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Leopoldine Rysanek (14 November 1926 – 7 March 1998) was an Austrian dramatic soprano.

Leonie Rysanek
Painting by Heinz Anger 1962
Born
Leopoldine Rysanek

(1926-11-14)14 November 1926
Vienna, Austria
Died7 March 1998(1998-03-07) (aged 71)
OccupationClassical soprano
Spouse(s)Rudolf Großmann, Hans Haussmann (Conductor)

Life


Rysanek was born in Vienna and made her operatic debut in 1949 in Innsbruck.[1] In 1951 the Bayreuth Festival reopened and the new leader Wieland Wagner asked her to sing Sieglinde in Die Walküre. He was convinced that her unique, young and beautiful voice, combined with her rare acting abilities, would create a sensation. She became a star overnight, and the role of Sieglinde followed her for the rest of her career. Her final performance was at the Salzburg Festival in August 1996, as Klytämnestra in Elektra by Richard Strauss.

Her Metropolitan Opera debut came in 1959 as Lady Macbeth in Verdi's Macbeth, replacing Maria Callas who had been "fired" from the production. Over her lengthy career, she sang 299 performances of 24 roles there. She starred in productions of Verdi's Nabucco, in the title role of Ariadne auf Naxos by Richard Strauss, the Empress in Die Frau ohne Schatten, also by Strauss, and Janáček's Káťa Kabanová. She made her farewell there as the Countess in Tchaikovsky's The Queen of Spades in January 1996.

She was appointed curator of the Vienna Festival a few months after her retirement, a post she held until her death in Vienna at age 71 (she had been diagnosed with bone cancer during her last Met performances). Two days later, a Metropolitan Opera production of Wagner's Lohengrin with Ben Heppner in the title role was dedicated to her memory. In that opera, she had sung the role of Ortrud in the 1985–86 production.


Voice and roles


Leonie Rysanek's voice is regarded as in-line with the spinto and dramatic soprano categories. Although her voice fell in the upper end of the jugendlich-dramatisch and dramatischer Sopran categories in the German repertoire, it was exclusively dramatic by Italian operatic standards. Her endurance in the high tessitura of Strauss' operas is widely praised.

She is known for singing the music of Richard Strauss. She was especially praised as the Empress (Kaiserin) in Die Frau ohne Schatten, the title role in Salome, the Marschallin in Der Rosenkavalier and Chrysothemis in Elektra. She occasionally sang Ariadne/Prima Donna in Ariadne auf Naxos and female leads in Strauss operas rarely staged (Die ägyptische Helena and Die Liebe der Danae). However, cautious of playing out of her league, she didn't tackle Salome until 1972 when she was age 46, although she kept the role of Sieglinde in her active repertoire from her early 20s until age 62. She avoided offers to sing Isolde in Wagner's Tristan und Isolde despite speculation that the role would be perfect for her. She sang Brünnhilde in Die Walküre in 1950 in Innsbruck but did not return to this role. She stated in interviews that her great respect for her colleague Birgit Nilsson was a factor in her avoidance of that soprano's signature roles[citation needed]. One of her performances in Die Walküre took place in the same week as her appearance as Gilda in Rigoletto.

Rysanek sang the title role of Tosca often, and Turandot a few times. She also sang Leonore in Beethoven's Fidelio.

In Wagner, she sang Elisabeth in Tannhäuser often, also Elsa and Ortrud in Lohengrin. She is highly regarded for her portrayal of Senta in Der fliegende Holländer for two decades, but the role in which she was most revered, in addition to Strauss's Kaiserin and Chrysothemis, was Sieglinde in Die Walküre.

Due to Rysanek's vocal technique and strong vocal endurance she was able to sing many Verdi leads, notably Desdemona in Otello, Lady Macbeth, Amelia in Un ballo in maschera, Elisabetta in Don Carlo, Leonora in La forza del destino, and the title role of Aida. She also sang Abigaille in the Metropolitan Opera's first staging of Nabucco in 1960. She found this last role uncongenial, and the strain of performing it numerous times during that season brought on something of a vocal crisis, from which she successfully recovered.

As an Austrian and a Mitteleuropäerin, Rysanek also took an interest in music from Slavic countries, both Russian (Tchaikovsky) and Czech (Smetana, Janáček).

Rysanek sang Turandot and was praised in her role of Kundry in Parsifal at the Met, Vienna, and the Bayreuth Festival. Starting her career when Kirsten Flagstad was still alive and Birgit Nilsson and Astrid Varnay at the peak of their vocal abilities. In 1981, Karl Böhm persuaded her to sing Elektra for a Unitel film (with the soundtrack recorded in the studio), not a live production in an opera house.

In her later years, Rysanek reverted to dramatic mezzo-soprano roles like Herodias in Salome, Klytemnestra in Elektra and the Kostelnička in Janáček's Jenůfa.

Soprano Lotte Rysanek was Leopoldine Rysanek's sister.


Officially published recordings


Work (composer), role, conductor, year of recording, label.


Other recordings



Decorations and awards


Walk of Fame Vienna
Walk of Fame Vienna

Honorary memberships



References


  1. Kutsch, K. J.; Riemens, Leo (2003). Rysanek, Leonie. Großes Sängerlexikon (in German) (4th ed.). Walter de Gruyter. ISBN 978-3-59-844088-5.
  2. Dusek, Peter (2005), "Rysanek, Leonie", Neue Deutsche Biographie (in German), vol. 22, Berlin: Duncker & Humblot, pp. 311–313; (full text online)
  3. "Reply to a parliamentary question" (PDF) (in German). p. 1037. Retrieved 21 January 2013.



На других языках

- [en] Leonie Rysanek

[es] Leonie Rysanek

Leopoldine "Leonie" Rysanek (14 de noviembre de 1926 – 7 de marzo de 1998) fue una soprano lírico-dramática austríaca que descolló en óperas de Richard Wagner, Giuseppe Verdi y Richard Strauss.

[ru] Ризанек, Леони

Леопольдина «Леони» Ризанек (нем. Leonie Rysanek; 14 ноября 1926, Вена — 7 марта 1998, там же) — австрийская оперная певица, драматическое сопрано.


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