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Fuyuhiko Kitagawa (北川 冬彦, Kitagawa Fuyuhiko) (3 July 1900 - 12 June 1990) was a Japanese poet and film critic. His real name was Tadahiko Taguro (田畔 忠彦, Taguro Tadahiko). While born in Shiga Prefecture, he was raised in Manchukuo in China due to his father's work on the South Manchurian Railway,[1] and then graduated from Tokyo University.[2] He began publishing his own poetry in Manchukuo in 1924 and his work was influenced by that colonial context.[1] His work was praised by Riichi Yokomitsu,[3] and he became a prominent figure in modernist poetry in Japan, pursuing especially prose poetry. Kitagawa was also a well-known film critic, one who especially praised the work of Mansaku Itami (the father of Juzo Itami), calling it a new, realistic "prose cinema" (sanbun eiga) in opposition to the old "poetic cinema" (inbun eiga) of Sadao Yamanaka, Daisuke Itō, and others. He was a champion of neorealism in the postwar era.[2]

Fuyuhiko Kitagawa 北川 冬彦
Fuyuhiko Kitagawa in 1941
Born	(1900-07-03)July 3, 1900 Shiga
Died	June 12, 1990(1990-06-12) (aged 89)
Nationality	Japanese
Occupation	Poet, film critic

He was a standard-bearer of the Scenario-Literature-Movement. He, Shuzo Takiguchi, Akira Asano and other members formed a group called 'Ten Scenario-Researchers'. They advocated the movement from a standpoint considering a scenario a literary genre.[4]

See also

• Lesescenario — Kitagawa referred to Lesescenario in his books Reports on Pure Cinema (Junsui Eiga ki 純粋映画記 1936 ) and Charms of Scenarios (Shinario no miryoku シナリオの魅力)[5]
• Motojiro Kajii admired Kitagawa's poetry[6]
• Iku Takenaka
• The True Story of Ah Q: He dramatized it in screenplay form[7]

References

External links

• a paper on Kitagawa's <full length epic> :focusing on the connection with scenario by Taiwanese researcher Yi-ching Tsai

На других языках

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- [en] Fuyuhiko Kitagawa

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[fr] Fuyuhiko Kitagawa

Fuyuhiko Kitagawa (北川 冬彦, Kitagawa Fuyuhiko?) (3 juillet 1900 - 12 juin 1990) est un critique cinématographique et poète japonais. Son vrai nom est Tadahiko Taguro. Bien que né dans la préfecture de Shiga, il est élevé dans le Mandchoukouo en Chine du fait de la position de son père auprès des chemins de fer de Mandchourie du Sud[1] puis est diplômé de l'Université de Tokyo[2]. Il commence à publier sa poésie au Mandchoukouo en 1924, premières publication influencée par le contexte colonial[1]. Ses travaux sont salués par Riichi Yokomitsu[3] et il devient une figure marquante de la poésie moderniste au Japon, s'adonnant particulièrement à la poésie en prose. Kitagawa est également un critique cinématographique reconnu qui, en particulier, a salué le travail de Mansaku Itami (père de Jūzō Itami), parlant notamment d'une nouvelle « prose cinématographique » réaliste (sanbun eiga), en opposition à l'ancien « cinéma poétique » (inbun eiga) de Sadao Yamanaka, Daisuke Itō et autres. Il est un champion du néoréalisme de la période d'après-guerre[2].

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