The Bolivian Art Song: Alquimia, Song Cycle by Agustín Fernández. Barcelona: Mundo Arts Publications, New York, MA003, 2012.
• El Barcelona Festival of Song: construyendo una narrativa para la canción Ibérica y latinoamericana. Barcelona: Mundo Arts Publications, MA004, 2014.[39]

Articles

Caicedo has also published articles on various subjects,[40] including:

• Caicedo, Patricia. "Deconstructing the Center and the Peripheries: A Proposal for a 4E Performance Practice of the Latin American Art Song". Journal of Singing, March/April 2021, Volume 77, No. 4, 501–507.[41]
• Caicedo, Patricia. "New Ways of Making Music and Being a Musician in the Digital Era."  Diagonal: An Ibero-American Music Review 5, no. 2 (2020): 66–77[42]
• Decolonizing Classical Singers’ Minds: The Latin American and Iberian Art Song Repertoire, Australian Voice, Volume 20, 2019
• Deconstructing the center and the peripheries: a proposal for a 4E performance practice of the Latin American art song. ICREA Colloquium. (Barcelona: February, 2019).[43][8]
• Caicedo, Patricia, "Marcel Duchamp y la performance practice de la canción artística latinoamericana" in Música y construcción de identidades: poéticas, diálogos y utopías en Latinoamérica y España, Rodriguez, Victoria Ed. 1-25. Madrid, Sociedad Española de Musicología, 2018.[9]
• "Marcel Duchamp y la performance practice de la canción artística latinoamericana in Música e identidades en Latinoamérica y España. Procesos, ideológicos, estéticos y creativos en el siglo XX". Universidad Complutense de Madrid.
• "Lo real, lo virtual y el interespacio: nuevas formas de ser músico y hacer música en la era digital", Actas del congreso MUCA, Universidad de Murcia, 2015.
• "The Latin-American Art Song Repertoire" in Singing. Voice of the Association of Teachers of Singing. AOTOS, UK. Spring, 2013.
• "Discovering Latin-American Art Song Through Song and Poetry’[44] in VoicePrints, Vol. 9 Jan-Feb, 2012.
• "A Guide to the Latin American Art Song Repertoire: An Annotated Catalog of Twentieth-Century Art Songs for Voice and Piano", (review) in Latin American Music Review, Volume 33, Number 1, Spring/Summer 2012, pp. 144–147 | 10.1353/lat.2012.0007[45]
• "Agua, espejo y puente: El papel de la mujer en la creación, desarrollo y difusión de la canción artística latinoamericana" in Papeles de Cadiz, Universidad de Cádiz, 2006.
• "La canción artística en América Latina: formas clásicas de vender fresas en las calles". ILAASA, University of Texas at Austin, 2003.[46]
• "Giaccomo Puccini: El hombre detrás del artista in Amadeus, No.87, Barcelona, 2000.
• "Carmen: una mujer de hoy" in Amadeus No.83, RBA revistas, Barcelona, 2000.'
• "El lied Latinoamericano: hacia un redescubrimiento musical de América" in Amadeus No.78, RBA Revistas, Barcelona, 1999.[47]

Recordings

Caicedo's recordings include:

• Nuestros dias: poemas de amor hechos canción. Barcelona: Mundo Arts Records, 2021.[48]
• Signat l´amic del cor. Barcelona: Mundo Arts Records, 2020.[49][50]
• Más que nunca: Colombian Art Songs by Jaime León. Barcelona: Mundo Arts Records & Fundación Autor, 2019[11]
• Miraba la noche el alma: Art Songs by Latin American & Catalan Composers. Barcelona: Mundo Arts Records, 2016.[51][10]
• Amb veu de dona: Catalan Art Songs by Women Composers. Barcelona: Mundo Arts Records, 2016.[52][53]
• De Catalunya vinc… Catalan Art Songs of the XX & XXI Centuries. Barcelona: Mundo Arts Records, 2015.[54]
• Jaime Leon: Aves y Ensueños (Colombian Art Songs), 2011. Label: Mundo Arts Records
• Estrela É Lúa Nova - un Viaje por América Latina y España (A journey through Latin-America & Spain'), 2011. Label: Mundo Arts Records
• De Mi Corazón Latino- Latin Songs of all times, 2010. Label: Mundo Arts Records[55]
• A mi ciudad nativa - Art Songs of Latin America Vol. 2, 2005. Label: Mundo Arts Records[56][57]
• Lied: Art Songs of Latin America, 2001. Label: Edicions Albert Moraleda[58][57]

References

External links

• Official Website
• Works by Patricia Caicedo on WorldCat
• Patricia Caicedo’s Perfect Day in Barcelona on Homage to BCN
• Articles by Patricia Caicedo on Academia.edu
• Article about Patricia at the Acadèmia Catalana de la Música

На других языках

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- [en] Patricia Caicedo

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[es] Patricia Caicedo

Patricia Caicedo (Ibagué, 1969) es una soprano y musicóloga colombo-española qie se especializa en el estudio y la interpretación de la canción artística latinoamericana e ibérica.[1]

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