Rucher started playing the guitar when his father came back from the United States in 1933 and presented him with a guitar.[1][2][3][4] His parents decided that he should take private music lessons. After a few years’ study, he started playing in public in his hometown and in Naples and Bari.[1][3][4][5][6]
American influence
The presence of American troops in the province of Foggia (and particularly in the area of Manfredonia, Rucher's hometown), between 1943 and 1946 led to Rucher joining several Allied Army's orchestras, where he came into contact with American musical atmosphere and jazz.[1][2][3][4][5][6][7][8][9]
Pino Rucher with the Vitale Orchestra
In 1946, Rucher entered the Carlo Vitale orchestra after coming first in a competition for the position of guitarist at Radio Bari.[1][3][5][6][7][8][9][10] After the dissolution of the Vitale orchestra, Rucher went to work for Radio Milano as a member of the Carlo Zeme orchestra.[5] In the 1950s and the early 1960s he also worked with two forerunners of Italian "swing", Pippo Barzizza and Cinico Angelini.[1][3][5][6][7][8][9][10][11]
Angelini Orchestra
Angelini selected Rucher as a member of his orchestra,[3][5][12][13] with which Rucher worked for about ten years.[1] He participated in events including the First International Song Festival in Venice[14] in 1955 and several San Remo Music Festivals,[12][15][16][17][18][19] among which the 1957 Festival,[2] where Claudio Villa came first with Corde della mia chitarra.[1][17][18]
Pino Rucher at the guitar with the Angelini Orchestra (1956)
Pino Rucher collaborations
Rucher took part in many musical events and radio and television broadcasts (San Remo Music Festivals, Naples Festivals, Festival delle rose, Mostra Internazionale di Musica Leggera in Venice, Canzonissima, Gran varietà, Studio Uno)[3][6][7][8][20] playing in a number of orchestras and, at the same time, went on cultivating his passion for American music, as can be seen from his transcriptions, with his own arrangements.[3][5][7][8][11][20] He devoted himself to jazz and performed in live concerts or in studios under the direction of many conductors.[9][21][22][23][24][25][26][27][28][29][30][31][32][33] The influence of American music can be noticed from his performance of Italian songs E se domani, Una zebra a pois (sung by Mina) and Amore twist (sung by Rita Pavone).[3][5][8][11][20] He also worked for orchestra conductor and composer Elvio Monti, who asked him to play in a number of his recordings. Rucher played the guitar in L’Estasi, a composition written by Monti for Andrea Giordana and Marina Solinas.[6]
Rucher took part in Sorella Radio, a production with the RAI orchestra.[citation needed] From the second half of the 1970s to December 1983, Rucher was engaged in playing in concerts as a guitarist in the RAI orchestra Ritmi moderni,[12] which came to be known as the RAI Big Band.[3][5][7][8][11] In 1984, owing to health problems, he stopped working for RAI, left Rome and retired.[7][8]
Pino Rucher is given a medal by Pope Paulus VI
Other activities
Rucher performed in film soundtracks from the late 1950s to the mid 1970s, with at least two hundred performances[34] including those under the direction of orchestra conductors Luis Bacalov,[7][20]Gianni Ferrio,[citation needed] Elvio Monti, Ennio Morricone,[13][35] and Riz Ortolani[36].[3][5][8][10][11]
Rucher was the first guitarist to play the electric guitar in Italian westerns,[34] performing as "electric guitar soloist" in A Fistful of Dollars.[2][3][4][5][8][11][37][38][39][40][41] Rucher also appears in some shots from Sanremo - La grande sfida, a 1960 movie including scenes from the San Remo Music Festival.[5][18][42] During his career he took part in musicals including Alleluja brava gente[4][6][8][11] and his guitar ideas are present in numerous Italian songs, including Casetta in Canadà (sung by Carla Boni), Flamenco Rock (Milva), Se non ci fossi tu (Mina), Andavo a cento all’ora (Gianni Morandi), Che m’importa del mondo (Rita Pavone), L’edera (Nilla Pizzi) and Adesso no (Neil Sedaka).[3][5][8][11]
On 5 October 2008, the local authorities supported a commemorative event to Rucher in his home town. The event took place in Piazza Giovanni XXIII (Manfredonia's central square).[5][6][35][43][44][45][46][47]
Pino Rucher at the guitar
On 16 October 2010, the Municipal Authorities of Manfredonia and of San Nicandro Garganico dedicated a special evening to Rucher. The event took place at the Cine-Teatro Italia of San Nicandro Garganico.[34][48][49][50][51]
The main songs with Pino Rucher as electric guitarist
The main songs with Pino Rucher as electric guitarist:
1964 - Il giornalino di Gian Burrasca - Music: Nino Rota - Musical arrangements and musical direction: Luis Enriquez Bacalov - Viva la pappa col pomodoro[20]
