Nahum Tschacbasov (1899–1984; Russian: Нахум Чакбасов, Georgian: ნაუმ ჩაჩბასოვი)[2] also known as Nahum Lichter, was a Russian-born American painter, printmaker, graphic artist, poet, businessperson, and educator.[3][4] He used many names including Nahum Lichter, Nathan Richter, H. H. Richter, Hanathan Richter, and Nathan Lichterman.[2] Tschacbasov was a member of "The Ten", a group of expressionist artists.[5]
Nahum Tschacbasov | |
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Нахум Чакбасов | |
Born | Nahum Stefanovich Lichter (1899-08-31)August 31, 1899 Baku, Russian Empire |
Died | February 1, 1984(1984-02-01) (aged 84) New York City, New York, U.S. |
Burial place | New Montefiore Cemetery |
Other names | Nathan Richter, H. H. Richter, Hanathan Richter, Nathan Lichterman, Chuck Tschacbasov, Nate Tschacbasov |
Occupation | Visual artist, poet, graphic artist, businessperson, teacher |
Known for | Paintings, prints, teaching |
Movement | Expressionism, social realism, surrealist[1] |
Spouse(s) | Esther Sorokin, Irene Zevon |
He was born on August 31, 1899, in Baku, Russian Empire,[6] into a Jewish family of Georgian descent.[2] In 1905, when he was a young child, his family moved to Chicago because of pogroms.[2] There are varying stories as to why he used different names either due to a forged passport used for immigration; to avoid paying child support; and/or because he was a con-man.[2] He served in the United States Navy from 1917 to 1919.[7]
In the 1920s and 1930s, he worked as a businessman in Chicago where he made a fortune.[2] His second marriage was to his secretary Esther.[2] Tschacbasov moved to France in 1932 to 1933, where he studied painting with Adolph Gottlieb, Marcel Gromaire, and Fernand Léger.[2][8]
When the family returned to the United States the Tschacbasov family moved to Brooklyn.[2] Early in his career he had a good relationship with artists Milton Avery, Raphael Soyer, Moses Soyer, Isaac Soyer, William Gropper, David Burliuk, and Philip Evergood.[2] In 1935, he was part of a group exhibition at the Gallery Secession alongside Mark Rothko, Gottlieb, and the other artist members of "The Ten".[2]
He taught at the Art Students League of New York.[9] Additionally he taught painting at his own art school in Woodstock, New York; and taught at the Marxist-focused John Reed Club School.[9][10] His notable art students include Fritzie Abadi,[11] James F. Walker,[12] and his future wife Irene Zevon.[13]
In 1982, Southampton College Press published his illustrated poetry book, Machinery of Fright.[4]
He died in February 1984 at New York University Hospital.[9] He is buried in New Montefiore Cemetery.
It was estimated he had made some 7,000+ paintings and prints.[4] His work is included in museum collections including the Smithsonian American Art Museum,[3] the Metropolitan Museum of Art,[9] the Brooklyn Museum,[9] the Jewish Museum,[9] and the Whitney Museum of American Art.[9]
In 2013, he had a posthumous solo exhibition curated by Marina Kovalyov at the National Arts Club, as part of the 11th Annual Russian Heritage Month.[8]
Tschacbasov was a member of the Communist Party.[2][5]
His second wife was Esther Sorokin, who died in 1961;[2] his third wife was painter and his former student, Irene Zevon.[9][14] He had two children.[9] His daughter was Alexandra (or Sasha, Sondra), she was the second wife of writer Saul Bellows; together they had son Adam Bellow.[2] Bellows book Herzog (1964) was influenced by his divorce to Alexandra.[15][16] According to Alexandra in 2011, her father sexually abused her starting around age 11.[2][17]
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