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Bernardo De Muro (November 3, 1881 – 27 October 1955) was a Sardinian operatic tenor.

Plaque to Bernardo de Muro, Municipio Tempio Pausania
Plaque to Bernardo de Muro, Municipio Tempio Pausania

Biography


Bernardino de Muro was born on November 3, 1881, in Tempio Pausania, Sardinia, to Antonio Maria and Jeanne-Marie Demuro. His father was a small landowner. Bernardo's formal education ceased at primary school. Initially self-taught, he began singing in a café in Tempio. Moving to Rome, he participated in a competition for admission to the Conservatory of St. Cecilia in 1903. He studied under A. Sbriscia and Alfredo Martino. His operatic debut was on May 12, 1910, at the Teatro Costanzi in Rome, performing in Cavalleria rusticana by Mascagni. He received flattering reviews for this performance. In the next few years he performed in Madama Butterfly, L'Africaine, Carmen, and further performances of Cavalleria rusticana. Although he was long a star at La Scala,[1] he was largely unknown to American audiences until he began to tour there. His continued career carried him to such places as the Solis in Montevideo, Uruguay in 1916,[2] the Dal Verme in Milan (performing Mefistofele),[3] the Hippodrome,[1] St. Petersburg, Florida, in 1927,[4] and The Dell Ofrecie Grand Opera Company of New York (performing Aida).[5]


Later years


By 1935 De Muro was forced to cancel performances due to ill health.[5] He became a successful businessman with a large cork factory in Milan.[1] In his later years he taught voice in New York City, Sturgis, Michigan, and Rome. He died in Rome in 1955.[6] Recognized as Tempio's most famous son, his body was brought back to the place of his birth, and he was buried under a pyramid of his own design.[7]


Singing style


His singing was reported to be resonant and clear with a robust tone, but pinched in the head-notes.[8]


Partial discography



Legacy


The Bernardo De Muro Musical Academy, founded in 2010, is located in Tempio Pausania, Sardinia.[14]

The Bernardo De Muro Museum is housed within the Palazzo degli Scolopi, also located in Tempio Pausania, Sardinia.[15]


References


  1. The Day (New London, Conn.), "New York Day by Day", July 30, 1934. Page 24.
  2. Salgado, Susana (2003). The Teatro Solís: 150 years of opera, concert, and ballet in Montevideo. Wesleyan University Press. ISBN 978-0-8195-6594-5.
  3. The Musical Times, volume 62 (1921)
  4. The Evening Independent (St. Petersburg, Florida), Nov 22, 1927. Page 7.
  5. The Afro-American , "Opera Postponed in Philadelphia" June 1, 1935. Page 16.
  6. "Voice Teacher Known Here Dies in Rome, Italy". Battle Creek Enquirer. Battle Creek, Michigan. 28 Oct 1955. p. 23. Retrieved 11 July 2021 via Newspapers.com.
  7. Facaros, Dana and Pauls, Michael. (2004). Cadogan Guide: Sardinia. Cadogan Guides, London. ISBN 1-86011-324-9.
  8. Klein, Hermann and Moran, William R. (1990). Herman Klein and the Gramophone . Hal Leonard Corporation. ISBN 0-931340-18-7.
  9. Bolig, John R. (2004). The Victor Red Seal Discography Vol. 1: Single-Sided Series (1903–1925). Mainspring Press, Denver. ISBN 0-9671819-8-4.
  10. Settlemier, Tyrone. "The Online Discographical Project – Victor 6000 series (12-inch Double-Sided Red Seal) Numerical Listing". Retrieved August 9, 2010
  11. Settlemier, Tyrone. "The Online Discographical Project – Victor 74000 series Numerical Listing". Retrieved August 9, 2010
  12. Settlemier, Tyrone. "The Online Discographical Project – Victor 500 series (10-inch Double-Sided Red Seal) Numerical Listing". Retrieved August 9, 2010
  13. Nauck, Kurt. Catalogue: Vintage Record Auction Number 39.
  14. "Bernardo De Muro Musical Academy". Accademia Musicale Bernardo De Muro. Accademia Musicale Bernardo De Muro. Retrieved Jan 25, 2020.
  15. "Museo Bernardo Demuro" [Bernardo De Muro Museum]. Citta di Tempio Pausania (in Italian). Comune di Tempio Pausania. Retrieved Jan 25, 2020.





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