1964 - Per un pugno di dollari - Music: Ennio Morricone - Titoli (electric guitar soloist)[8][53]
1965 - Per qualche dollaro in più - Music: Ennio Morricone - Per qualche dollaro in più (electric guitar soloist) - Il vizio d’uccidere (electric guitar soloist)[8][53]
1965 - Due marines e un generale - Music: Piero Umiliani
1965 - Made in Italy - Music: Carlo Rustichelli
1965 - Adiós gringo - Music: Benedetto Ghiglia - Adios (the guitars and harmonicas version)
1966 - Avventure di mare e di costa - Music: Franco Potenza
1972 - La gatta in calore - Music: Gianfranco Plenizio - Grigioperla
1972 - Alleluja e Sartana figli di... Dio - Music: Elvio Monti, Franco Zauli
1972 - Come fu che Masuccio Salernitano, fuggendo con le brache in mano, riuscì a conservarlo sano - Music: Roberto Pregadio
1973 - Servo suo - Music: Carlo Esposito
Bibliographical notes
d.a., Manfredonia: "La nemica" di Niccodemi al Teatro Pesante, in La Capitanata (Foggia), II (1945), n° 27 (28 October), p.4
Musica jazz stasera all'Unione, in La Gazzetta del Mezzogiorno (Bari), 17 November 1951, p.4
l.m., Jazz e blues alla Sala Unione, in La Gazzetta del Mezzogiorno (Bari), 18 November 1951, p.4
Artisti pugliesi: Il chitarrista Pino Ruker, in Roma (Napoli), 27 March 1958, p.4 (Cronache delle Puglie)
Mario Bellucci, Giuseppe Rucher, in Lira musicale di Manfredonia: Musicisti del passato e del presente, Frascati, Tip. Laziale, [1966], p.67
Carlo Carfagna, Mario Gangi, Rucher Giuseppe (Pino), in Dizionario chitarristico italiano, Ancona, Edizioni musicali Bèrben, 1968, p.63
Al Teatro Giordano: Domani prosa stasera jazz, in La Gazzetta del Mezzogiorno (Bari), 9 November 1969, p.19
Vittorio Franchini, Jazz della Rai (prima volta) esce dal Palazzo con tante «star», in Corriere della Sera, 28 January 1980, p.9
Alla radio questa settimana, in Radiocorriere TV (Roma), LVII (1980), n° 13 (March), p.61
Michele Ferri, Profilo di un musicista: Il chitarrista Pino Rucher, in il Sipontiere (Manfredonia), III (1986), n° 2 (April–June), p.3
Michele Apollonio, Manfredonia: Le intitolazioni a 14 concittadini simbolo: Vie e nuovi nomi nel quartiere «Algesiro-Gozzini», in La Gazzetta del Mezzogiorno (Bari), 15 December 2005, p.11
Maurizio Becker, C'era una volta la RCA, Roma, Coniglio Editore, 2007, [Pino Rucher mentioned among RCA guitarists on p.299]
Carlo Ferrini, L'orchestra Angelini trasmise per radio musiche composte a Faenza, in Faenza... la città, Faenza, Tip. Faentina, 2008, p.103
Francesco Pesante, Pino Rucher, con la sua chitarra wawa dalla trilogia del dollaro alla Carrà..., in l'Attacco (Foggia), 3 October 2008, p.19
Michele Ferri, Omaggio a Pino Rucher grande chitarrista scomparso, in il Provinciale (Foggia), XX (2008), n° 10 (October), p.3
Maurizio De Tullio, Pino Rucher, in Dizionario Biografico di Capitanata: 1900-2008, Foggia, Edizioni Agorà, 2009, pp.252–3
Fernando Fratarcangeli, Pino Rucher, in Raro!. Mensile di collezionismo, cultura musicale e cinema (Roma), XXI (2010), n° 217 (January), pp.42–45
a.m.v., Il ricordo del chitarrista Pino Rucher, in La Gazzetta di Capitanata - La Gazzetta del Mezzogiorno, 8 January 2010, p.10
Adriano Mazzoletti, Il jazz in Italia: dallo swing agli anni sessanta, vol. II, Torino, EDT, 2010, [Pino Rucher mentioned on pp.321, 348, 458]
Anna Lucia Sticozzi, La musica rende omaggio alla chitarra dei «western», in La Gazzetta di Capitanata - La Gazzetta del Mezzogiorno, 11 October 2010, p.1
Anna Lucia Sticozzi, L'omaggio alla chitarra dei «western», in La Gazzetta di Capitanata - La Gazzetta del Mezzogiorno, 11 October 2010, p.11
Lucia Piemontese, Manfredonia ingrata dimentica Pino Rucher, il chitarrista di Sergio Leone, in l'Attacco (Foggia), 27 September 2011, p.16
Mario Patry, Le Bon, la Brute et le Truand - Coups de feu dans la Sierra Leone (2e partie), in Séquences. La revue de cinéma (Haute-Ville, Québec, Canada), LIX (2014), n° 291 (January–August), pp.26–27 [Pino Rucher mentioned on p.27]
Germano Barban, Voci dal lontano West italiano, in Raropiù. Mensile di cultura musicale, collezionismo e cinema (Roma), III (2015), n° 29 (November), p.51 [Pino Rucher mentioned on p.51]
Ulrich Adelt, Thrown into a Cruel World: Neil Young's Dead Man (1995), in All by Myself: Essays on the Single-Artist Rock Album, edited by Steve Hamelman, Lanham, Maryland, Rowman & Littlefield, 2016, [Pino Rucher mentioned on p.144]
Ferri, Alessandro (December 2017). "Pino Rucher, chitarrista nativo di Manfredonia: Una vita di successi nelle orchestre più famose del secolo scorso". il Provinciale. p.5.
a.l.s. (16 October 2010). "San Nicandro, questa sera al teatro: Omaggio al chitarrista Pino Rucher". La Gazzetta di Capitanata - La Gazzetta del Mezzogiorno. p.21.
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