Henri Médus (21 October 1904 – 11 November 1985) was a French operatic bass.
French opera singer
This article does not cite any sources. (February 2019)
Georges Truc, Pierre Vellones, Henri Médus. Maurice Jaubert as the pianist (1937).
A member of the troupe of the Opéra Garnier from 1933, he distinguished himself particularly in the roles of: The Magic Flute (Sarastro), Samson et Dalila (the old Hebrew man), Aida (Ramfis), Rigoletto (Sparafucile), La Juive (Cardinal de Brogni), Les Huguenots (Marcel), Die Entführung aus dem Serail (Osmin), Boris Godunov (Pimen, Varlaam), Die Walküre (Hunding), and Der Rosenkavalier (Baron Ochs).
Biography
Medus was born in Guelma (Algeria) where he spent his childhood before his family settled in Algiers. He took singing lessons from Rose Elsie (soprano of the Opéra-Comique) After an audition for conductor Désiré-Émile Inghelbrecht (1880–1965), then musical director of the Algiers Opera, he was hired for the role of Colline in La Bohème. He made his stage debut on October 16, 1929 in Puccini's opera in French. After two seasons of experience in a multitude of roles, he moved to Paris and was hired as a chorister at the Théâtre du Châtelet. He studied further with Pierre-Ernest Dupré.
In 1933 he joined the Opéra Garnier and made his debut there on November 25, 1933 as Ramfis in Aida. He made his debut at the Théâtre de l'Opéra-Comique on April 20, 1941 as Arkel in Pelléas et Mélisande.He performed extensively in French and other European opera houses.
In 1959, he left the Opéra Garnier troupe while continuing his career other French theatres. He taught at the Conservatoire de Paris
In 1974, he gave his farewell performance in the role of Sarastro in The Magic Flute, which he had performed frequently throughout his long operatic career. He continued to be a member of juries for singing competitions.
He died in Toulon and is buried in Lagoubran Cemetery.
Discography
Complete
Gilbert Bécaud's L'Opéra d'Aran[fr] (the priest), with Alvino Misciano, Rosanna Carteri, Agnès Disney, Michel Llado, Louis Maurin, Peter Gottlieb, Roger Soyer, Franck Schooten, Georges Prêtre (dir.)- Pathé ASTY 136-138 3 (33 rpm)
Saint-Saëns's Samson et Dalila (The Hebew old man), with José Luccioni, Hélène Bouvier, Paul Cabanel, Charles Cambon, Louis Fourestier (dir.) – 1946 – EMI 5 65263 2 / rééd. Naxos historical 8.110063-64 (2 CD)
Weber's Oberon (le calife), with Constantina Araujo, Rita Gorr, Denise Duval, Martha Angelici, Georges Noré, Raphaël Romagnoni, Pierre Germain, Charles Paul, Marcel Clavere, Edmond Chastenet, Paul Finel, Max Conti, Alain Vanzo, André Philippe, Jacqueline Cauchard, André Cluytens – Live Opéra Garnier – Malibran – 1955
Extracts, selections
Adam's Si j'étais roi (Prince Kadoor), with René Bianco, Liliane Berton, Andrée Gabriel, André Mallabrera, Bernard Alvy, Richard Blareau (dir.) – Musidisc 203002 / reissue Accord 4762104 (2 CDs)
Lecocq's La Fille de madame Angot (Louchard), with Colette Riedinger, Suzanne Lafaye, Georgette Spanellys, Gabriel Bacquier, Louis Musy, Michel Cadiou, Richard Blareau (dir.) – January 1963 – Decca
Meyerbeer's Les Huguenots (Urbain), with Renée Doria, Jeanne Rinella, Guy Fouché, Simone Couderc, Adrien Legros, Jean Allain (dir.) – Pléiade P3085/86 (33 rpm) / reissue. Malibran Music MR 581 – Recorded in 1953 at Théâtre de l'Apollo.
Les Basses françaises, vol. 2 – Malibran Music MR 651
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